2025-12-11T13:45:24-06:00 2025-06-30 131655065 LUTZ AND CARR CPAS LLP 551 FIFTH AVENUE SUITE 400 NEW YORK NY 10176 990 2024-07-01 136206608 NEW YORK LIVE ARTS INC NEWY 2126916500 219 WEST 19TH STREET NEW YORK NY 10011 KIM CULLEN EXECUTIVE DIRECTOR/CEO 2126916500 2025-12-11 1 0 JESSICA DIGIAMO DIAZ P01994693 2126972299 2024 2025-03-06 01:10:19Z KIM CULLEN 219 WEST 19TH STREET NEW YORK NY 10011 17307570 0 X WWW.NEWYORKLIVEARTS.ORG X ASSOCIATION 1965 NY NEW YORK LIVE ARTS IS AN INTERNATIONALLY RECOGNIZED DESTINATION FOR INNOVATIVE, MOVEMENT-BASED ARTISTRY LOCATED IN THE HEART OF CHELSEA IN NEW YORK CITY. THE ARTISTIC DIRECTOR BILL T. JONES, A WORLD-RENOWNED CHOREOGRAPHER, DANCER, THEATER DIRECTOR, AND WRITER, LEADS OUR MISSION TO OFFER AUDIENCES ACCESS TO ART AND ARTISTS NOTABLE FOR THEIR CONCEPTUAL RIGOR, FORMAL EXPERIMENTATION, AND ACTIVE ENGAGEMENT WITH THE SOCIAL, POLITICAL, AND CULTURAL CURRENTS OF OUR TIMES. 23 21 180 21 0 0 5231339 8389793 895664 1405451 417548 475673 94087 93405 6638638 10364322 0 2728225 0 0 3602475 3640969 0 0 763447 2955791 2512750 6558266 8881944 80372 1482378 19106950 20418099 702003 605186 18404947 19812913 X NEW YORK LIVE ARTS STRIVES TO CREATE A ROBUST FRAMEWORK IN SUPPORT OF THE NATION'S DANCE AND MOVEMENT-BASED ARTISTS THROUGH NEW APPROACHES OF PRODUCING, PRESENTING, AND EDUCATING IN OUR 20,000 SQUARE FOOT HOME, WHICH INCLUDES A 184-SEAT THEATER, TWO 1,200 SQUARE FOOT STUDIOS, AND COMMUNAL SPACE IN THE LOBBY AND CAFE. LIVE ARTS SERVES AS HOME BASE FOR THE BILL T. JONES/ARNIE ZANE DANCE COMPANY, PROVIDES AN EXTENSIVE RANGE OF PARTICIPATORY PROGRAMS FOR ADULTS AND YOUNG PEOPLE, AND SUPPORTS THE CONTINUING PROFESSIONAL DEVELOPMENT OF ARTISTS. WITH OUR AUDIENCE, WE SEEK TO BECOME A PLACE FOR DANCE THAT IS VITAL TO THE FABRIC OF SOCIAL AND CULTURAL LIFE IN NEW YORK, AMERICA, AND BEYOND. 0 0 7170743 2728225 1498856 NEW YORK LIVE ARTS HAD A CRITICALLY ACCLAIMED 2024-25 SEASON INCLUDING SIX 2024 BESSIE AWARD NOMINATIONS AMONG THREE COMMISSIONED ARTISTS AND TWO 2025 BESSIE AWARD NOMINATIONS. LIVE ARTS PRODUCED THIRTEEN FULLY PRODUCED PRESENTATIONS, INCLUDING RCA, LIVE FEED, AND LIVE ARTERY FESTIVAL THAT BROUGHT IN AN AUDIENCE OF NEARLY 6,912 TO LIVE ARTS. THE BILL T. JONES/ARNIE ZANE DANCE COMPANY TOURED NATIONALLY, BRINGING ITS WORK TO APPROXIMATELY 6,702 AUDIENCE MEMBERS. DURING THE COMPANY'S 43RD YEAR, THEY HAD 8 PERFORMANCES IN NEW YORK CITY. REMOUNTING THE ICONIC WORK STILL/HERE AT BROOKLYN ACADEMY OF MUSIC (BAM), MARKING ITS 30TH ANNIVERSARY, AS WELL AS PREMIERING A NEW WORK FOR THE HOME SEASON AT NEW YORK LIVE ARTS. BILL T. JONES WAS COMMISSIONED TO CREATE A SOLO FOR THE WHITNEY ART MUSEUM'S EDGES OF AILEY EXHIBIT, WHERE HE HAD 2 SOLD-OUT SHOWS FOR HIS WORLD PREMIER OF MEMORY PIECE: MR. AILEY, ALVIN. THE UN-AILEY? WE ALSO REMOUNTED THE WORK FOR THE COMPANY'S HOME SEASON IN MAY 2025.NEW YORK LIVE ARTS CONTINUED TO SUPPORT THE DEVELOPMENT OF THE NEW WORK OF ITS SEVENTH RESIDENT COMMISSIONED ARTIST, MIGUEL GUITERREZ, AND HIS WORK, SUPER NOTHING, WHICH PREMIERED IN JANUARY 2025. LIVE ARTS ANNOUNCED JOANNA KOTZE AS THE EIGHTH RESIDENT COMMISSIONED ARTIST FOR THE FISCAL YEAR 26-27 AND WILL SUPPORT THE DEVELOPMENT OF THEIR NEW WORK. LIVE ARTS ALSO COMMISSIONED NEW WORK FROM SOME OF THE MOST FORWARD-THINKING INDEPENDENT ARTISTS OF OUR TIME IN OUR THEATRE AND IN NYC: INCLUDING WALLY CARDONA, LISA FAGAN & LENA ENGLESTEIN, MILKA DJORDEVICH AND MAKINI (JUMATATU POE). THE LIVE FEED RESIDENCY PROGRAM IS A LABORATORY FOR THE DEVELOPMENT OF NEW COMMISSIONED WORK DIRECTED TO OUR THEATER. EMERGING AND MID-CAREER ARTISTS SELECTED BY THE LIVE ARTS CURATORIAL STAFF ARE OFFERED 140 HOURS OF REHEARSAL TIME OVER TWO YEARS, FOLLOWED BY MODERATED DISCUSSIONS IN THE FIRST YEAR. IN THE SECOND YEAR, WE PREMIER THEIR NEWLY CREATED PERFORMANCE PIECE IN OUR THEATER. ALONG WITH PERFORMANCE FEES, EACH COMMISSIONED ARTIST ENJOYED A WEEK-LONG TECHNICAL RESIDENCY IN NEW YORK LIVE ARTS' THEATER, AN UNUSUAL OPPORTUNITY TO REFINE A WORK FOR THE STAGE. NEW YORK LIVE ARTS SERVED AS AN ARTISTIC HOME TO MORE THAN 200 EMERGING AND MID-CAREER ARTISTS. THE EMERGING ARTIST PROGRAM, FRESH TRACKS SUPPORTED FIVE NEW ARTISTS WITH A YEAR OF PROFESSIONAL DEVELOPMENT, LED BY ARTISTIC ADVISOR JULIANA MAY, AND PRODUCING A NEW WORK ON A SHARED EVENING OF FOUR PERFORMANCES OF: MAXI HAWKEYE, KASHIA KANCEY, JADE MANN, AYO OHS.THE BILL CHATS PROGRAM, WHERE WE CONTINUED TO INVESTIGATE ISSUES OF OUR TIME, THIS YEAR WITH BILL T. JONES IN CONVERSATION WITH JUDITH BUTLER AND ANNE DEVEARE SMITH. THE MOTHERBOARD SUITE, CREATED BY SAUL WILLIAMS AND BILL T. JONES, CONTINUED ITS TOURING TO THE FORD IN LOS ANGELES, CA, WITH ONE PERFORMANCE TO APPROXIMATELY 700 AUDIENCE MEMBERS. IN ITS 14TH YEAR, THE LIVE ARTERY FESTIVAL PRESENTED SEVEN FULLY PRODUCED PRODUCTIONS: JULIA ANTINOZZI, LESLIE CUYJET, MILKA DJORDJEVICH, JESSIE FACTOR, MIGUEL GUTIERREZ, FAUSTIN LINYEKULA, SAMARA SARAI, STACY SPENCE, AND ZOE|JUNIPER. THERE WERE ALSO 8 STUDIO SHOWINGS OF EXCERPTS AND WORK-IN-PROGRESS NEW WORKS FROM OUR RESIDENCY ARTISTS AND CURATED GUESTS, INCLUDING BILL T. JONES/ARNIE ZANE COMPANY, KYLE ABRAHAM AND ABRAHAM IN MOTION (AIM), SHAMEL PITTS|TRIBE, CYNTHIA OLIVER, JOSEPH KECKLER, OGEMDI UDE, RODERICK GEORGE, AND MICHAEL SAKAMONTO WITH DJ SPOOKY. KAYLA FARRISH, GABRIELA CARNIERO DA CUNHA, HEATHER KRAVIS, JANANI BALUSBRAMANIAN, AND TERE O'CONNOR. THIS ALLOWED PRESENTERS TO LISTEN TO ARTIST PITCHES AND ARTISTS TO MEET PRESENTERS IN A RELAXED SETTING TO BUILD TOURS, COMMISSIONS, ETC. LIVE ARTS CONTINUES TO PARTNER WITH L'ALLIANCE NEW YORK | CROSSING THE LINE AND TOGETHER, WE CO-PRESENTED THREE INTERNATIONAL ARTISTS IN FALL 2024: NADIA BEUGR, LENIO KAKLEA, AND ISMEL MOUARAKI.LIVE ARTS ALSO CONTINUES TO SUPPORT VISUAL ARTISTS BY EXHIBITING THEIR WORK ON THE FORD FOUNDATION LIVE GALLERY. THE 2024-2025 ARTIST WAS ISAIAH GARDNER. ADDITIONALLY, WE CONTINUE TO COLLABORATE WITH THE NEW YORK FOUNDATION FOR THE ARTS IMMIGRANT ARTIST PROGRAM, THE INSTALLATION IN/BETWEEN, WHEREIN BETWEEN 20-25 IMMIGRANT ARTISTS SHOW THEIR WORK ON THE FORD FOUNDATION LIVE ARTS GALLERY WALL IN THE SPRING. WE CLOSED OUR FY25 SEASON WITH OUR ANNUAL PRIDE: THE HOUSE PARTY, INCLUDING LIVE PERFORMANCES, BUILDING-WIDE AND ON THE SIDEWALK. PERFORMERS INCLUDED HOUSES LEGENDS OF DRAG, YAS MAMA, BODY HACK, CASA DIVA, HOUSE OF TRANSCENDENCE, RAGGA, PAPI JUICE, SWITCH N PLAY, BUBBLE T, AND DOUBLE DUTCH DREAMZ JUMPING FOR JUSTICE, REPRESENTED BY 33 INDIVIDUAL ARTISTS. WE HOSTED A QUEER MARKETPLACE IN OUR LOBBY WITH EIGHT QUEER VENDORS, HOSTED BY UNTITLED AND OUR VERY OWN TYLER ASHLEY, THE DAUPHINE. THE EVENT TOOK PLACE ALONGSIDE A FORD FOUNDATION LIVE GALLERY LOBBY EXHIBITION FEATURING 8 ARTISTS, CO-PRESENTED WITH AND CURATED BY QUEER I ART AND LITE BRITE NEON STUDIO THAT WAS ON VIEW JUNE-SEPTEMBER.NEW YORK LIVE ARTS' LIVE CORE PROGRAM IS DEDICATED TO PROVIDE ARTISTS WITH THE TOOLS, SUPPORT, AND PROFESSIONAL DEVELOPMENT THEY NEED TO TRULY EXCEL. THE PROGRAM DRAWS ON THE RESOURCES OF THE INSTITUTION TO MAKE IT POSSIBLE FOR ARTISTS TO CONNECT WITH LARGER AUDIENCES, RAISE FUNDS TO SUPPORT THEIR WORK, AND AUGMENT THE VISIBILITY OF DANCE IN NEW YORK. ENROLLMENT WITH AN AFFORDABLE $100 FOR A FULL YEAR OF UNLIMITED ACCESS TO MARKETING SERVICES, INCLUSION IN LIVE ARTS' E-BLASTS AND PRINT PROGRAMS, DEVELOPMENT AND FUNDRAISING GUIDANCE, TICKET DISCOUNTS, AND ACCESS TO MASTERCLASSES AND WORKSHOPS. NEW YORK LIVE ARTS HAD AN ONGOING PARTNERSHIP WITH THE JAMES BALDWIN SCHOOL FOR EXPEDITIONARY LEARNING, FOCUSED ON HIGH SCHOOL STUDENTS WHO HAVE PREVIOUSLY EXPERIENCED SCHOOL AS UNRESPONSIVE TO THEIR NEEDS AS INDIVIDUALS. DESIGNED TO BROADEN THE ARTISTIC EXPERIENCE AND PROVIDE TWO FULL SEMESTERS OF COURSE WORK, A CLASS OF SIX TO EIGHT STUDENTS WORKED WITH A TEACHING ARTIST RECRUITED FROM OUR BILL T. JONES/ARNIE ZANE ALUMNI TO DEVELOP PERSONAL ORAL HISTORY INTO PERFORMANCE. STUDENTS WILL HAVE THE OPPORTUNITY TO TOUR OUR THEATER AND EITHER SIT IN ON AN OPEN COMPANY REHEARSAL OR MOVEMENT CLASS TAUGHT BY THE BILL T. JONES ARNIE ZANE COMPANY. NEW YORK LIVE ARTS THEATER TOURS ARE 60 MINUTES IN LENGTH AND CAN ACCOMMODATE UP TO 30 STUDENTS IN THE STUDIOS (FOR REHEARSALS/CLASS) AND UP TO 70 STUDENTS IN THE THEATER. ALONG WITH ITS TOURING SCHEDULE, BILL T JONES/ARNIE ZANE COMPANY ALSO TAUGHT A WEEKLY MORNING COMMUNITY CLASS AS WELL AS CONTINUED ITS 8-YEAR PARTNERSHIP WITH LOYOLA MARYMOUNT UNIVERSITY, WHEREIN THE STUDENTS LEARN BILL T. JONES/ARNIE ZANE COMPANY REPERTORY AND ONE PERFORMER SPENDS A WEEK WITH THE STUDENTS EACH SPRING, TEACHING AND BEING IN COMMUNITY WITH COLLEGE AGED STUDENTS, DISCUSSING WHAT IT IS TO BE A PROFESSIONAL ARTIST WORKING IN NYC. THE COMPANY ALSO TRAVELED TO POMFRET HIGH SCHOOL IN CONNECTICUT, LEADING WORKSHOPS AND PERFORMING TWO LEC/DEMS FOR THE STUDENTS, STAFF, AND COMMUNITY. LICENSING THE WORKS OF BILL T. JONES/ARNIE ZANE COMPANY THROUGH NEW YORK LIVE ARTS PROVIDES UNIVERSITIES/COMPANIES WITH THE OPPORTUNITY TO ENGAGE IN A WELL-ROUNDED, EXTENSIVE LEARNING EXPERIENCE ROOTED IN SIGNIFICANT WORKS FROM THE COMPANY'S REPERTORY. IN FY25 BILL T. JONES/ARNIE ZANE COMPANY LICENSED WORKS TO UNIVERSITY OF ALABAMA SETTING POWER/FULL AND THE FIVE COLLEGE DANCE DEPARTMENTS IN WESTERN MASS, SETTING SPENT DAYS OUT YONDER. THE BILL T. JONES/ARNIE ZANE COMPANY SPENT THE YEAR DEEPENING THEIR RELATIONSHIP WITH NEARBY SCHOOLS-INVITING 2ND GRADERS INTO OUR REHEARSAL PROCESS FROM A LOCAL SCHOOL IN THE BRONX, TEACHING WORKSHOPS TO CITY COLLEGE STUDENTS, AND AT NYU.BILL T. JONES CONTINUED ON THE CURRICULUM GLOBAL PROJECT, WHICH PIVOTED FROM A FESTIVAL TO A FILM AS A SCALABLE REIMAGINING OF THE ORIGINAL IDEA, EMBEDDING A FILM TEAM DURING THE STILL/HERE REMOUNT AT BAM, AND STRENGTHENING LOCAL COMMUNITY CONNECTIONS AROUND HEALTH AND SURVIVAL AND CARRYING FORWARD GLOBAL THEMES THROUGH A MORE ACCESSIBLE AND FAR-REACHING FORMAT, PRESERVING AND EXPANDING IMPACT. THE FILM SERVES AS THE PERMANENT VEHICLE FOR BILL T. JONES' GLOBAL ENGAGEMENT AND LEGACY, ATTRACTING NEW PARTNERS, AND ENSURING LONG-TERM ENDURANCE OF THE WORK. TRANSITIONING FROM A FESTIVAL FORMAT, LIVE ARTS NOW SEES THE FILM AS THE FULLEST EXPRESSION OF LEGACY, WHILE CONTINUING TO ENGAGE INTERNATIONAL ARTISTS AND RECREATE HISTORICAL WORKS UNDER THE CURRICULUM GLOBAL VISION.AS MENTIONED EARLIER, BILL WAS INVITED TO RECREATE STILL/HERE COMMEMORATING ITS 30TH ANNIVERSARY. TO DO THIS, WE HAD TO REDESIGN THE COSTUMES, UNEARTH THE SET PIECES FROM STORAGE, REMAKE THE VIDEOS FROM LASER DISCS, WHICH WAS THE MEDIA USED IN 1994. WE RAISED $275,000 IN COMMISSIONING FUNDS TO SUPPORT THIS REMOUNT AND BOOKED A 15-CITY TOUR FOR THE 25-26 SEASON. 7170743 1 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 0 0 1 0 0 1 1 1 0 0 0 0 1 0 0 1 1 0 0 0 0 0 0 0 0 1 87 0 1 180 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 23 21 1 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 NY X THE ORGANIZATION 2126916500 219 WEST 19TH STREET NEW YORK NY 10011 ALAN MARKS CHAIR 3.00 X X 0 0 0 HELEN HAJE CO-VICE CHAIR 3.00 X X 0 0 0 SLOBODAN RANDJELOVIC CO-VICE CHAIR 3.00 X X 0 0 0 DARNELL MOORE TREASURER 3.00 X X 0 0 0 AIMEE MEREDITH COX SECRETARY 3.00 X X 0 0 0 BILL T JONES SEE SCH L EXEC.ARTISTIC DIR./TRUSTEE 30.00 X X 0 0 0 KIMBERLY CULLEN EXEC. 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AT THE CLOSE OF EACH FISCAL YEAR, SPONSORED RECIPIENTS MUST SUBMIT AN EXPENDITURE REPORT DETAILING HOW GRANT FUNDS WERE USED. PROGRAM STAFF REVIEW EACH REPORT TO VERIFY THAT EXPENDITURES ARE CONSISTENT WITH THE APPROVED PROJECT AND GRANT PURPOSE. STAFF DOCUMENT THEIR REVIEW AND APPROVAL THROUGH AN INTERNAL SIGN-OFF PROCESS. X X X X X 0 0 0 0 0 0 0 0 0 KIMBERLY CULLEN EXEC. DIR./CEO 309845 0 20700 0 0 0 0 0 155 0 330700 0 0 0 NUPUR DEY CHIEF FINANCIAL OFFICER 146391 0 5350 0 0 0 0 0 3416 0 155157 0 0 0 RANDY POLUMBO BOARD MEMBER 491000 DONATED STATUES ART INSTALLATION EXHIBIT RANDY POLUMBO BOARD MEMBER 20500 FEES FOR CONSULTING SERVICES TOTALING $20,500 WERE PROVIDED TO A BOARD MEMBER. 0 B&B READY INC BILL T. JONES AND BJORN AMELAN, THE OWNERS OF B&B READY, ARE BOARD MEMBERS. 130000 FEES FOR CONSULTING SERVICES ARE PAID BY THE ORGANIZATION TO B&B READY, INC., ONE OWNER OF WHICH (BILL T. JONES) IS ALSO A MEMBER OF THE ORGANIZATION'S BOARD OF DIRECTORS AND IS THE ORGANIZATION'S ARTISTIC DIRECTOR, AND ANOTHER OWNER (BJORN AMELAN) WHO IS A MEMBER OF THE BOARD OF DIRECTORS OF THE ORGANIZATION. INCLUDED IN PROFESSIONAL FEES, IN THE ACCOMPANYING STATEMENT OF FUNCTIONAL EXPENSES, ARE EXPENSES RELATED TO THIS AGREEMENT AMOUNTING TO $130,000 FOR THE YEAR ENDED JUNE 30, 2025. 0 EXU INC BILL T. JONES, THE OWNER OF EXU, INC., IS A BOARD MEMBER. 264668 FEES FOR CONSULTING SERVICES ARE PAID BY THE ORGANIZATION TO EXU, INC., THE OWNER OF WHICH (BILL T. JONES) IS ALSO A MEMBER OF THE ORGANIZATION'S BOARD OF DIRECTORS AND IS THE ORGANIZATION'S ARTISTIC DIRECTOR. INCLUDED IN PROFESSIONAL FEES, IN THE ACCOMPANYING STATEMENT OF FUNCTIONAL EXPENSES, ARE EXPENSES RELATED TO THIS AGREEMENT AMOUNTING TO $260,368 FOR THE YEAR ENDED JUNE 30, 2025. IN ADDITION, LICENSING FEES OF $4,300 WERE PROVIDED BY THE SAME RELATED PARTY. 0 X 5 1488657 X 26 ART PIECES FOR FISCAL SPONSORSHIP 1 491000 0 0 0 0 FORM 990, PART VI, SECTION A, LINE 1A THE EXECUTIVE COMMITTEE OF THE BOARD OF DIRECTORS OF NEW YORK LIVE ARTS IS A STANDING COMMITTEE OF THE BOARD THAT HAS AND EXERCISES ALL POWER AND AUTHORITY OF THE BOARD WHEN THE BOARD IS NOT IN SESSION, EXCEPT FOR THE POWER AND AUTHORITY (1) TO FILL VACANCIES IN THE BOARD OR ANY STANDING COMMITTEE, (2) FIX COMPENSATION OF THE DIRECTORS OF THE BOARD OR MEMBER OF ANY STANDING COMMITTEE, (3) AMEND OR REPEAL THE CURRENT BY-LAWS OR ANY RESOLUTION OF THE BOARD OR ADOPT NEW BY-LAWS FOR THE ORGANIZATION. THE COMMITTEE IS COMPRISED OF NINE MEMBERS OF THE BOARD, INCLUDING OFFICERS OF THE ORGANIZATION. THE MEMBERS OF THE COMMITTEE ARE APPOINTED BY THE CO-CHAIRS OF THE BOARD AND APPROVED BY THE BOARD IN ACCORDANCE WITH THE ORGANIZATION'S BY-LAWS. EACH MEMBER WILL SERVE UNTIL THE NEXT ANNUAL MEETING OF THE BOARD AND THE MEMBER OF THE COMMITTEE MAY BE REMOVED, WITH OR WITHOUT CAUSE, BY A MAJORITY OF THE BOARD THEN IN OFFICE. THE CHAIR OF THE COMMITTEE IS THE CHAIR OF THE BOARD OF THE ORGANIZATION. THE COMMITTEE SELECTS A SECRETARY OF THE COMMITTEE WHO MAINTAINS MINUTES OR OTHER RECORDS OF MEETINGS, ACTIVITIES AND DECISIONS OF THE COMMITTEE. THE COMMITTEE MEETS AS AND WHEN NECESSARY. THE COMMITTEE IS RESPONSIBLE FOR ANNUALLY REVIEWING THE COMPENSATION PAID TO THE SENIOR EXECUTIVES OF THE ORGANIZATION. THE COMMITTEE REPORTS PERIODICALLY TO THE FULL BOARD ON ITS ACTIVITIES AND DECISIONS. THESE REPORTS TO THE BOARD MAY TAKE THE FORM OF AN ORAL REPORT BY THE CHAIR OR ANY OTHER DESIGNATED MEMBER OF THE COMMITTEE. THE COMMITTEE ALSO MAINTAINS MINUTES OR OTHER RECORDS OF ITS MEETINGS, ACTIVITIES AND DECISIONS. FORM 990, PART VI, SECTION A, LINE 2 WILLIAM T. JONES AND BJORN AMELAN - FAMILY RELATIONSHIP AND BUSINESS RELATIONSHIP. FORM 990, PART VI, SECTION B, LINE 11B THE INFORMATION IN THE FORM 990 WAS COMPILED BY THE CHIEF FINANCIAL OFFICER AND PROVIDED TO THE INDEPENDENT ACCOUNTING FIRM, WHO PREPARED THE FORM 990. THE FORM WAS REVIEWED BY THE CHIEF FINANCIAL OFFICER AND CHIEF EXECUTIVE OFFICER BEFORE IT WAS PRESENTED TO THE AUDIT COMMITTEE OF THE BOARD. FOLLOWING THEIR INPUT AND THE FINAL COMMENTS OF THE MANAGEMENT, THE FORM WAS FILED WITH THE INTERNAL REVENUE SERVICE. FORM 990, PART VI, SECTION B, LINE 12C BOARD MEMBERS ARE REQUIRED TO DISCLOSE ANY ACTIVITY THAT WOULD CONFLICT WITH THE ORGANIZATION'S ACTIVITY, AND SUCH DISCLOSURES WOULD BE REVIEWED BY THE EXECUTIVE COMMITTEE TO DETERMINE THE APPROPRIATE ACTION TO TAKE TO ADDRESS THE CONFLICT OF INTEREST. FORM 990, PART VI, SECTION B, LINE 15 AN EXECUTIVE COMMITTEE OF THE BOARD OF DIRECTORS DETERMINES THE COMPENSATION LEVEL FOR THE CHIEF EXECUTIVE OFFICER. THE COMPENSATION LEVELS FOR ALL OTHER STAFF POSITIONS ARE DETERMINED BY THE CEO AND THE EXECUTIVE COMMITTEE OF THE BOARD OF DIRECTORS. THE EXECUTIVE COMMITTEE MEMBERS ALSO SERVE ON THE BOARD. FORM 990, PART VI, SECTION C, LINE 19 THE AFFORMENTIONED DOCUMENTS ARE AVAILABLE BY REQUEST TO THE ORGANIZATION'S MANAGEMENT TEAM. FORM 990, PART XI, LINE 9: REDUCTION OF PRIOR YEAR GRANT -67,900.