2026-05-15T16:53:44-05:00 2025-06-30 911194016 CLARK NUBER PS 555 110TH AVE NE SUITE 700 BELLEVUE WA 98004 990 2024-07-01 237052537 THE HENRY GALLERY ASSOCIATION INC HENR 2066168625 UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 KAY HUANG DIRECTOR OF FINANCE & OPS. 2066168625 2026-05-15 1 0 CAROLYN B FJELSTAD P02161439 4254544919 2026-05-15 2024 2025-03-06 01:10:19Z KAY HUANG UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 4421432 0 X WWW.HENRYART.ORG X 1968 WA TO ENGAGE ALL PEOPLE IN THE TRANSFORMATIVE POWER OF CONTEMPORARY ART AND IDEAS. 22 22 55 84 0 0 2689183 3508645 28443 18434 994456 841466 -82989 -92597 3629093 4275948 0 0 0 0 3191369 2946176 0 0 583536 1188487 1884779 4379856 4830955 -750763 -555007 28327036 29679393 334214 324036 27992822 29355357 X IN SUPPORT OF ITS MISSION TO ADVANCE CONTEMPORARY ART, ARTISTS AND IDEAS, THE HENRY DEVELOPS AND PRESENTS EXHIBITIONS OF CONTEMPORARY ART, MAINTAINS A 26,000+ OBJECT PERMANENT COLLECTION, AND OFFERS EDUCATION PROGRAMS TO SERVE A BROAD PUBLIC AUDIENCE, INCLUDING AN ONLINE CONSTITUENCY. FREE ADMISSION IS EXTENDED TO THE FACULTY, STAFF AND STUDENTS OF THE UNIVERSITY OF WASHINGTON AND TO STUDENTS AT ALL LEVELS OF ELEMENTARY AND HIGHER EDUCATION WORLDWIDE. 0 0 3078995 18434 THE HENRY IS GLOBALLY RECOGNIZED FOR BOLD AND CHALLENGING EXHIBITIONS, PUSHING THE BOUNDARIES OF CONTEMPORARY ART, AND BEING THE FIRST TO PREMIERE NEW WORKS BY ESTABLISHED AND EMERGING ARTISTS. OUR EXHIBITIONS AND PROGRAMS PRESENT NARRATIVES OFTEN ABSENT FROM PUBLIC DISCOURSE, CENTERING WORKS BY THOSE MARGINALIZED BY INEQUITABLE STRUCTURES AND SYSTEMS, INCLUDING ARTISTS WHO IDENTIFY AS WOMEN, PEOPLE OF THE GLOBAL MAJORITY (PGM), AND LGBTQ+. EDUCATION IS FUNDAMENTAL TO THE HENRY'S MISSION TO CONNECT OUR COMMUNITY TO THE POWER OF ART. WE DESIGN PUBLIC AND EDUCATIONAL PROGRAMS AROUND EXHIBITIONS AS POINTS OF ACCESS TO THE MUSEUM AND TO ARTISTS. THE HENRY STRIVES TO ENSURE THAT OFFERINGS REFLECT AND ATTRACT THE FULL SPECTRUM OF OUR COMMUNITY AND THAT COMMUNITIES OF COLOR SEE THE HENRY AS INVITING AND INCLUSIVE. THE HENRY SERVED 40,905 VISITORS IN FY2025. THE ORGANIZATION CONTINUES TO OFFER PAY-WHAT-YOU-WISH ADMISSIONS TO LOWER FINANCIAL BARRIERS TO ACCESS AND WE ARE ALWAYS FREE FOR YOUTH, STUDENTS, AND UW FACULTY AND STAFF. FREE PROGRAMS SERVED 860 PEOPLE, HELPING MAXIMIZE PUBLIC BENEFIT. SEVENTY-FOUR SCHOOL GROUPS AND COMMUNITY TOURS BROUGHT 1,150 YOUTH TO THE GALLERY. SERVICE ACCOMMODATIONS INCLUDE MOBILITY ACCESS, LISTENING DEVICES, LIVE AND CLOSED CAPTIONING, TRANSCRIPTS, BRAILLE AND LOW-VISION SIGNAGE, AND ALL-GENDER RESTROOMS. A) REPRESENTATIVE EXHIBITIONS THICK AS MUD EXPLORED HOW MUD ANIMATES RELATIONSHIPS BETWEEN PEOPLE AND PLACE THROUGH THE WORK OF EIGHT CONTEMPORARY ARTISTS. WITH A RANGE OF AESTHETIC APPROACHES FROM FIGURATIVE CLAY SCULPTURE TO AUDIO RECORDINGS OF THE SWAMP THE ARTISTS ENGAGED MUD AS A MATERIAL OR SUBJECT THAT SHAPES PERSONAL AND COLLECTIVE HISTORIES, MEMORY, AND IMAGINATION. NINA CHANEL ABNEY: FISHING WAS HIS LIFE CENTERED THE RICH CULTURE AND COMMERCE OF FISHING WITHIN THE AFRICAN AMERICAN COMMUNITY, CELEBRATING A LONG LEGACY OF IDENTITY AND SELF-DETERMINATION INTIMATELY ENTANGLED WITH COASTAL FISHERIES WHILE ALSO CONJURING THE STRUCTURAL INEQUITIES THAT THREATEN BLACK LIFE AND LIVELIHOODS WITHIN THE INDUSTRY. THIS WAS A DENSELY WOODED HILL, A COMMUNITY COLLABORATIVE EXHIBITION WITH YEHAW, A COLLECTIVE OF INTERDISCIPLINARY INDIGENOUS CREATIVES, EXPLORED AND REFLECTED ON THE ONGOING DISPLACEMENT OF NATIVE AND INDIGENOUS PEOPLES FROM THEIR ANCESTRAL TERRITORIES. HENRY OFFSITE: CHLO BASS SOFT SERVICES WAS PART OF THE HENRY'S INITIATIVE TO BRING COMMISSIONS OF NEW WORK INTO THE PUBLIC SPHERE THROUGH COLLABORATIONS WITH COMMUNITY PARTNERS. THIS COMMISSION IN PARTNERSHIP WITH VOLUNTEER PARK TRUST PLACED FOURTEEN STONE BENCHES THROUGHOUT THE PARK. ENGRAVED INSCRIPTIONS AND IMAGES TIED INTO THE LOCAL FLORA AND THE HISTORIES OF VOLUNTEER PARK AS A SITE FOR AIDS ACTIVISM HOW THAT MEMORIALIZATION AND TRAGIC LOSS RESONATE WITH OUR PANDEMIC EXPERIENCES AND GRAPPLED WITH THE ONGOING POLITICS OF ISOLATION, SHAME, CARE, AND WHAT BINDS US IN SICKNESS AND IN HEALTH. TAKING CARE: COLLECTION SUPPORT STUDIO SHARED 103 OBJECTS FROM THE HENRY'S COLLECTION THAT ARE RARELY ON VIEW. DURING THE EXHIBITION, THE COLLECTIONS TEAM EMBARKED UPON A LARGE-SCALE COLLECTIONS CARE PROJECT IN A TEMPORARY STUDIO CONSTRUCTED IN THE MIDDLE OF THE GALLERY. THIS ALLOWED VISITORS A BEHIND-THE-SCENES EXPERIENCE OF COLLECTIONS CARE THAT IS RARELY OPEN TO PUBLIC VIEW. EVERYTHING WAS BEAUTIFUL, AND NOTHING HURT WAS AN EXHIBITION OF MOVING-IMAGE INSTALLATIONS DRAWN FROM THE HENRY'S COLLECTION. UNIVERSITY OF WASHINGTON MFA AND MDES THESIS EXHIBITION: THE HENRY ANNUALLY PRESENTS THE UNIVERSITY OF WASHINGTON'S SCHOOL OF ART, ART HISTORY, DESIGN MASTER OF FINE ARTS, AND MASTER OF DESIGN THESIS EXHIBITION. FINE ARTS AND DESIGN STUDENTS WORK WITH ADVISERS AND OTHER ARTISTS TO DEVELOP ADVANCED TECHNIQUES, EXPAND CONCEPTS, DISCUSS CRITICAL ISSUES, AND EMERGE WITH A VISION AND DIRECTION FOR THEIR OWN WORK. B) PUBLIC AND EDUCATIONAL PROGRAMS EXHIBITION ARTIST TALKS, LECTURES, PANELS, AND WORKSHOPS PROVIDE OPPORTUNITIES FOR THE COMMUNITY TO MEET THE ARTISTS FEATURED IN OUR EXHIBITION SEASON AND ENGAGE IN IN-DEPTH LEARNING OPPORTUNITIES ABOUT CONTEMPORARY ART LED BY UW FACULTY AND OTHER EXPERTS.ARTVENTURES OFFERS FREE, QUARTERLY, ONSITE AND ONLINE WORKSHOPS THAT DRAW FROM THEMES IN OUR EXHIBITIONS TO LINK SCHOOL-AGED CHILDREN, FAMILIES, AND CAREGIVERS WITH OPPORTUNITIES TO EXPERIMENT WITH NEW MATERIALS AND MODES OF MAKING. THE HENRY TEEN ART COLLECTIVE CONNECTS UP TO 15 DIVERSE YOUTH FROM TEN REGIONAL SCHOOLS WITH INNOVATORS IN THE FIELD AROUND EXPERIENTIAL LEARNING. PARTICIPANTS MEET WEEKLY DURING THE ACADEMIC YEAR FOR ARTIST-LED WORKSHOPS, INDEPENDENT RESEARCH, COLLABORATIVE BRAINSTORMING, ART MAKING, AND CONVERSATIONS WITH ART PROFESSIONALS. PARTICIPANTS RECEIVE A $599 STIPEND. THE HENRY ART LIAISONS PROGRAM PROVIDES A PAID INTERNSHIP FOR UP TO SIX UNIVERSITY STUDENTS TO LEARN MUSEUM PRACTICES AND TAKE THE LEAD DEVELOPING GALLERY TOURS THAT THEY CONDUCT WITH A SOCIAL-JUSTICE LENS. HENRY ART LIAISONS ALSO FACILITATE SPECIAL TOURS FOR UNDERSERVED SENIORS TO INCREASE SOCIAL CONNECTION THROUGH INTERGENERATIONAL EXCHANGE. K12 TOURS INVITE SCHOOL GROUPS TO VISIT AND ENGAGE IN DIALOGUE THAT SPARKS STUDENTS' IMAGINATIONS AND CONNECT CONTEMPORARY ART TO THEIR CLASSROOM CURRICULUM. STAFF WORK WITH EDUCATORS TO CUSTOMIZE THE EXPERIENCE TO MEET THEIR GOALS AND NEEDS. INTERPRETIVE GUIDE PRINT PUBLICATIONS INVITE MEMBERS OF THE COMMUNITY, UW, AND PARTNER ORGANIZATIONS TO CONTRIBUTE INTERPRETIVE RESPONSES TO CURRENT HENRY EXHIBITIONS. CONTRIBUTORS RECEIVE A STIPEND. 68271 THE HENRY'S PERMANENT COLLECTION IS A DISTINCT CULTURAL ASSET SUPPORTING SCHOLARSHIP AND THE INTERESTS OF THE GENERAL PUBLIC. IT COMPRISES OVER 28,000 OBJECTS, INCLUDING SIGNIFICANT HOLDINGS IN PHOTOGRAPHY, MID-19TH TO 21ST-CENTURY PAINTING, WORKS ON PAPER INCLUDING EUROPEAN MASTER PRINTS, A TEXTILE AND COSTUME COLLECTION, AND A GROWING BODY OF WORKS IN NEW MEDIA FORMATS. THE COLLECTION'S SEARCHABLE ONLINE DATABASE, ACCESSED THROUGH THE HENRY'S WEBSITE, IS DESIGNED TO PROVIDE MANY POINTS OF ENTRY TO INFORMATION AND IMAGES ASSOCIATED WITH COLLECTIONS OBJECTS. ANNUALLY, MORE THAN 8,000 RESEARCHERS ACCESS OUR COLLECTION ONLINE. BY APPOINTMENT, WE HOST VISITORS IN OUR ELEANOR REED COLLECTION STUDY CENTER, WHERE STUDENTS, SCHOLARS, AND THE PUBLIC MAY VIEW WORKS OF ART FROM OUR PERMANENT COLLECTION, FREE OF CHARGE.THE HENRY HAS A GROWING COLLECTION OF IMPORTANT WORKS FROM THE 15TH CENTURY TO THE PRESENT, INCLUDING THE RENOWNED JOSEPH AND ELAINE MONSEN COLLECTION OF PHOTOGRAPHY, AND NEW ACQUISITIONS REFLECTING THE DYNAMIC RANGE OF CONTEMPORARY ART BEING CREATED WORLDWIDE. SUB-COLLECTIONS OF NOTE ARE: THE STIMSON-BULLITT COLLECTION OF 19TH CENTURY PRINTS JAPANESE FOLK POTTERY AND NORTHWEST CERAMICS THE THOMAS AND FRANCES BLAKEMORE COLLECTION OF JAPANESE PRINTS THE BURT AND JANE BERMAN COLLECTION OF CONTEMPORARY ART THE WILLIAM AND RUTH TRUE COLLECTION OF CONTEMPORARY ART THE ALBERT FELDMANN COLLECTION OF EUROPEAN MASTER PRINTS, AND THE WASHINGTON ART CONSORTIUM COLLECTION OF AMERICAN PHOTOGRAPHS, 1970-1980. THE HENRY IS ABLE TO PRESENT A NEARLY COMPREHENSIVE SURVEY OF PRINTMAKING, GROUNDED IN ITS SOCIAL AND POLITICAL HISTORY. 3147266 1 1 0 0 0 0 0 1 0 1 0 0 0 0 0 0 1 0 0 0 0 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 55 0 55 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 22 22 0 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 0 0 0 X KAY HUANG 2066168625 UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 ADAM GLANT CO-CHAIR 4.00 X X 0 0 0 LINDA MCDOUGALL LEWIS CO-CHAIR 4.00 X X 0 0 0 GAIL GIACOBBE PRESIDENT 4.00 X X 0 0 0 DON BLAKENEY CO-TREASURER 4.00 X X 0 0 0 KRISTEN SCOTT CO-TREASURER 4.00 X X 0 0 0 ALAA MENDILI SECRETARY 4.00 X X 0 0 0 GEOFFREY BARKER TRUSTEE 1.00 X 0 0 0 KRISTEN BECKER TRUSTEE 1.00 X 0 0 0 ANDY COMER TRUSTEE 1.00 X 0 0 0 JAMIE FISH TRUSTEE 1.00 X 0 0 0 SETH GRIZZLE TRUSTEE 1.00 X 0 0 0 MICHAEL HATCH TRUSTEE 1.00 X 0 0 0 JEN HIGGINS TRUSTEE 1.00 X 0 0 0 STEVE HOEDEMAKER TRUSTEE 1.00 X 0 0 0 ERIC HURT TRUSTEE 1.00 X 0 0 0 SANGRAM MAJUMDAR TRUSTEE 1.00 X 0 0 0 MAREN MONSEN TRUSTEE 1.00 X 0 0 0 STEVE SMELT TRUSTEE 1.00 X 0 0 0 JULIE SYRDAL TRUSTEE 1.00 X 0 0 0 MOLLY JAE VAUGHAN TRUSTEE 1.00 X 0 0 0 ROBERT WADE TRUSTEE 1.00 X 0 0 0 PETER TRUE TRUSTEE 1.00 X 0 0 0 KRIS LEWIS JOHN S. BEHNKE DIRECTOR 40.00 X 273838 0 33950 RICH REICHLEY INTERIM DIRECTOR OF FINANCE 40.00 X 0 0 0 TANJA BAUMANN DIR. COMMS & PUBLIC RELATIONS 36.00 X 103243 0 12011 SHAMIM MOMIN DIR. CURATORIAL AFFAIRS THRU 10/24 40.00 X 102268 0 19796 479349 0 65757 2 0 1 0 0 83130 9482 445397 2607486 363150 13177 3508645 ADMISSIONS 712110 13759 13759 PUBLICATION SALES 511199 4675 4675 18434 841466 841466 0 445397 145177 -145177 -145177 2637 307 2330 2330 INSURANCE PROCEEDS 900099 50250 50250 50250 4275948 18434 0 748869 370674 177907 121604 71163 2039119 1539593 215960 283566 76502 51541 5700 19261 249326 178457 30195 40674 210555 145487 37055 28013 128094 128094 416762 59298 288508 68956 54167 52171 1996 155552 46304 92579 16669 105498 10364 94104 1030 79339 48043 25777 5519 23684 14782 8902 EXHIBITION/CONSERVATION 520867 520867 EQUIP RENTAL & MAINT 250565 243360 5790 1415 PRINTING & PUBLICATIONS 52413 36043 1971 14399 HOSPITALITY 32993 5972 9989 17032 64845 17077 31929 15839 4830955 3147266 1100153 583536 684611 1420017 743873 401996 1174531 971046 35395 30151 24661081 25781936 1027545 1074247 28327036 29679393 334214 233849 0 90187 334214 324036 X 5422416 5713767 22570406 23641590 27992822 29355357 28327036 29679393 -555007 1917542 0 X 0 1 X 1 0 X 3473493 3155955 4298867 2689183 3508645 17126143 1452480 1476447 1500433 1524435 1548456 7502251 4925973 4632402 5799300 4213618 5057101 24628394 441018 24187376 745115 778292 933060 994986 841466 4292919 305 1638 1044 50250 53237 28974550 131704 0.83480 0.82990 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS - 2021 AMOUNT: $ 305. 2022 AMOUNT: $ 1,638. 2023 AMOUNT: $ 1,044. INSURANCE PROCEEDS - 2024 AMOUNT: $ 50,250. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 25688626 15 2005022 837480 26856183 24355176 3843625 2510175 25688626 24344612 1173338 1162774 24355176 26704954 -1593808 766534 24344612 19624814 1000000 6824321 744181 26704954 0.17170 0.48030 0.34800 1 0 0 7743003 1917542 1553406 -4200 3466748 4276255 -307 -307 4275948 6380468 1553406 307 1553713 4826755 4200 4200 4830955 PART III, LINE 1A: COLLECTION ITEMS ARE NOT CAPITALIZED, WHETHER ACQUIRED THROUGH DONATION OR PURCHASE. DONATED COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES AND CHANGES IN NET ASSETS. PURCHASES OF COLLECTION ITEMS, WHETHER ACQUIRED WITH FUNDS WITH OR WITHOUT DONOR RESTRICTION, ARE RECORDED AS NONOPERATING COSTS AND ACCORDINGLY, DECREASE NET ASSETS WITHOUT DONOR RESTRICTION. NET ASSETS WITH DONOR RESTRICTION ARE RELEASED WHEN COLLECTION ITEMS ARE ACQUIRED WITH RESTRICTED FUNDS. ALL PURCHASED AND DONATED COLLECTION ITEMS ARE TRANSFERRED TO THE UNIVERSITY, WHICH OWNS THE PERMANENT COLLECTIONS OF THE GALLERY. PART III, LINE 4: THE PERMANENT COLLECTION IS A DISTINCT CULTURAL ASSET SUPPORTING SCHOLARSHIP AND THE INTERESTS OF THE GENERAL PUBLIC. IT COMPRISES OVER 28,000 OBJECTS, INCLUDING SIGNIFICANT HOLDINGS IN PHOTOGRAPHY, MID-19TH TO 21ST-CENTURY PAINTING, WORKS ON PAPER INCLUDING EUROPEAN MASTER PRINTS, A TEXTILE AND COSTUME COLLECTION, AND A GROWING BODY OF WORKS IN NEW MEDIA FORMATS. THE COLLECTIONS' SEARCHABLE ONLINE DATABASE, ACCESSED THROUGH THE HENRY'S WEBSITE, IS DESIGNED TO PROVIDE MANY POINTS OF ENTRY TO INFORMATION AND IMAGES ASSOCIATED WITH COLLECTIONS OBJECTS. ANNUALLY, OUR COLLECTIONS ARE ACCESSED BY APPROXIMATELY 3,400 RESEARCHERS ONLINE. IN ADDITION, WE HOST VISITORS IN OUR ELEANOR REED COLLECTION STUDY CENTER, WHERE STUDENTS, SCHOLARS, AND THE PUBLIC MAY VIEW WORKS OF ART FROM OUR PERMANENT COLLECTION, FREE OF CHARGE. PART V, LINE 4: THE HENRY GALLERY ASSOCIATION (THE HENRY) INTENDS TO USE UNRESTRICTED ENDOWMENT FUND DISTRIBUTIONS TO SUPPORT OPERATIONS AND TO USE RESTRICTED ENDOWMENT FUND DISTRIBUTIONS ON THE RELATED RESTRICTED PURPOSE. THE HENRY'S ENDOWMENT FUND IS MANAGED BY THE UNIVERSITY OF WASHINGTON'S CONSOLIDATED ENDOWMENT FUND (CEF). DISTRIBUTIONS ARE MADE IN ACCORDANCE WITH THE SPENDING POLICY SET BY THE BOARD OF REGENTS. THE SPENDING AND INVESTMENT POLICIES OF THE CEF ATTEMPT TO PROVIDE A PREDICTABLE STREAM OF FUNDING WHILE SEEKING TO MAINTAIN THE PURCHASING POWER OF THE ENDOWMENT ASSETS. THE SPENDING POLICY IS SET AT 4% OF A FIVE YEAR MOVING AVERAGE MARKET VALUE. PART XI, LINE 2D - OTHER ADJUSTMENTS: EVENTS EXPENSE REPORTED ON PART IX -4,200. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON PART VIII -307. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON PART VIII 307. PART XII, LINE 4B - OTHER ADJUSTMENTS: EVENTS EXPENSE REPORTED ON PART IX 4,200. X X X X X X X 1 SCANDIUZZI KREBS 1424 11TH AVE SUITE 400 SEATTLE WA 98122 DEVELOPMENT AND FUNDRAISING OVERSIGHT 0 0 32500 -32500 32500 -32500 HENRY GALA 445397 445397 13000 61242 31130 39805 445397 445397 13000 61242 31130 39805 145177 -145177 0 0 0 0 0 0 0 0 0 KRIS LEWIS JOHN S. BEHNKE DIRECTOR 273838 0 0 0 0 0 20645 0 13305 0 307788 0 0 0 SHAMIM MOMIN DIR. CURATORIAL AFFAIRS THRU 10/24 102268 0 0 0 0 0 8246 0 11550 0 122064 0 0 0 TANJA BAUMANN DIR. COMMS & PUBLIC RELATIONS 103243 0 0 0 0 0 2895 0 9116 0 115254 0 0 0 SCHEDULE J, PART I, LINE 3: THE OFFICERS OF THE HENRY GALLERY ASSOCIATION ARE COMPENSATED BY THE UNIVERSITY OF WASHINGTON, NOT THE ASSOCIATION. THE OFFICERS' SALARIES ARE SET BY THE UNIVERSITY, USING COMPARABILITY AND MARKET DATA. THE UNIVERSITY'S POLICIES ARE GOVERNED BY STATE OF WASHINGTON POLICY. COMPENSATION WAS INITIALLY ESTABLISHED FOR THE DIRECTOR IN 2023. ANY CHANGES TO INITIAL COMPENSATION ARE MADE WITHIN THE PARAMETERS OF UNIVERSITY POLICY. SCHEDULE J, PART II: EXPLANATION OF COMPENSATION UNIVERSITY OF WASHINGTON (UW), AN UNRELATED ORGANIZATION, PROVIDES SUPPORT TO THE ORGANIZATION RELATING TO THE OPERATION OF THE GALLERY BY PAYMENT OF CERTAIN EXPENSES AND PAYROLL COSTS (PRIMARILY MANAGEMENT LEVEL EMPLOYEES). A DETAILED COMPENSATION BREAKOUT FOR KRIS LEWIS, SHAMIM MOMIN AND TANJA BAUMANN CAN BE FOUND ON SCHEDULE J, PART II. X 1 N/A X 3 13177 FAIR MARKET VALUE 1 0 1 0 PART I, COLUMN (B): WORKS OF ART ARE LISTED AS THE NUMBER OF WORKS RECEIVED. ALL OTHERS ARE THE NUMBER OF CONTRIBUTORS. PART I, LINE 33: CONTRIBUTIONS OF WORKS OF ART TO THE MUSEUM'S COLLECTIONS ARE NOT CAPITALIZED OR REPORTED AS REVENUE AS ALLOWED UNDER SFAS 116. FORM 990, PART 1, LINE 6: EVENT VOLUNTEERS ASSIST WITH VISITOR COORDINATION DURING SPECIAL EVENTS. THE VOLUNTEER BOARD OF TRUSTEES, ALONG WITH ITS COMMITTEES, PROVIDES GUIDANCE AND OVERSIGHT FOR THE OPERATIONS OF THE HENRY GALLERY ASSOCIATION. THERE WERE 22 VOTING MEMBERS OF THE BOARD OF TRUSTEES WHO DONATED THEIR TIME TO THE ORGANIZATION. HOURS ARE ESTIMATED BASED ON DUTIES PERFORMED. NO EVENT VOLUNTEERS HELPED SUPPORT THE HENRY DURING FY25. FORM 990, PART VI, SECTION B, LINE 11B THE FORM 990 IS PREPARED BY A THIRD PARTY ACCOUNTING FIRM AND REVIEWED IN DETAIL BY THE DIRECTOR OF FINANCE AND THE FINANCE COMMITTEE CHAIR. THE PUBLIC DISCLOSURE COPY OF FORM 990 IS PROVIDED TO BOARD MEMBERS PRIOR TO SUBMISSION TO THE IRS. THE BOARD DOES NOT REVIEW THE COMPLETE 990 AS IT DOES NOT WISH TO ELECTRONICALLY DISTRIBUTE THE DONOR INFORMATION CONTAINED IN SCHEDULE B. FORM 990, PART VI, SECTION B, LINE 12C ANNUALLY OFFICERS, TRUSTEES AND EMPLOYEES REVIEW THE ORGANIZATION'S CONFLICT OF INTEREST POLICY, INCLUDING DEFINITIONS AND EXAMPLES OF POTENTIAL CONFLICTS. OFFICERS, TRUSTEES AND EMPLOYEES ARE ANNUALLY REQUIRED TO SIGN A STATEMENT THAT THEY HAVE READ THE POLICY AND UNDERSTAND IT, ARE IN COMPLIANCE WITH IT AND WILL DISCLOSE ANY FUTURE POTENTIAL CONFLICT OF INTEREST IN ACCORDANCE WITH THE POLICY. WHENEVER A CONFLICT OF INTEREST ARISES, A TRUSTEE IS REQUIRED TO GIVE FAIR AND FULL DISCLOSURE IN SUFFICIENT TIME TO ALLOW PROPER STEPS TO BE TAKEN TO INSULATE THE INDIVIDUAL FROM INFLUENCING DECISIONS RELATING TO SUCH CONFLICT. SAID TRUSTEE SHALL CLEARLY DISCLOSE THE NATURE OF THE CONFLICT TO THE CHAIR OF THE COMMITTEE OR THE PRESIDENT OF THE BOARD OF TRUSTEES AND REFRAIN FROM VOTING UPON THE ACTION. CONFLICTS ARE REVIEWED BY THE BOARD OF TRUSTEES AND AND/OR ALL COMMITTEES WITH BOARD DELEGATED POWERS. THE RESTRICTIONS IMPOSED ARE DETERMINED AT THE TIME OF CONFLICT EVALUATION AND ARE DEPENDENT UPON THE CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 THE OFFICERS OF THE HENRY GALLERY ASSOCIATION ARE COMPENSATED BY THE UNIVERSITY OF WASHINGTON, NOT THE ASSOCIATION. THE OFFICERS' SALARIES ARE SET BY THE UNIVERSITY, USING COMPARABILITY AND MARKET DATA. THE UNIVERSITY'S POLICIES ARE GOVERNED BY STATE OF WASHINGTON POLICY. ANY CHANGES TO COMPENSATION ARE MADE WITHIN THE PARAMETERS OF UNIVERSITY POLICY. FORM 990, PART VI, SECTION C, LINE 19 THE ASSOCIATION'S GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY AND FINANCIAL STATEMENTS ARE AVAILABLE TO THE PUBLIC UPON REQUEST. THE PUBLIC IS MADE AWARE OF THIS PROCEDURE THROUGH AN EXPLANATION ON THE ASSOCIATION'S WEBSITE.