2025-11-10T11:33:56-08:00 2024-12-31 743216978 Nawrocki Smith LLP 100 Motor Parkway Suite 580 Hauppauge NY 11788 990 2024-01-01 111782495 THE PARRISH ART MUSEUM INC PARR 6312832118 279 MONTAUK HIGHWAY WATER MILL NY 11976 Monica Ramirez-Montagut Executive Director 2025-11-10 true true Christopher Angotta P02394428 6317569500 2024 2025-03-06 01:10:19Z Monica Ramirez-Montagut 17632294 false X WWW.PARRISHART.ORG X 1897 NY THE MUSEUM ENCOURAGES AN APPRECIATION OF MODERN AND CONTEMPORARY ART THROUGH EXHIBITIONS, EDUCATION, AND PUBLIC PROGRAMS FOR DIVERSE AUDIENCES.INSPIRED BY THE NATURAL SETTING AND HISTORICAL ARTISTIC COMMUNITY OF LONG ISLAND'S EAST END, THE PARRISH ART MUSEUM CELEBRATES ITS LEGACY THROUGH A DISTINCTIVE CONTEMPORARY LENS AND SOCIALLY CONSCIOUS GLOBAL CONTEXT. THE PARRISH ILLUMINATES THE CREATIVE PROCESS AND HOW ART, ARCHITECTURE, AND DESIGN TRANSFORM OUR EXPERIENCES AND OUR COMMUNITIES, AND HOW WE RELATE TO THE WORLD. ACCESS TO RELEVANT CULTURAL ENGAGEMENT, ARTISTIC INSPIRATION, A NATURAL ENVIRONMENT, AND ARCHITECTURAL INGENUITY CHARACTERIZES THE MUSEUM EXPERIENCE AS UNIQUE DESTINATION FO THE REGION, THE NATION, AND THE WORLD. 28 28 67 52 0 3478299 12917257 1051892 1169431 160484 324586 24642 316754 4715317 14728028 0 0 2998527 3707063 0 1067378 3150598 3593720 6149125 7300783 -1433808 7427245 38364946 46419677 1944866 2405567 36420080 44014110 THE MUSEUM ENCOURAGES AN APPRECIATION OF MODERN AND CONTEMPORARY ART THROUGH EXHIBITIONS, EDUCATION, AND PUBLIC PROGRAMS FOR DIVERSE AUDIENCES.INSPIRED BY THE NATURAL SETTING AND HISTORICAL ARTISTIC COMMUNITY OF LONG ISLAND'S EAST END, THE PARRISH ART MUSEUM CELEBRATES ITS LEGACY THROUGH A DISTINCTIVE CONTEMPORARY LENS AND SOCIALLY CONSCIOUS GLOBAL CONTEXT. THE PARRISH ILLUMINATES THE CREATIVE PROCESS AND HOW ART, ARCHITECTURE, AND DESIGN TRANSFORM OUR EXPERIENCES AND OUR COMMUNITIES, AND HOW WE RELATE TO THE WORLD. ACCESS TO RELEVANT CULTURAL ENGAGEMENT, ARTISTIC INSPIRATION, A NATURAL ENVIRONMENT, AND ARCHITECTURAL INGENUITY CHARACTERIZES THE MUSEUM EXPERIENCE AS UNIQUE DESTINATION FO THE REGION, THE NATION, AND THE WORLD. false false 5567851 THE PARRISH ART MUSEUM, INC., IS LOCATED IN WATER MILL, NEW YORK AND ACCREDITED BY THE AMERICAN ALLIANCE OF MUSEUMS. THE MUSEUM WAS FOUNDED IN 1897 BY SAMUEL LONGSTRETH PARRISH AND WAS CHARTERED BY THE UNIVERSITY OF THE STATE OF NEW YORK EDUCATION DEPARTMENT IN 1954. THE MUSEUM OPENED ITS NEW BUILDING DESIGNED BY SWISS ARCHITECTS HERZOG AND DE MEURON TO INTERNATIONAL ACCLAIM IN NOVEMBER 2012 ALLOWING IT TO EXHIBIT ITS PERMANENT ART COLLECTION SIDE-BY-SIDE WITH CHANGING EXHIBITIONS THROUGHOUT 12,000 SQUARE FEET OF GALLERY SPACE. THE PARRISH PRESENTS MULTIPLE TEMPORARY EXHIBITIONS EACH YEAR, INCLUDING NEW INSTALLATIONS DRAWN FROM OUR WORLD-CLASS COLLECTION OF 3,695 WORKS, SPECIAL EXHIBITIONS THAT RECONSIDER THE WORK OF A SINGLE ARTIST, AND GROUP EXHIBITIONS THAT EXPLORE COMPELLING THEMES. THE PARRISH PRODUCES OVER 40 PUBLIC PROGRAMSFILM, MUSIC, AND TALKSAND OFFERS A YEAR-ROUND SCHEDULE OF INSPIRING CLASSES AND WORKSHOPS. 5567851 true true false false false false false true false true true false false false true true true false false false false false false false true false false false false true false false false false false false false false true true false false false false false false false true 46 0 true 67 true false false false false false true true false 0 false false false false false false false X 28 28 false false true false false false false true true false false true true true true true true true true false X X Alexandra N Robertson 6312832118 279 MONTAUK HIGHWAY WATER MILL NY 11976 X Monica Ramirez-Montagut Executive Director 40.00 0.00 337596 0 9769 Paul Andrews Dep Dir Princ Gfts 35.00 0.00 187615 0 9743 Alexandra Robertson Dir. Finance & Adm 35.00 0.00 144808 0 9693 Corinne Erni Development Offic. 35.00 0.00 140000 0 9504 Melanie Tolan Dir. Donor Communi 35.00 0.00 120000 0 17817 Martha Stotzky Former Deputy Director 35.00 0.00 122404 0 9465 Nina Madison Former Director Corporate 35.00 0.00 112615 0 8691 Dulzania Pena CAFE ASST MANAGER 35.00 0.00 103878 0 2620 Frederic M Seegal Co-Chair 4.00 0.00 X X 0 0 0 Alexandra Stanton Co-Chair 4.00 0.00 X X 0 0 0 Sean Cohan President 2.00 0.00 X X 0 0 0 Sandy Perlbinder Vice President 2.00 0.00 X X 0 0 0 George Wells Treasurer 2.00 0.00 X X 0 0 0 Martha McLanahan Secretary 2.00 0.00 X X 0 0 0 Ejim Peter Achi Board Member 2.00 0.00 X 0 0 0 Nina Sarin Arias Board Member 2.00 0.00 X 0 0 0 Deborah F Bancroft Board Member 2.00 0.00 X 0 0 0 Ruchira Bhuyan Board Member 2.00 0.00 X 0 0 0 Catherine Gillis Carmody Board Member 2.00 0.00 X 0 0 0 Marty Cordes Board Member 2.00 0.00 X 0 0 0 Suzi Cordish Board Member 2.00 0.00 X 0 0 0 Yanina Fuertes Board Member 2.00 0.00 X 0 0 0 David Granville-Smith Board Member 2.00 0.00 X 0 0 0 Lisa Green Board Member 2.00 0.00 X 0 0 0 Notoya Green Board Member 2.00 0.00 X 0 0 0 Steven J Horowitz Board Member 2.00 0.00 X 0 0 0 Dr Harvanit Gahunia Board Member 2.00 0.00 X 0 0 0 Astrid Hill Lloyd Board Member 2.00 0.00 X 0 0 0 Louis K Meisel Board Member 2.00 0.00 X 0 0 0 Laurence Milstein Board Member 2.00 0.00 X 0 0 0 Andrea Pemberton Board Member 2.00 0.00 X 0 0 0 Charlotte Lucas Pilaro Board Member 2.00 0.00 X 0 0 0 Henry Richardson Board Member 2.00 0.00 X 0 0 0 Kimberley Taylor Board Member 2.00 0.00 X 0 0 0 Marlies Verhoeven Board Member 2.00 0.00 X 0 0 0 Joey Wolffer Board Member 2.00 0.00 X 0 0 0 1268916 77302 8 true true false Marshall Fine Arts 135 East Industry Court Deer Park NY 11729 Install & store artwork 297985 Canard 503 W 43rd Street New York NY 10036 Catering Services 192871 Ovando 90 Maiden Lane FL4 New York NY 10038 Design Decor Gala 101136 3 745748 582961 11588548 9460878 12917257 Admissions 711130 216044 216044 Membership 711300 386303 386303 Tuition Fees 711130 567084 567084 1169431 201676 201676 0 0 0 1947565 1824655 122910 122910 122910 895157 745748 895157 0 0 501208 184454 316754 316754 0 14728028 1486185 324586 0 0 0 0 347365 235054 27983 84328 253175 171318 20395 61462 2500171 1691809 201405 606957 0 325577 227264 22041 76272 280775 198196 18499 64080 0 111322 98803 11736 783 38000 33727 4006 267 0 0 32122 32122 711945 678347 19357 14241 22575 21622 953 86842 82749 2076 2017 0 0 268614 228324 37600 2690 61272 46216 3768 11288 0 0 134465 65900 67995 570 0 858760 729940 120230 8590 175407 152568 21409 1430 ART TRANSIT 309663 309663 service contracts 164359 106610 17324 40425 EQUIPMENT RENTAL 135671 134897 737 37 MAINTENANCE 98138 83438 13720 980 384565 271406 23151 90008 7300783 5567851 665554 1067378 192227 895621 1273902 470922 468500 592587 0 0 0 0 13201 62589 98001 56240 48792213 9867349 30440781 38924864 5838299 5384971 0 0 0 40035 31883 38364946 46419677 214414 335709 337713 299546 1352704 1688429 40035 81883 1944866 2405567 X 29857065 28771276 6563015 15242834 36420080 44014110 38364946 46419677 X 7427245 177185 -10400 X false true X true false X 2737645 4347219 2923433 3087631 12917257 26013185 360020 347437 397248 400562 432215 1937482 0 3097665 4694656 3320681 3488193 13349472 27950667 0 27950667 88114 115512 115772 177114 201676 698188 0 0 28648855 4647181 0.97560 0.96890 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X false 4240482 414434 661000 32122 3961794 3960254 494343 183050 31065 4240482 4961257 -779389 189976 31638 3960254 4728302 477423 207798 36670 4961257 4466135 442862 154413 26282 4728302 0.98000 0.02000 false false false 11370424 11370424 34770771 9270972 25499799 825245 588787 236458 1825773 7590 1818183 38924864 Lease Liability 31883 SECURITY DEPOSIT 50000 81883 X 14887206 177185 14115 191300 14695906 32122 32122 14728028 7293176 14115 10400 24515 7268661 32122 32122 7300783 Part III, Line 1a: If organization elected under SFAS 116 to not report are, historical treasures, o IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED OR DONATED ARE NOT INCLUDED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. THE VALUE OF OBJECTS ACQUIRED BY GIFT IS NOT REPORTED AS CONTRIBUTIONS AT THE TIME OF THE GIFT. WHEN WORKS OF ART ARE EITHER PURCHASED OR SOLD, THE PROCEEDS OR COSTS ARE REFLECTED AS AN INCREASE OR DECREASE IN UNRESTRICTED NET ASSETS-BOARD DESIGNATED ACCESSIONS IN THE STATEMENT OF ACTIVITIES AND CHANGES IN NET ASSETS. PROCEEDS FROM THE SALE OF WORKS OF ART AND ANY INVESTMENT INCOME DERIVED FROM THESE PROCEEDS ARE DESIGNATED BY THE BOARD OF TRUSTEES AND ARE TO BE USED SOLELY FOR THE PURCHASE OF ARTWORK. OVER THREE THOUSAND SIX HUNDRED OBJECTS ARE IN THE CARE OF THE MUSEUM AND MOST ARE HOUSED IN THE MUSEUM'S CLIMATE CONTROLLED COLLECTION STORAGE VAULT. THE COLLECTIONS ARE CATALOGUED AND MAINTAINED ACCORDING TO PROFESSIONAL STANDARDS ESTABLISHED AND MONITORED BY THE AMERICAN ALLIANCE OF MUSEUMS. THE RESPONSIBLE MANAGEMENT OF THE COLLECTIONS IS GOVERNED BY A POLICY APPROVED BY THE COLLECTIONS COMMITTEE AND THE BOARD OF TRUSTEES WHICH ARTICULATE THE FOCUS OF THE COLLECTIONS, THEIR CARE AND HANDLING, INSURANCE, AND CONSERVATION MAINTENANCE. THE PARRISH ART MUSEUM MAINTAINS A FINE ARTS "WALL TO WALL" INSURANCE POLICY ON ITS COLLECTION THAT COVERS THE COLLECTION WHILE AT THE MUSEUM, IN TRANSIT, OR ON EXHIBITION ANYWHERE IN THE WORLD. Part III, Line 4: Description of organization's collections and how it furthers its purpose. THE PERMANENT COLLECTION OF THE PARRISH ART MUSEUM IS COMPRISED OF 3,695 OBJECTS, INCLUDING 813 PAINTINGS, 97 SCULPTURES, 769 WORKS ON PAPER, 1,542 PRINTS, 306 PHOTOGRAPHS 3 VIDEOS, 17 TEXTILE WORKS, AND 148 OTHER MEDIUMS. THE COLLECTION IS DISTINGUISHED FOR ITS CORE WORKS BY AMERICAN ARTISTS, MANY OF WHOM RESIDED OR RESIDE ON THE EAST END OF LONG ISLAND. OF SPECIAL SIGNIFICANCE IS THE MUSEUM'S RENOWNED HOLDINGS OF MAJOR WORKS BY WILLIAM MERRITT CHASE AND FAIRFIELD PORTER. IT IS THE MUSEUM'S DESIRE TO CONTINUE TO COLLECT ALONG THIS LINE, AND IN RECENT YEARS THE MUSEUM HAS DEVELOPED COLLECTIONS IN DEPTH OF THE WORK OF OTHER NOTEWORTHY LOCAL/REGIONAL ARTISTS SUCH AS ESTEBAN VICENTE AND JAMES BROOKS. THE GOAL OF THIS STRATEGY IS TO ALLOW THE MUSEUM PERIODICALLY TO PRESENT FOCUSED INSTALLATIONS OF SELECT ARTISTS TO FORM DEEPER UNDERSTANDING AND APPRECIATION OF THOSE WHO HAVE MADE SIGNIFICANT CONTRIBUTIONS TO AMERICAN ART HISTORY AND WHO HAVE CLOSE TIES TO THE REGION. THIS DIRECTION IN COLLECTING SETS THE PARRISH APART FROM SISTER INSTITUTIONS THAT TAKE A MORE ENCYCLOPEDIC APPROACH, THUS FURTHER CEMENTING THE MUSEUM'S SPECIAL NICHE WITHIN THE OVERALL LANDSCAPE OF MUSEUMS NATIONWIDE. SINCE 2012, THE MUSEUM HAS ADDED 898 WORKS TO THE PERMANENT COLLECTION AND MADE GREAT HEADWAY IN REALIZING THIS GOAL. THE PERMANENT COLLECTION FORMS THE FOUNDATION FOR THE MUSEUM'S OVERALL EFFORTS. WHENEVER POSSIBLE, SPECIAL EXHIBITIONS ARE CONTEXTUALIZED THROUGH RELATED INSTALLATIONS DRAWN FROM THE COLLECTION REGARDING RELEVANT THEMES, such as the exhibitions Charlotte Park: The Life of Forms In Color; Beyond the Horizon: Interpretations of the Landscape from Women in the Permanent Collection; and Across the Avenues: Fairfield Porter in New York. THE PARRISH'S GUIDELINES FOR AQUISITION AND COLLECTIONS MANAGEMENT POLICIES WERE IMPLEMENTED IN 1998 AND VETTED IN ITS 2024 ACCREDITATION BY THE AMERICAN ALLIANCE OF MUSEUMS. ALL WORKS IN THE COLLECTION ARE ACCESSIONED AND CATALOGUED. THE PARRISH ART MUSEUM USES GALLERY SYSTEM'S TMS (THE MUSEUM SYSTEM) FOR CATALOGUING OF WORKS IN THE PERMANENT COLLECTION. THE PARRISH IMPLEMENTED TMS IN 2006. AT THAT TIME, TMS WAS RECOGNIZED AS A LEADING COLLECTION MANAGEMENT SOFTWARE, ONE WITH WHICH MUSEUM STAFF HAD THE MOST FAMILIARITY AND BEST SERVED ITS GROWING NEEDS. Part V, Line 4: Intended uses of the endowment fund. THE ROBERT LEHMAN FUND - THIS FUND WAS ENDOWED AND PROVIDED BY THE ROBERT LEHMAN FOUNDATION, INC. WITH THE INCOME GENERATED TO BE USED TO SUPPORT THE OPERATING EXPENSES OF THE ROBERT LEHMAN FOUNDATION GALLERY.THE DRUCKENMILLER FUND FOR EDUCATION - THIS FUND WAS ENDOWED AND PROVIDED BY STANLEY AND FIONA DRUCKENMILLER WITH INCOME TO BE USED IN AN EDUCATIONAL PLANNING PROGRAM FOR MUSEUM/SCHOOL COLLABORATIONS. THE WERNER & MAREN OTTO ENDOWMENT FUND FOR THE STUDY OF THE ART OF EASTERN LONG ISLAND - THIS FUND WAS ENDOWED, AND PROVIDED BY DR. AND MRS. WERNER OTTO, WITH THE INCOME GENERATED TO BE RESTRICTED AND USED FOR THE STUDY OF THE ART OF EASTERN LONG ISLAND, AS DEFINED IN THE DONOR AGREEMENT.THE "LEWIS B. AND DOROTHY CULLMAN CHIEF CURATOR ART AND EDUCATION" POSITION THIS FUND WAS ENDOWED AND PROVIDED BY THE LEWIS B. AND DOROTHY CULLMAN FOUNDATION TO FUND EXPENSES ASSOCIATED WITH THE POSITION OF CHIEF CURATOR (NAMED "THE LEWIS B. AND DOROTHY CULLMAN CHIEF CURATOR ART AND EDUCATION" POSITION).HARRIET AND ESTEBAN VICENTE FOUNDATION - THIS FUND WAS ENDOWED AND PROVIDED BY THE HARRIET AND ESTEBAN VICENTE FOUNDATION WITH THE INCOME GENERATED TO BE USED TO SUPPORT THE OPERATING EXPENSES OF THE HARRIET AND ESTEBAN VICENTE FOUNDATION GALLERY. THE OPERATING ENDOWMENT FUND - THIS FUND WAS ENDOWED AND PROVIDED BY VARIOUS DONORS, WITH THE INCOME TO BE USED FOR UNRESTRICTED PURPOSES FOR ONGOING OPERATIONS. THE MR. AND MRS. RAYMOND J. HOROWITZ FUND FOR PUBLICATIONS - THIS FUND WAS ENDOWED AND PROVIDED BY MR. AND MRS. RAYMOND J. HOROWITZ, WTTH THE INCOME TO BE USED FOR PUBLICATIONS DEVELOPED AND PRODUCED BY THE MUSEUM. THE MUSEUM OBTAINED PERMISSION FROM MR. AND MRS. RAYMOND J. HOROWITZ TO EXPEND A PORTION OF THE PRINCIPAL EACH YEAR IN SUPPORT OF PUBLICATIONS. THE LILIANE AND NORMAN PECK FUND FOR SPECIAL EXHIBITIONS - THIS FUND WAS ENDOWED BY VARIOUS DONORS WITH THE INCOME AND A PORTION OF PRINCIPAL TO BE USED IN SUPPORT OF SPECIAL EXHIBITIONS. THE JAMES AND CHARLOTTE BROOKS FUND - THIS FUND WAS ENDOWED AND PROVIDED BY THE JAMES AND CHARLOTTE BROOKS FOUNDATION, WITH THE INCOME AND A PORTION OF THE PRINCIPAL TO BE USED FOR THE CARE AND INTERPRETATION OF THE JAMES AND CHARLOTTE BROOKS COLLECTION AT THE PARRISH, AND THE DEVELOPMENT AND PRESENTATION OF EXHIBITIONS ABOUT MODERN AND CONTEMPORARY ART, INCLUDING BUT NOT LIMITED TO BROOKS.THE DOROTHY LICHTENSTEIN ARTS REACH FUND - THIS FUND WAS ENDOWED AND ESTABLISHED BY AGNES GUND AND DOROTHY LICHTENSTEIN, WITH THE INCOME AND A PORTION OF THE PRINCIPAL TO BE USED FOR PROJECTS AND INITIATIVES THAT BRING ARTISTS AND THE COMMUNITY TOGETHER TO EXPLORE HOW ART AND CREATIVITY CAN ADDRESS CONCERNS ABOUT DIVERSITY AND EDUCATIONAL, SOCIAL AND ECONOMIC INEQUITIES. Part X : FIN48 Footnote The Museum recognizes the effect of income tax positions only if those positions are more likely than not of being sustained. Management has determined that the Museum had no uncertain tax positions that would require financial statement recognition. The Museum is no longer subject to examination by the applicable taxing jurisdictions for tax years prior to 2021. Part XII, Line 2d: Other expenses and losses per audited F/S Accessions of Art $10400 false Midsummer Dinner 1057444 588398 469046 469046 Canvas & Cuisine 181000 35639 145361 145360 4 402461 121711 280750 280751 1640905 745748 895157 895157 895157 X X X X X X false false false false false false false false false Alexandra Robertson Dir. Finance & Adm 144808 9693 154501 Martha Stotzky Former Deputy Director 122404 9465 131869 Monica Ramirez-Montagut Executive Director 322596 15000 9769 347365 Nina Madison Former Director Corporate 112615 8691 121306 Paul Andrews Dep Dir Princ Gfts 187615 9743 197358 X 98 X 11 215878 FMV X 1 9245000 FMV false false false Form 990, Part VI, Section A, Line 4 IN DECEMBER 2024, THE MUSEUM'S BOARD OF TRUSTEES VOTED TO PERMIT BOARD MEMBERS TO HOLD TWO OFFICES AT ONE TIME, UNLESS PROHIBITED BY LAW OR THE MUSEUM'S CHARTER. Form 990, Part VI, Section B, Line 11b Prior to its filing, the 990 is reviewed and approved by the Audit committee. The 990 is then distributed and reviewed by the Board of Trustees before being filed with the IRS. Form 990, Part VI, Section B, Line 12c The museum's board of trustees, staff, and volunteers are covered by the code of ethics. A conflict may arise when personal or business interests interfere with the politics, operations, and interests of the museum. dealings between those covered and immediate family members should be disclosed in annual disclosure statements. management conducts ongoing reviews of any issues that could be a potential conflict of interest. Form 990, Part VI, Section B, Line 15b THE MUSEUM DIRECTOR'S CONTRACT AND COMPENSATION PACKAGE WAS BASED ON COMPARABLE INDUSTRY DATA FOR MUSEUMS WITH SIMILAR OPERATING BUDGETS, RESPONSIBILITIES AND GEOGRAPHICAL LOCATION (SOURCES INCLUDE THE AMERICAN ALLIANCE OF MUSEUMS AND THE ASSOCIATION OF MUSEUM DIRECTORS). COMPENSATION NEGOTIATIONS TAKE PLACE BETWEEN THE EXECUTIVE COMMITTEE, THE DIRECTOR AND THE HR CONSULTANT. OTHER KEY EMPLOYEES' COMPENSATION IS BASED ON COMPARABLE INDUSTRY DATA. Form 990, Part VI, Section C, Line 19 The governing documents, conflict of interest policy, and financial statements are available to the public upon request. Form 990, Part XI, Line 9 Accessions of Art = -$10400