2024-11-11T09:22:32+00:00 2023-12-31 440160260 Forvis Mazars LLP 1401 50th Street Suite 350 West Des Moines IA 502665935 990 2023-01-01 420680419 Edmundson Art Foundation Inc EDMU 5152774405 4700 Grand Avenue Des Moines IA 50312 Bonnie Valverde Sr. Dir of Finance 5152774405 2024-11-11 true true Kristin Tynon P01063388 5152230159 2024-11-15 2023 2024-10-15 13:58:12Z Des Moines Art Center Bonnie Valverde 4700 Grand Avenue Des Moines IA 50312 11234998 false X WWW.DESMOINESARTCENTER.ORG X 1946 IA THROUGH ITS COLLECTIONS, EXHIBITIONS, AND EDUCATIONAL PROGRAMMING, THE DES MOINES ART CENTER PROVIDES OPPORTUNITIES FOR TRANSFORMATIONAL ART EXPERIENCES (CONTINUED ON SCHEDULE O) 27 27 130 282 -31905 3124 5879593 3669065 364301 428074 3486362 4423462 1737104 2251167 11467360 10771768 0 0 0 0 4114034 4693188 36000 0 682306 4449119 5422079 8599153 10115267 2868207 656501 144679900 159753152 1330308 1683812 143349592 158069340 THE DES MOINES ART CENTER ENGAGES DIVERSE LOCAL, NATIONAL, AND INTERNATIONAL AUDIENCES WITH THE ART OF TODAY THROUGH ITS MUSEUM AND SCHOOL, ADDING TO THE CULTURAL RECORD THROUGH COLLECTIONS AND PROGRAMS. THE DES MOINES ART CENTER BELIEVES IN THE POWER OF ART TO INSPIRE PERSONAL, POLITICAL, AND SOCIAL TRANSFORMATION. WE COMMIT TO EXHIBIT AND EXPLORE THOUGHT PROVOKING MODERN AND CONTEMPORARY ART. WE CONNECT PEOPLE AND ART BY OFFERING OPPORTUNITIES FOR FEELING, IMAGINING, DREAMING AND CREATING. WE PROMOTE CURIOSITY AND EMBRACE CRITICAL AND EMPATHETIC THINKING WITH A SPIRIT OF OPENNESS. WE STRIVE TO BE A WELCOMING AND EQUITABLE CULTURAL RESOURCE. THIS EFFORT TO ENSURE ACCESS TO ART FOR EVERYONE HAS BEEN A CORE TENET OF THE MUSEUM SINCE ITS FOUNDING. ADMISSION IS ALWAYS FREE FOR ALL. false false 5743978 0 25584 FOR OUR 75TH ANNIVERSARY YEAR, THE EXHIBITION PROGRAM FOR THE ANNA K. MEREDITH GALLERY WAS CHOSEN TO HIGHLIGHT THE BEST OF THE PAST, PRESENT, AND FUTURE OF THIS INSTITUTION. EACH EXHIBITION FEATURED WORK BY IOWA-BASED ARTISTS AS WELL AS WORKS FROM THE PERMANENT COLLECTION, CELEBRATING ART MADE IN THIS STATE AND GROUNDED IN OUR COMMUNITY. KICKING OFF 2023, ART CENTER: 75 YEARS OF IOWA ART FEATURED OVER 100 WORKS BY DOZENS OF ARTISTS, MOSTLY TAKEN FROM THE PERMANENT COLLECTION. ALL OF THE INCLUDED ARTISTS ARE CONNECTED TO IOWA IN SOME WAY, HAVE LIVED, WORKED, AND MADE ART IN THE STATE. PERFORMANCE ARTWORKS BY RACHEL MERRIL AND FIRAT ERDIM WERE COMMISSIONED FOR THE EXHIBITION, AND A SELECTION OF WORKS CHOSEN WITH DUANE SLICK WAS FEATURED IN THE EXIT GALLERY. THE COMMUNITY GROUP AL EXITO COLLABORATED WITH CURATORS LAURA BURKHALTER AND MIA LAUFER TO CREATE ARTISTIC INTERVENTIONS IN THE EXHIBITION COMMEMORATING THE PRESENCE OF THE LATINX COMMUNITY IN IOWA'S HISTORY. UNDERNEATH EVERYTHING: HUMILITY AND GRANDEUR IN CONTEMPORARY CERAMICS, HELD IN THE ANNA K. MEREDITH GALLERY AND UPPER PEI FEATURED AN INTERNATIONAL GROUP OF TWENTY ARTISTS WORKING WITH CERAMICS. CLAY IS THE HUMBLEST OF MATERIALS, OFTEN OVERLOOKED AND MORE READILY ASSOCIATED WITH A MORNING CUP OF COFFEE THAN THE INTERNATIONAL ART WORLD. BUT THERE IS AN EXPANSIVENESS TO WORK MADE OR BASED IN THIS MEDIUM, AS THESE ARTISTS PUSH THE LIMITATIONS OF CLAY, ATTACHING LAYERS OF CONCEPTUAL MEANING AND PLAYING WITH THE BOUNDARIES BETWEEN CERAMICS AND OTHER MEDIA INCLUDING FILM, PHOTOGRAPHY, PAINTING, PERFORMANCE, AND INSTALLATION. THE EXHIBITION NAVIGATED THIS TENSION, HONORING THE HUMILITY OF THE MEDIUM WHILE SIMULTANEOUSLY EVOKING A SENSE OF GRANDEUR AND POSSIBILITY. CURATED BY MIA LAUFER, UNDERNEATH EVERYTHING WAS ORGANIZED IN CONSULTATION WITH AN ARTIST ADVISORY COMMITTEE INCLUDING KATAYOUN AMJADI, DONTE K. HAYES, INGRID LILLIGREN, AND CHUCK PURVIANCE. FOUR OF THE ARTISTS - INGRID LILLIGREN, DONTE K. HAYES, ELIZA AU, AND THEASTER GATES HAVE CONNECTIONS TO IOWA. THE EXHIBITION ALSO TRAVELED TO THE GRAND RAPIDS ART MUSEUM. RUNNING FROM OCTOBER 7, 2023 - JANUARY 14, 2024, TRANSFORM ANY ROOM, FEATURED TEN ARTISTS EXPLORING DOMESTIC SPACES AND THE OBJECTS FOUND WITHIN. THESE ELEMENTS ARE OFTEN PERCEIVED AS GENDERED, RELATED TO CERTAIN CULTURAL BACKGROUNDS, OR CAN SIGNIFY SOCIAL OR ECONOMIC STATUS. THIS GROUP EXHIBITION EXPLORED SUBVERSIVE, POLITICIZED, AND SOMETIMES GLAMORIZED VERSIONS OF THE OBJECTS WE BRING INTO OUR HOMES. WHETHER THEIR INITIAL INSPIRATION IS AN OBJECT OF UTILITY, COMFORT, OR DECOR, THE RESULTING ARTWORKS INCLUDED HERE COMMENT ON LABOR, WIDER SOCIAL ISSUES, AND LIFE EVENTS IN THIS TIME AND PLACE. WORKS FROM THE MUSEUM'S COLLECTION BY NICK CAVE, MARTHA ROSLER, AND ANNE WILSON, WERE INCLUDED, AND TWO IOWA BASED ARTISTS, TJ DEDEAUX-NORRIS AND ANGE ALTENHOFEN MADE WORKS SPECIFICALLY FOR THE SHOW. OTHER ARTISTS IN THE EXHIBITION INCLUDE MAX COLBY, FAIG AHMED, JAY LYNN GOMEZ, LIZA LOU, AND LYDIA RICCI. TRANSFORM ANY ROOM WAS ORGANIZED BY SENIOR CURATOR LAURA BURKHALTER. THE JOHN BRADY PRINT GALLERY, THE CURATORIAL TEAM CHOSE TO HIGHLIGHT THE ART CENTER'S CONTINUALLY GROWING PHOTOGRAPHY COLLECTION, AS WELL AS SOME OF THE OLDEST WORKS IN THE COLLECTION - UNEXPECTED GEMS IN THIS MOSTLY CONTEMPORARY MUSEUM. POSTCARDS: RECENT PHOTOGRAPHY ACQUISITIONS TO THE ART CENTER'S COLLECTION, WAS CURATED BY LAURA BURKHALTER. IT FOCUSED ON LANDSCAPES, TRAVEL DOCUMENTATION, AND SCENIC IMAGERY TAKEN BY PHOTOGRAPHERS FROM THE 19TH CENTURY TO THE PRESENT. IT IS ONE OF THE FIRST EXHIBITIONS IN THIS SPACE MADE UP ENTIRELY OF PHOTOS FROM THE MUSEUM'S HOLDINGS. REMBRANDT AND HIS WORLD: 17TH-CENTURY DUTCH PRINTS FROM THE DES MOINES ART CENTER'S COLLECTION, CURATED BY MIA LAUFER, HIGHLIGHTED PORTRAITS, LANDSCAPES, AND CITYSCAPES MADE OVER THREE CENTURIES AGO. DOUBLE TAKE WAS CO-CURATED BY PHOTOGRAPHER BEN EASTER AND LAURA BURKHALTER. CHOOSING EXCLUSIVELY FROM THE MUSEUM'S PHOTOGRAPHY COLLECTIONS, PAIRS OF IMAGES WERE CHOSEN THAT EXPLORE DIFFERENCES AND SIMILARITIES BETWEEN STAGED PHOTOGRAPHS AND THOSE TAKEN IN A MORE IMPROVISED OR QUICK MANNER. 966944 0 0 WITH A FOCUS ON INCLUSION AND BELONGING, THE DES MOINES ART CENTER ENGAGED IN A VARIETY OF DYNAMIC AND MEANINGFUL EVENTS, PROGRAMS, AND OPPORTUNITIES THROUGHOUT 2023. OUR EFFORTS CENTERED ON BEING A VIBRANT SPACE FOR OUR COMMUNITY TO GATHER, SHARING OUR UNIQUE CREATIVE SELVES, AND COLLECTIVELY CREATING WORK THAT RESONATES BEYOND OUR WALLS AND INTO THE FUTURE. THE MUSEUM WELCOMED 101,593 VISITORS THROUGHOUT 2023. OUR KEYSTONE FAMILY EVENTS, DAY OF THE DEAD (IN ITS 23RD YEAR) AND OUR BIANNUAL ENTIRELY KIDS DAYS, EXPLORED THE THEMES OF "PAST, PRESENT, FUTURE "HOME." THESE EVENTS COLLECTIVELY BROUGHT IN OVER 3,800 VISITORS WHO EXPERIENCED OUR CAMPUS THROUGH HANDS-ON, ARTIST-FACILITATED, FAMILY-FRIENDLY PROGRAMMING. THIS CONTRIBUTED TO A COMMUNITY-CREATED SENSE OF WELCOME AND CREATIVE PARTICIPATION FOR ALL AGES. THE SENSE OF HOME WAS FURTHER CATALYZED DURING ANOTHER SUMMER FAMILY EVENT HONORING THE DES MOINES ART CENTER'S 75TH ANNIVERSARY. ON AUGUST 18, 2023, 1,700 VISITORS CAME TOGETHER TO EXPLORE AND HONOR THE HISTORY AND IMPACT OF THE ART CENTER, GATHERING ON THE LAWN, IN THE ART STUDIOS, AND IN THE GALLERIES. THE EVENT FEATURED LOCAL LIVE MUSIC, FOOD TRUCKS, CERAMIC AND WEAVING ACTIVITIES AND DEMONSTRATIONS, AND OPPORTUNITIES FOR EVERYONE TO SHARE THEIR LOVE OF THE ART CENTER. THE MUSEUM EDUCATION DEPARTMENT WORKED DIRECTLY WITH STUDENTS IN AREA HIGH SCHOOLS, RURAL ELEMENTARY SCHOOLS IN NEWTON, PERRY, AND BALLARD, THE MESKWAKI SETTLEMENT, AND THROUGH OUR PARTNERSHIP WITH DES MOINES PUBLIC SCHOOLS. WE OFFERED CUSTOM WORKSHOPS, DIRECT ACCESS TO CONTEMPORARY ARTWORK, THOUGHTFUL CONNECTIONS TO OUR TEMPORARY EXHIBITIONS, AND IMPACTFUL MENTORSHIP TO ALMOST 500 INDIVIDUAL STUDENTS. THIS YEAR'S EXHIBITIONS OFFERED POWERFUL OPPORTUNITIES FOR COMMUNITY PROGRAMMING CENTERED AROUND UNIQUE IN-PERSON EXPERIENCES. OUR IOWA ARTIST EXHIBITION, 75 YEARS OF IOWA ART INVOLVED MORE THAN 100 COMMUNITY MEMBERS, INCLUDING SUMMER CAMP STUDENTS AND ART CENTER MEMBERS, TO COLLABORATIVELY PRODUCE OUTDOOR SOUND RECORDINGS USING CUSTOM WIND-HARP INSTRUMENTS DESIGNED BY ARTIST FIRAT ERDIM. VISITORS ALSO TOOK IN A PERFORMANCE WORK TITLED SLOBBERKNOCKER BY ARTIST RACHEL MERRILL, WITNESSING A LIVE MODEL CLAD IN A HAND-CROCHETED BODYSUIT AS SHE HELD POSES AGAINST A STRIKING GREEN CROCHETED FLOOR COVER, SILENTLY ASKING QUESTIONS ABOUT GRIEF, SUBMISSION, AND VULNERABILITY. ADDITIONALLY, THREE MEMBERS OF THE YOUNG BEAR FAMILY OF THE MESKWAKI NATION, MARY, SARAH, AND DANIEL, GAVE A STANDING ROOM ONLY PRESENTATION ABOUT THEIR BEADWORK THAT WAS FEATURED IN THE ART OF OUR TIME GALLERY OF THE EXHIBITION. ADDITIONALLY, ONE COULD HAVE EXPERIENCED THE POWER OF INTERNATIONALLY RECOGNIZED VIOLINIST, FILM COMPOSER, AND ACTIVIST FROM THE HURON-WENDAT NATION, GENEVIVE GROS-LOUIS, PLAYING LIVE IN THE GALLERIES IN CONJUNCTION WITH THE UNDERNEATH EVERYTHING EXHIBITION PERFORMING A PIECE DRAWING ATTENTION TO MURDERED OR MISSING INDIGENOUS WOMEN IN FRONT OF AN ARTWORK OF THE SAME PREMISE, OR ATTENDED A FASCINATING INTERVIEW BY NEWLY MINTED JOHN AND MARY PAPPAJOHN DIRECTOR, DR. KELLY BAUM WITH RENOWNED ARTIST HANK WILLIS THOMAS ABOUT HIS PUBLIC ART PRACTICE AND COLLABORATIONS. THE DES MOINES ART CENTER KNOWS THAT AN ARTS EXPERIENCE IS MADE IMMENSELY MORE IMPACTFUL WHEN FACILITATED BY A WELL-TRAINED GUIDE. IN 2023, OUR TEAM OF VOLUNTEER DOCENTS LED 10,307 INDIVIDUALS THROUGH PARTICIPATORY TOURS OF THE MUSEUM COLLECTION, EXHIBITIONS, AND GALLERIES, MANY OF WHOM WERE AREA FOURTH-GRADE STUDENTS ON THEIR VERY FIRST VISIT TO AN ART MUSEUM. ADDITIONALLY, OUR DOCENTS BROUGHT ART OUT OF THE GALLERIES AND DIRECTLY TO 664 COMMUNITY MEMBERS LIVING IN SENIOR LIVING CENTERS THROUGH OUR ART CALLS PROGRAM, WHICH IS ALMOST ENTIRELY MANAGED AND SUPPORTED BY THIS DEDICATED TEAM OF VOLUNTEER EDUCATORS. IN 2023, THE DES MOINES ART CENTER'S COMMUNITY ACCESS PROGRAM (CAP) OFFERED 695 FREE ART-MAKING SESSIONS THROUGH FOUR PROGRAMS: EDUCATIONAL ENRICHMENT, COMMUNITY RESILIENCY, IDENTITY AFFIRMING, AND ADAPTIVE ARTS. OUR OBJECTIVE IS TO DISCOVER CREATIVE WAYS OF MAKING ARTWORKS AND ART MAKING ACCESSIBLE TO THOSE IN OUR COMMUNITY THAT OTHERWISE LACK THIS ACCESS DUE TO CULTURAL, ECONOMIC, ENVIRONMENTAL, AND SOCIAL BARRIERS. OUR TEACHING ARTISTS (32 CURRENTLY) USE A STUDENT-CENTERED METHOD, CREATING A SAFE, RESPECTFUL ENVIRONMENT WHERE EVERYONE'S ART IS VALUED AS AN OUTLET FOR SELF-EXPRESSION. EDUCATIONAL ENRICHMENT PROGRAMMING PROVIDED SCHOOL-BASED SESSIONS TO 22 UNIQUE SCHOOLS, INCLUDING WOODWARD ACADEMY, SERVING MALE AND FEMALE STUDENTS IN GRADES 6 TO 12 WHO ARE EXPERIENCING BEHAVIORAL DIFFICULTY IN THE PUBLIC-SCHOOL SETTING. COMMUNITY RESILIENCY PROGRAMMING PROVIDED COMMUNITY-BASED SESSIONS TOP 15 COMMUNITY PARTNERS, INCLUDING WEEKLY SESSIONS AT FAMILIES FORWARD, A SHELTER FOR FAMILIES EXPERIENCING HOUSELESSNESS IN DES MOINES. IDENTITY ENRICHMENT PROVIDED 53 COMMUNITY AND ART CENTER-BASED SESSIONS TO FIVE COMMUNITY PARTNERS WHO SUPPORT LOCAL YOUTH BY UPLIFTING GROUP IDENTITIES, INCLUDING QUEER YOUTH RESOURCE CENTER (QYRC). IN 2023, CAP PARTNERED WITH QYRC TO OFFER ART MAKING GATHERINGS AS WELL AS THE FIRST ANNUAL SAFE SPACE PROM HELD AT THE DES MOINES ART CENTER. ADAPTIVE ARTS PROGRAMMING PROVIDED 65 COMMUNITY AND ART CENTER-BASED SESSIONS TO YOUTH AND ADULTS FROM THE LOCAL DISABILITY COMMUNITY, INCLUDING A VERY SUCCESSFUL INAUGURATION OF CAP'S DEAF AND HARD OF HEARING ART GATHERING, WITH TWO DEAF TEACHING ARTISTS FACILITATING ALL CLASSES. ALONG WITH WEEKLY PROGRAMMING, CAP HOSTED FOUR VISITING ARTIST WORKSHOPS. CERAMIC ARTIST, EHREN TOOL, LED MULTIPLE GROUPS IN WORKSHOPS MAKING HIS SIGNATURE TUMBLERS, INCLUDING A GROUP OF 24 VETERANS. DUANE SLICK, RAE STERN, AND MAX COLBY EACH OFFERED THREE-DAY WORKSHOPS TO LOCAL TEENS, DURING WHICH PARTICIPANTS LEARNED NEW TECHNIQUES AND SKILLS AS PART OF OUR ART AND ACTIVISM PROGRAMS. 895813 0 402490 OUR EFFORTS INCLUDE PROVIDING ART MAKING EDUCATION AND CLASSES THROUGH OUR STUDIO ARTS SCHOOL. IN 2023 THE STUDIO DEPARTMENT PROVIDED 123 ADULT CLASSES (18+), 101 YOUTH CLASSES (AGES 3-18), AND 8 WEEKS OF 2-A-DAY CAMPS THAT SERVED 856 UNIQUE STUDENTS IN OUR AREA FROM AGES 5 - 16. THROUGH OUR SCHOOL AND VAST NETWORK OF 46 TEACHING ARTISTS, WE CAN ENGAGE WITH NUMEROUS SOCIAL AND HUMAN SERVICES WITHIN THE SURROUNDING COMMUNITY. WE OFFER ON AND OFFSITE SCHOOL ENRICHMENT PROGRAMING THAT AIMS TO CREATE OPPORTUNITIES FOR CHILD CENTERED LEARNING AND FAMILY ENGAGEMENT. THE ART CENTERS STUDIO PROGRAM PROVIDES MULTIPLE ART MAKING MEDIUMS FROM PAINTING AND DRAWING TO METALS AND CERAMICS THROUGH BOTH TUITION-BASED ART CLASSES AND FREE ART PROGRAMMING THANKS TO OUR COLLABORATING ORGANIZATIONS AND DONATION NETWORK. IN 2023, WE PROVIDED 145 SCHOLARSHIPS TO YOUTH AND ADULTS IN OUR SURROUNDING COMMUNITY. 7606735 true true false false false false true false true true false false true true false true false false false false false false false true false false false false true false false false false false false false false false false false false false false false false false true 87 0 true 130 true true true false false false false true true false false false false false false X 27 27 false false false false false false false true true false false true true true true true true true true false X X Bonnie Valverde 5152710305 4700 Grand Avenue Des Moines IA 50312 ANDREA ABEL TREASURER 1.0 0.0 X X 0 0 0 DARREN JIRSA PRESIDENT 1.0 0.0 X X 0 0 0 GRAHAM COOK CHAIRPERSON AND EX-OFFICIO 1.0 0.0 X X 0 0 0 JEFF CHUNGATH VICE PRESIDENT 1.0 0.0 X X 0 0 0 RENEE MONTZ SECRETARY 1.0 0.0 X X 0 0 0 AMY ANDERSON TRUSTEE 1.0 0.0 X 0 0 0 CRAIG SHADUR TRUSTEE 1.0 0.0 X 0 0 0 DAN KEOUGH TRUSTEE 1.0 0.0 X 0 0 0 DAWN MARTINEZ OROPEZA TRUSTEE 1.0 0.0 X 0 0 0 ELLEN HUBBELL TRUSTEE 1.0 0.0 X 0 0 0 ELLEN YEE TRUSTEE 1.0 0.0 X 0 0 0 JASON GROSS TRUSTEE 1.0 0.0 X 0 0 0 JOHN KRANTZ TRUSTEE 1.0 0.0 X 0 0 0 JOSHUA MANDELBAUM TRUSTEE 1.0 0.0 X 0 0 0 KATE HIGHTSHOE TRUSTEE 1.0 0.0 X 0 0 0 KYLE KRAUSE TRUSTEE 1.0 0.0 X 0 0 0 LIZ ADELMAN TRUSTEE 1.0 0.0 X 0 0 0 MARY CHAPMAN TRUSTEE 1.0 0.0 X 0 0 0 PAMELA BASS-BOOKEY TRUSTEE 1.0 0.0 X 0 0 0 PATRICIA MCFARLAND TRUSTEE 1.0 0.0 X 0 0 0 RICHARD DEMING TRUSTEE 1.0 0.0 X 0 0 0 RICK BALLINGER TRUSTEE 1.0 0.0 X 0 0 0 ROSEMARY PARSON TRUSTEE 1.0 0.0 X 0 0 0 TOM KOEHN TRUSTEE 1.0 0.0 X 0 0 0 VICTORIA BRENTON TRUSTEE 1.0 0.0 X 0 0 0 VIRGINA LAURIDSEN TRUSTEE 1.0 0.0 X 0 0 0 WAYNE REAMES TRUSTEE 1.0 0.0 X 0 0 0 BONNIE VALVERDE SENIOR DIR OF FINANCE & OPS 40.0 0.0 X 159272 0 27325 JEFF FLEMING EXECUTIVE DIRECTOR (OUTGOING 04/30/2023) 40.0 0.0 X 203332 0 22896 KELLY BAUM EXECUTIVE DIRECTOR (INCOMING 05/01/2023) 40.0 0.0 X 235336 0 21844 JILL FEATHERSTONE SENIOR DIR OF EDUCATION 40.0 0.0 X 103277 0 3017 701217 0 75082 4 true true false 0 346887 197481 84000 3040697 3669065 STUDIO PROGRAMS 611610 402490 402490 SALES OF COMMISSIONED PRINTS 712110 3585 3585 REPRODUCTION & LOAN FEES 712110 5752 5752 SALES OF EXHIBITION CATALOGS 712110 16247 16247 0 0 0 0 428074 1552460 1552460 50306 146105 -95799 0 -95799 -36029 -59770 2871002 2871002 0 2871002 2871002 63725 197481 128661 -64936 -64936 376145 188464 187681 4124 183557 INCOME FROM FUNDS HELD IN TRUST 900099 2003440 2003440 ALL OTHER REVENUE 900099 220781 220781 0 0 0 0 2224221 10771768 428074 -31905 6706534 670005 598231 53188 18586 3322236 2118397 915171 288668 67367 44316 16548 6503 363795 206590 122982 34223 269785 189867 58930 20988 24094 24094 41112 41112 269568 84260 257427 -72119 298344 237056 25761 35527 235709 133051 85448 17210 193425 174889 11952 6584 820960 705382 4659 110919 308092 103955 110939 93198 410383 410383 221372 157434 57891 6047 PURCHASED WORKS OF ART 1679150 1679150 PACKING & SHIPPING 455275 455275 ALL OTHER EXPENSES 354517 198421 40124 115972 PROGRAM SUPPLIES 110078 110078 0 0 0 0 10115267 7606735 1826226 682306 5184889 5342973 3145798 1450781 1511605 255052 0 0 0 0 109613 119517 201812 379998 21836353 18008307 3914567 3828046 59367611 69676331 0 0 71244005 78700454 144679900 159753152 691831 945218 335705 496678 0 0 302772 241916 1330308 1683812 X 31584729 34083297 111764863 123986043 143349592 158069340 144679900 159753152 656501 14063247 0 X false true X true false X 4035480 1711964 9259689 5879593 3669065 24555791 0 0 4035480 1711964 9259689 5879593 3669065 24555791 2619846 21935945 1693132 1612459 1167112 836959 1552460 6862122 0 0 0 226 3124 3350 2009082 1908758 1270736 1662754 2224221 9075551 40496814 3623811 0.5417 0.5611 X Schedule A, Part II, Line 10 Other Income DESCRIPTION - INCOME FROM FUNDS HELD IN TRUST, COLUMN A - 1927729.0, COLUMN B - 1821953.0, COLUMN C - 1255588.0, COLUMN D - 1639081.0, COLUMN E - 2003440.0, COLUMN F - 8647791.0; DESCRIPTION - ALL OTHER REVENUE, COLUMN A - 81353.0, COLUMN B - 86805.0, COLUMN C - 15148.0, COLUMN D - 23673.0, COLUMN E - 220781.0, COLUMN F - 427760.0; RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X false 56838012 291133 10745028 2796002 65078171 70180586 81064 -10945117 2478521 56838012 62607883 256064 9719426 2402787 70180586 58495244 115000 6277904 2280265 62607883 50079303 399906 10252678 2236643 58495244 0.38 0.36 0.26 true false 20197623 16688070 3509553 1475017 1320237 154780 163713 0 163713 3828046 BENEFICIAL INTEREST IN TRUSTS 78622517 OTHER ASSET 77937 78700454 DEFERRED COMPENSATION 241916 241916 25298245 14063247 463230 14526477 10771768 0 0 10771768 10578497 463230 463230 10115267 0 0 10115267 Schedule D, Part III, Line 1a Collections of art - financial statement footnote Collections of works of art, historical treasures and similar assets, which were acquired through purchases and contributions since the Foundation's inception, are not capitalized in as much as the items are preserved and cared for continuously. Purchases of collection items are reported in the year of acquisition as decreases in net assets without donor restrictions or in net assets with donor restrictions if the assets used to purchase the items were restricted to that use by donor stipulation. Contributions of collection items are not reported in the financial statements. Proceeds from disposal of and insurance recoveries related to collection items are reported as increases in the appropriate net asset classes. The Foundation's collections consist of works of art and historical treasures. No collection items were sold or removed in 2023 or 2022. Schedule D, Part III, Line 4 Collections of art - description of collections THE MISSION OF THE FOUNDATION IS TO COLLECT, PRESERVE, AND STUDY THE BEST EXAMPLES OF MODERN AND CONTEMPORARY ART FROM AROUND THE WORLD AND TO ENGAGE DIVERSE LOCAL, REGIONAL, AND NATIONAL AUDIENCES. THE FOUNDATION'S COLLECTION, WHICH GROWS INCREMENTALLY EVERY YEAR, INCLUDES OVER 6,000 WORKS OF ART IN ALL MEDIA. ALTHOUGH IT ACQUIRES AND DISPLAYS MOSTLY ART FROM THE 20TH AND 21ST CENTURIES, THE FOUNDATION ALSO OWNS AROUND 3,500 WORKS ON PAPER THAT SPAN SEVEN CENTURIES. MANY WORLD-RENOWNED ARTISTS ARE REPRESENTED IN THE FOUNDATION'S COLLECTION, INCLUDING HISTORICAL ARTISTS SUCH AS FRANCIS BACON, ALBERTO GIACOMETTI, AND EDWARD HOPPER AS WELL AS LIVING ARTISTS SUCH AS CECILY BROWN, WANGECHI MUTU, AND AI WEIWEI. THE FOUNDATION HOUSES ITS COLLECTION IN SECURE, CLIMATE-CONTROLLED STORAGE AREAS. IT ALSO MAINTAINS A RIGOROUS COLLECTIONS MANAGEMENT POLICY, WHICH GUIDES THE LONG-TERM CARE AND PRESERVATION OF THE OBJECTS IT HOLDS IN TRUST, INCLUDING PROCEDURES FOR LOANS, ACQUISITION, AND DEACCESSIONING. IN ADDITION, THE FOUNDATION ORGANIZES APPROXIMATELY TWELVE EXHIBITIONS EVERY YEAR, SOME FEATURING OBJECTS FROM THE COLLECTION, OTHERS HIGHLIGHTING WORKS OF ART BORROWED FROM INSTITUTIONS AND PRIVATE COLLECTORS. EXHIBITIONS MIGHT FOCUS ON A SINGLE ARTIST, OR THEY MIGHT GROUP WORKS OF ART BY DIFFERENT ARTISTS UNDER A THEMATIC RUBRIC. THESE PROJECTS ARE FREQUENTLY ACCOMPANIED BY SCHOLARLY CATALOGUES THAT PLACE MODERN AND CONTEMPORARY ART IN A HISTORICAL CONTEXT AND ILLUMINATE ITS RELATIONSHIP TO URGENT ISSUES IN THE PRESENT. THE FOUNDATION'S EXHIBITIONS REGULARLY TRAVEL TO OTHER INSTITUTIONS. AT THE SAME TIME, THE FOUNDATION HOSTS ONE OR TWO EXHIBITIONS PRODUCED BY OTHER MUSEUMS ANNUALLY. Schedule D, Part V, Line 4 Intended uses of endowment funds FUNDS FROM THIS ENDOWMENT ARE USED FOR THE PURCHASE OF WORKS OF ART. Schedule D, Part XI, Line 2(d) Other revenues in audited financial statements not in form 990 COST OF GOODS SOLD - 188464 RENTAL EXPENSES - 146105 DIRECT FUNDRAISING EXPENSES - 128661 Schedule D, Part XII, Line 2(d) Other expenses in audited financial statements not in form 990 COST OF GOODS SOLD - 188464 RENTAL EXPENSES - 146105 DIRECT FUNDRAISING EXPENSES - 128661 ANNUAL GALA 261206 197481 63725 43125 36414 17415 31707 0 0 261206 197481 63725 43125 36414 17415 31707 128661 -64936 X X X false true false false false false false false false KELLY BAUM EXECUTIVE DIRECTOR (INCOMING 05/01/2023) 224336 0 11000 0 0 0 0 0 21844 0 257180 0 0 0 BONNIE VALVERDE SENIOR DIR OF FINANCE & OPS 159272 0 0 0 0 0 0 0 27325 0 186597 0 0 0 JEFF FLEMING EXECUTIVE DIRECTOR (OUTGOING 04/30/2023) 200332 0 3000 0 0 0 14144 0 8752 0 226228 0 0 0 Schedule J, Part I, Line 4b Supplemental nonqualified retirement plan THE FOUNDATION ENTERED INTO A 457(B) DEFERRED COMPENSATION PLAN WITH THE FORMER EXECUTIVE DIRECTOR IN 2013 FOR THE PURPOSE OF CREATING A SUPPLEMENTAL RETIREMENT PLAN. EACH PLAN YEAR, THE FOUNDATION MAY DESIGNATE A CONTRIBUTION LIMITED TO THE CAP ON CONTRIBUTIONS UNDER SECTION 457 CATCH-UP LIMITATION. INTEREST IS CREDITED ON JANUARY 1 OF EACH PLAN YEAR CALCULATED BY MULTIPLYING BY THE ACCOUNT BALANCE AS OF DECEMBER 31 OF THE PRECEDING YEAR MATURITY RATE. THIS PLAN IS 100% VESTED AND WILL BE PAID OUT OVER 5 YEARS BEGINNING IN 2024. AT DECEMBER 31, 2023 THE FOUNDATION HAS A LIABILITY OF $241,916 IN VESTED BENEFITS INCLUDED IN THE DEFERRED COMPENSATION LIABILITY. Form 990, Part I, Line 1 ORGANIZATION'S MISSION USING ART AS THE CATALYST AND WITH A COMMITMENT TO INCLUSIVITY, THE ART CENTER BUILDS EXPERIENCES, FOSTERS RELATIONSHIPS, AND STIMULATES CREATIVE, CRITICAL, AND EMPATHETIC THINKING. THE MISSION OF THE FOUNDATION IS TO COLLECT, PRESERVE, AND STUDY THE BEST EXAMPLES OF MODERN AND CONTEMPORARY ART FROM AROUND THE WORLD AND TO ENGAGE DIVERSE LOCAL, REGIONAL, AND NATIONAL AUDIENCES. THE FOUNDATION'S COLLECTION, WHICH GROWS INCREMENTALLY EVERY YEAR, INCLUDES OVER 6,000 WORKS OF ART IN ALL MEDIA. ALTHOUGH IT ACQUIRES AND DISPLAYS MOSTLY ART FROM THE 20TH AND 21ST CENTURIES, THE FOUNDATION ALSO OWNS AROUND 3,500 WORKS ON PAPER THAT SPAN SEVEN CENTURIES. MANY WORLD-RENOWNED ARTISTS ARE REPRESENTED IN THE FOUNDATION'S COLLECTION, INCLUDING HISTORICAL ARTISTS SUCH AS FRANCIS BACON, ALBERTO GIACOMETTI, AND EDWARD HOPPER AS WELL AS LIVING ARTISTS SUCH AS CECILY BROWN, WANGECHI MUTU, AND AI WEIWEI. THE FOUNDATION HOUSES ITS COLLECTION IN SECURE, CLIMATE-CONTROLLED STORAGE AREAS. IT ALSO MAINTAINS A RIGOROUS COLLECTIONS MANAGEMENT POLICY, WHICH GUIDES THE LONG-TERM CARE AND PRESERVATION OF THE OBJECTS IT HOLDS IN TRUST, INCLUDING PROCEDURES FOR LOANS, ACQUISITION, AND DEACCESSIONING. IN ADDITION, THE FOUNDATION ORGANIZES APPROXIMATELY TWELVE EXHIBITIONS EVERY YEAR, SOME FEATURING OBJECTS FROM THE COLLECTION, OTHERS HIGHLIGHTING WORKS OF ART BORROWED FROM INSTITUTIONS AND PRIVATE COLLECTORS. EXHIBITIONS MIGHT FOCUS ON A SINGLE ARTIST, OR THEY MIGHT GROUP WORKS OF ART BY DIFFERENT ARTISTS UNDER A THEMATIC RUBRIC. THESE PROJECTS ARE FREQUENTLY ACCOMPANIED BY SCHOLARLY CATALOGUES THAT PLACE MODERN AND CONTEMPORARY ART IN A HISTORICAL CONTEXT AND ILLUMINATE ITS RELATIONSHIP TO URGENT ISSUES IN THE PRESENT. THE FOUNDATION'S EXHIBITIONS REGULARLY TRAVEL TO OTHER INSTITUTIONS. AT THE SAME TIME, THE FOUNDATION HOSTS ONE OR TWO EXHIBITIONS PRODUCED BY OTHER MUSEUMS ANNUALLY. Form 990, Part VI, Line 11b Review of form 990 by governing body AN INDEPENDENT ACCOUNTING FIRM PREPARES AND REVIEWS THE FORM 990 IN DETAIL WITH THE FINANCE COMMITTEE OF THE BOARD. THE FINANCE COMMITTEE, EXECUTIVE DIRECTOR, AND SENIOR DIRECTOR OF FINANCE AND OPERATIONS REVIEW THE FORM 990 WITH THE FULL BOARD. THE SENIOR DIRECTOR OF FINANCE AND OPERATIONS IS AVAILABLE TO ANSWER ANY QUESTIONS OR PROVIDE CLARIFICATION. THE FINAL FORM 990, WITH ALL REQUIRED SCHEDULES, IS PROVIDED TO ALL VOTING MEMBERS OF THE BOARD PRIOR TO FILING THE 990. Form 990, Part VI, Line 12c Conflict of interest policy THE BOARD OF DIRECTORS AND OFFICERS ANNUALLY REVIEW AND SIGN THE ORGANIZATION'S CONFLICT OF INTEREST POLICY. ACTUAL OR POTENTIAL CONFLICTS OF INTEREST MUST BE DISCLOSED TO THE BOARD. IF THERE IS A CONFLICT OF INTEREST THE BOARD MEMBER ABSTAINS FROM VOTING. TOM KOEHN ABSTAINED FROM ALL VOTES RELATED TO THE DECISION TO HIRE THE WALDINGER CORPORATION. THE WALDINGER CORPORATION IS OWNED MORE THAN 35% BY TOM KOEHN, A TRUSTEE OF EDMUNDSON ART FOUNDATION, INC. Form 990, Part VI, Line 15a Process to establish compensation of top management official THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES REVIEWS AND DETERMINES THE COMPENSATION OF THE EXECUTIVE DIRECTOR, WHICH IS VOTED ON AND APPROVED BY THE FULL BOARD. THEY USE PRIMARILY THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS' (AAMD) SALARY COMPARISONS AS A GUIDE TO DETERMINE COMPARABLE POSITIONS AT SIMILARLY SITUATED ORGANIZATIONS. THIS REVIEW IS DOCUMENTED WITH WRITTEN NOTES REGARDING THE COMPENSATION AGREEMENT REACHED AFTER DISCUSSION BETWEEN THE EXECUTIVE COMMITTEE (OR ITS REPRESENTATIVE, THE PRESIDENT OF THE BOARD OF TRUSTEES) AND THE EXECTUTIVE DIRECTOR. Form 990, Part VI, Line 15b Process to establish compensation of other employees IN 2023, AN INDEPENDENT ORGANIZATION, THE NEWPORT GROUP, WAS CONTRACTED TO REEVALUTE THE ORGANIZATION'S SALARY WAGE BANDS ESTABLISHED IN 2021. Form 990, Part VI, Line 19 Required documents available to the public THE FOUNDATION'S GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE AVAILABLE TO THE PUBLIC UPON REQUEST.