2024-04-23T16:28:28-05:00 2023-06-30 420714325 RSM US LLP 80 CITY SQUARE BOSTON MA 02129 990 2022-07-01 042104327 THE INSTITUTE OF CONTEMPORARY ART INC INST 6174783100 25 HARBOR SHORE DRIVE BOSTON MA 02210 JILL MEDVEDOW DIRECTOR 6174783100 2024-04-23 1 JILL MEDVEDOW 999009999 0 LYNNE JOHNSON P00757336 6179129000 2 AAL1 IAL1 2022 2023-04-26 12:10:37Z ICABOSTON JILL MEDVEDOW 25 HARBOR SHORE DRIVE BOSTON MA 02210 46805430 0 X WWW.ICABOSTON.ORG X 1936 MA SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 38 37 290 141 42200 0 18928827 18750251 2457155 3405042 658641 340967 1684189 745588 23728812 23241848 0 0 0 0 8056265 8876293 16500 14850 1406667 13689657 13145832 21762422 22036975 1966390 1204873 113826722 121773264 3564619 5249693 110262103 116523571 X THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 0 0 11304800 2384867 ART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED 9 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. FY23 GALLERY EXHIBITS ATTENDANCE TOTALED 220,301 VISITORS, WATERSHED ATTENDANCE NUMBERED 34,590, AND IN-PERSON PROGRAMMING ATTENDANCE NUMBERED 57,483.(SEE CONTINUATION ON SCHEDULE O) 1983214 18969 EDUCATION, ADULTS, TEENS:THE ICA OFFERS A ROBUST RANGE OF EDUCATIONAL PROGRAMS BUILT AROUND THEMES IN CONTEMPORARY ART AND CULTURE. GEARED TOWARD ADULT, TEEN, AND FAMILY AUDIENCES, THESE INCLUDE PUBLIC PROGRAMS, DIGITAL RESOURCES, AND MORE. WE EXTEND OUR GRATITUDE TO THE MANY INDIVIDUALS AND ORGANIZATIONS WHO CONTRIBUTE TO THE SUCCESS OF THESE INITIATIVES, INCLUDING TEACHING ARTISTS, COMMUNITY PARTNERS, SCHOOLS, AND THE ARTISTS THEMSELVES. (SEE CONTINUATION ON SCHEDULE O) 1772576 207324 PERFORMING AND MEDIA ARTS:THE ICA PRESENTS SOME OF THE MOST INNOVATIVE AND FORWARD-LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND MULTI-DISCIPLINARY ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY23 WE OFFERED 38 PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED APPROXIMATELY 21,661.WE ORGANIZED 46 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE OF THESE PERFORMANCES TOTALED 18,919. (SEE CONTINUATION ON SCHEDULE O)DANCE/THEATER* SUMMER STAGES DANCE @ ICA: LIZ GERRING DANCE COMPANY SNEAK PREVIEW* PRAYERS, PROVERBS, AND POEMS: LESSONS FOR THE LIVING* LIZ GERRING DANCE COMPANY WITH THE JACK QUARTET: HARBOR* SUMMER STAGES DANCE @ ICA: OKWUI OKPOKWASILI AND PETER BORN: A SNEAK PREVIEW* BILL T. JONES/ARNIE ZANE COMPANY: CURRICULUM II* OKWUI OKPOKWASILI: ADAKU, PART 1: THE ROAD OPENS* SUZANNE BOCANEGRA: HONOR - GLOBAL ARTS LIVE PRESENTS - FOUAD BOUSSOUF - BOSTON DANCE THEATER - GIBNEY COMPANY - DORRANCE DANCEIN-GALLERY PERFORMANCE* PRAYERS, PROVERBS, AND POEMS: LESSONS FOR THE LIVINGMUSIC* HARBORWALK SOUNDS: - KIRSTEN ALICIA + FRIENDS - NEW LEGAXY - BANDA LATINO-GANG - THE THISTLE BROTHERS - AIIDA - YAGMUR SOYDEMIR + FRIENDS - THE TIGER WIZARD - CHARLEY TIERNAN* ICA SUMMER SESSIONS: - NAOMI WESTWATER - HEESU - CD ROSE - LILAH! - ED BALLOON - SENSELESS OPTIMISM - COLLEEN GREEN* BLACK JOY DAY* WE CREATE THE WORLD: A JUNETEENTH CELEBRATION* L'RAIN* JAZZ URBANE CAFE AT ICA/BOSTON: SPIRIT AND ARTISTIC FIRE* JASON MORAN AND ALICIA HALL MORAN: FAMILY BALL* HYENA* WOMEN OF JAZZ: JAZZ URBANE CAFE AT ICA/BOSTONIN FY23 WE PRESENTED 18 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 2,942.FILM* SUNDANCE FILM FESTIVAL SHORTS* ALL THE BEAUTY AND THE BLOODSHED* 2023 OSCAR-NOMINATED SHORT FILMS* WICKED QUEER FILM SCREENING: BIG BOYS* IN THEIR OWN WORDS: A SHORT FILM PROGRAM 1534541 1042886 EARNED INCOME ACTIVITIES: - EVENT SPACE RENTALS: THE ICA HAD 53 EVENT RENTALS IN FY23 THAT WERE ATTENDED BY 7,994 VISITORS WHO HAD THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS.- ART TRIPS: IN FY23, THE ICA SPONSORED ONE ART TRIP TO VENICE. 1310360 PROGRAM MARKETING AND COMMUNICATIONS:DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING THE EXHIBITIONS, VIRTUAL PROGRAMS, EDUCATIONAL, COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS TO THE PUBLIC AND ICA MEMBERS. EXHIBITIONS AND PERFORMANCES RECEIVED CRITICAL AND POPULAR ACCLAIM, AND WERE WELL RECEIVED BY VISITORS WITH HIGH ENGAGEMENT AND SATISFACTION RATINGS. IN FISCAL YEAR 2023, THE ICA WELCOMED A TOTAL OF 310,434 VISITORS, ONE OF ITS MOST SUCCESSFUL YEARS ON RECORD. 459315 652321 MEMBERSHIPS:MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2023 THE MEMBERSHIP DEPARTMENT SERVED 5,528 HOUSEHOLDS AND HAD 9,327 MEMBER VISITS TO ENJOY THEIR PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, SPECIAL MEMBERS' VISITATION HOURS, FREE AND DISCOUNTED VIRTUAL EVENTS, AND DISCOUNTS IN THE ICA STORE. 3304216 1695207 18364806 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 237 0 1 290 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 38 37 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MA X NATASA VUCETIC 6174783179 25 HARBOR SHORE DRIVE BOSTON MA 02210 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 37.50 X X 523840 0 34791 CAMILO ALVAREZ EX-OFFICIO, ADVISORY BOARD CHAIR 1.00 X 0 0 0 CHARLES BRIZIUS TRUSTEE 1.00 X 0 0 0 KATRINE BOSLEY TRUSTEE 1.00 X 0 0 0 DR PAUL BUTTENWIESER TRUSTEE 1.00 X 0 0 0 KAREN SWETT CONWAY TRUSTEE 1.00 X 0 0 0 MARY SCHNEIDER ENRIQUEZ TRUSTEE 1.00 X 0 0 0 JENNIFER EPSTEIN TRUSTEE 1.00 X 0 0 0 OLIVER EWALD TRUSTEE 1.00 X 0 0 0 DAVID FEINBERG TRUSTEE 1.00 X 0 0 0 JESSE FELDMAN TRUSTEE (FROM 10/24/22) 1.00 X 0 0 0 ILANA FINLEY TRUSTEE (FROM 10/24/22) 1.00 X 0 0 0 JAMES C FOSTER TRUSTEE 1.00 X 0 0 0 ERICA GERVAIS PAPPENDICK TRUSTEE 1.00 X 0 0 0 MARK GOODMAN TRUSTEE 1.00 X 0 0 0 HILARY GROVE TRUSTEE 1.00 X 0 0 0 VIVIEN HASSENFELD TRUSTEE 1.00 X 0 0 0 HAL HESS TRUSTEE 1.00 X 0 0 0 ALLISON JOHNSON TRUSTEE (UNTIL 9/19/2022) 1.00 X 0 0 0 CHARLA JONES TRUSTEE 1.00 X 0 0 0 ROBERT KWAK TRUSTEE 1.00 X 0 0 0 MANNY LOPES TRUSTEE 1.00 X 0 0 0 KENT LUCKEN TRUSTEE 1.00 X 0 0 0 CHRISTINE MARAGANORE TRUSTEE (FROM 6/5/23) 1.00 X 0 0 0 TRISTIN MANNION TRUSTEE 1.00 X 0 0 0 DAN O'CONNELL TRUSTEE 1.00 X 0 0 0 DEVAL PATRICK TRUSTEE 1.00 X 0 0 0 ELLEN M POSS MD TRUSTEE 1.00 X 0 0 0 EMMETT G PRICE III TRUSTEE 1.00 X 0 0 0 DAVID PUTH TRUSTEE 1.00 X 0 0 0 LESLIE RIEDEL TRUSTEE 1.00 X 0 0 0 MARIO RUSSO TRUSTEE 1.00 X 0 0 0 MARK SCHWARTZ TRUSTEE 1.00 X 0 0 0 NICOLE ZATLYN TRUSTEE 1.00 X 0 0 0 STEVEN D CORKIN CO-CHAIR 1.00 X X 0 0 0 BRIDGITT EVANS CO-CHAIR 1.00 X X 0 0 0 FOTENE DEMOULAS VICE CHAIR 1.00 X X 0 0 0 CHARLOTTE WAGNER PRESIDENT 1.00 X X 0 0 0 KAMBIZ SHAHBAZI TREASURER 1.00 X X 0 0 0 NATASA VUCETIC CHIEF FINANCIAL & OPERATIONS OFFICER 37.50 X 217664 0 39018 WHITNEY LEESE CHIEF OF STAFF GOV./SEC./CLERK 37.50 X 122423 0 6609 EVA RESPINI DEPUTY DIRECTOR OF CURATORIAL AFFAIRS (UNTIL 5/31/23) 37.50 X 240018 0 38488 KATRINA FOSTER DIRECTOR OF DEVELOPMENT 37.50 X 218115 0 40091 KELLY GIFFORD DEPUTY DIRECTOR PUBLIC ENGAGEMENT AND PLANNING 37.50 X 178520 0 23771 COLETTE RANDALL CHIEF COMMUNICATIONS & MARKETING OFFICER 37.50 X 147981 0 35589 MONICA GARZA DIRECTOR OF EDUCATION 37.50 X 139952 0 36058 JOHN ANDRESS DIR. OF PERFORMING ARTS & MEDIA ARTS 37.50 X 147037 0 16315 1935550 0 270730 18 0 1 0 COBAR SPA VIA SELVA 101-7002 ALTAMURA ALTAMURA IT EXHIBITION DESIGN & CONSTRUCTION SERVICE 964363 A CONSULTING SAN MARCO 2012 VENEZIA IT CONSULTING SERVICES 497332 ALLIED UNIVERSAL PO BOX 828854 PHILADELPHIA PA 191828854 SECURITY SERVICES 452180 AMERICAN CLEANING PO BOX 390702 CAMBRIDGE MA 02139 CLEANING SERVICES 411980 MASTERPIECE INTERNATIONAL 39 BROADWAY SUITE 1410 NEW YORK NY 10006 SHIPPING SERVICES 400043 18 1462764 769426 16518061 176837 18750251 ADMISSIONS & PROGRAM 900099 1882289 1882289 EXHIBITIONS 900099 724934 724934 MEMBERSHIP DUES 900099 652321 652321 TRIPS & TOURS 900099 145498 145498 3405042 869158 -5793 874951 846584 798591 47993 47993 47993 20945219 21473410 -528191 -528191 -528191 101270 1462764 634890 -533620 -533620 1492986 656691 836295 836295 FOOD SERVICES 722210 169449 169449 CORPORATE EXCHANGE REV 900099 160441 160441 OTHER REVENUE 900099 65030 65030 394920 23241848 4306367 42200 143030 X 1196762 362071 755376 79315 6366900 5118430 457811 790659 224534 167644 27667 29223 570650 437643 65578 67429 517447 413340 44594 59513 19161 19161 114126 114126 14850 14850 153237 146255 6982 2404524 2259504 125712 19308 460091 456919 3172 223593 179673 15715 28205 249861 108813 125382 15666 598549 572871 13527 12151 709318 671417 18969 18932 7811 2280 1529 4002 33321 31765 820 736 2107525 2009090 51856 46579 144301 73908 70393 SHIPPING AND STORAGE 1400282 1398879 739 664 ARTIST FEES 1357578 1355881 1197 500 ART ACQUISITIONS 1145000 1145000 MISC. FACILITY COSTS 893692 843148 22863 27681 1123862 756530 183060 184272 22036975 18364806 2265502 1406667 20946575 14381811 9074450 12510043 298730 262341 337536 428203 465879 409455 68837347 32089492 38794401 36747855 28921938 29828565 14673154 24528020 314059 2676971 113826722 121773264 2166135 1519331 1398484 1329998 0 2400364 3564619 5249693 X 40724973 38836610 69537130 77686961 110262103 116523571 113826722 121773264 X 1204873 5067573 -10978 X 0 1 X 1 0 X 12150076 15796561 18194343 18928827 18750251 83820058 12150076 15796561 18194343 18928827 18750251 83820058 7158048 76662010 173554 1133234 874951 2181739 20158 42201 62359 239905 124289 4411 244328 431160 1044093 87108249 19301512 0.88010 0.82760 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: FUNDRAISING INCOME - 2018 AMOUNT: $ 128,390. 2019 AMOUNT: $ 35,600. 2021 AMOUNT: $ 90,880. 2022 AMOUNT: $ 101,270. FOOD SERVICES - 2018 AMOUNT: $ 111,515. 2019 AMOUNT: $ 88,689. 2020 AMOUNT: $ 4,411. 2021 AMOUNT: $ 87,529. 2022 AMOUNT: $ 169,449. CORPORATE EXCHANGE REVENUE - 2021 AMOUNT: $ 65,919. 2022 AMOUNT: $ 160,441. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 0 50598509 3949128 5158940 2599992 57106585 56575229 3020156 -8396876 600000 50598509 43544382 4944115 9886732 1800000 56575229 40458720 5881208 -1045546 1750000 43544382 37567699 2867591 1623430 1600000 40458720 0.00000 0.97000 0.03000 0 0 56088489 23104944 32983545 5200454 2633076 2567378 7548404 6351472 1196932 36747855 POOLED INVESTMENT VEHICLES 24528020 F 24528020 LEASE LIABILITY 2400364 2400364 X 30260740 5067573 18380 -10978 5074975 25185765 146255 -2090172 -1943917 23241848 23999272 18380 2090172 2108552 21890720 146255 146255 22036975 PART III, LINE 1A: COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS THAT ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR DEACCESSIONS OR INSURANCE RECOVERIES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE ICA PURCHASED THREE AND EIGHT PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $1,145,000 AND $1,108,676 DURING THE YEARS ENDED JUNE 30, 2023 AND 2022, RESPECTIVELY. PART III, LINE 4: IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC. PART V, LINE 4: THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR. PART X, LINE 2: THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSITION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2023 AND 2022. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR THREE YEARS FROM THE FILING DATE. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE. PART XI, LINE 2D - OTHER ADJUSTMENTS: GAIN ON SPLIT INTEREST AGREEMENTS 11,567. LOSSES FROM UNCONDITIONAL PROMISES TO GIVE WRITE OFFS AND ALLOWANCES -22,545. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -656,691. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -798,591. FUNDRAISING EVENTS EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -634,890. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 798,591. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 656,691. FUNDRAISING EVENTS EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 634,890. NORTH AMERICA 0 0 INVESTMENTS 9626941 CENTRAL AMERICA AND THE CARIBBEAN 0 0 INVESTMENTS 3319913 EUROPE (INCLUDING ICELAND & GREENLAND) 0 0 PROGRAM SERVICES VENICE BIENNALE EXHIBITION 1628412 0 0 0 0 0 0 14575266 0 14575266 1 0 1 1 0 0 PART III ACCOUNTING METHOD: GALA 1475334 1381834 93500 438187 40616 123539 WOMEN'S LUNCHEON 88700 80930 7770 22213 10335 1564034 1462764 101270 460400 40616 133874 634890 -533620 X X X X 0 0 0 0 0 0 0 1 0 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 466215 0 50000 0 7625 0 15250 0 19541 0 558631 0 0 0 EVA RESPINI DEPUTY DIRECTOR OF CURATORIAL AFFAIRS (UNTIL 5/31/23) 240018 0 0 0 0 0 12333 0 26155 0 278506 0 0 0 KATRINA FOSTER DIRECTOR OF DEVELOPMENT 218115 0 0 0 0 0 10542 0 29549 0 258206 0 0 0 NATASA VUCETIC CHIEF FINANCIAL & OPERATIONS OFFICER 207664 0 10000 0 0 0 11372 0 27646 0 256682 0 0 0 KELLY GIFFORD DEPUTY DIRECTOR PUBLIC ENGAGEMENT AND PLANNING 178520 0 0 0 0 0 9086 0 14685 0 202291 0 0 0 COLETTE RANDALL CHIEF COMMUNICATIONS & MARKETING OFFICER 147981 0 0 0 0 0 7815 0 27774 0 183570 0 0 0 MONICA GARZA DIRECTOR OF EDUCATION 139952 0 0 0 0 0 7455 0 28603 0 176010 0 0 0 JOHN ANDRESS DIR. OF PERFORMING ARTS & MEDIA ARTS 147037 0 0 0 0 0 7455 0 8860 0 163352 0 0 0 PART I, LINE 7 ALL BONUSES ARE DISCRETIONAL (NONE ARE GUARANTEED BY A CONTRACT). THE DIRECTOR'S BONUS IS APPROVED BY THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES. A MASSACHUSETTS DEVELOPMENT FINANCE AGENCY 043431814 2012-05-03 6408949 REFUNDING ISSUE 0 0 0 A 5068669 6408949 96449 6312500 2006 1 0 1 1 A 0 0 1 1 0 0.01120 0.00500 0.01620 0 0 1 A 0 0 0 0 0 0 0 0 1 A 1 X 9 X 12 176837 FAIR MARKET VALUE 2 0 1 0 PART I, COLUMN (B): THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK. PART I, LINE 33: CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958). FORM 990, PART III, LINE 4A ROSE B. SIMPSON: LEGACIES AUGUST 11, 2022 - JANUARY 29, 2023 FOTENE DEMOULAS GALLERY THE ART WORK OF ROSE B. SIMPSON (B. 1983 IN SANTA CLARA PUEBLO, NM) ENCOMPASSES CERAMIC SCULPTURE, METALS, PERFORMANCE, INSTALLATION, WRITING, AND AUTOMOBILE DESIGN, OFFERING POIGNANT REFLECTIONS ON THE HUMAN CONDITION. HER FIGURATIVE CERAMIC SCULPTURES, FOR WHICH SHE IS BEST KNOWN, OFTEN INCORPORATE METAL, WOOD, LEATHER, FABRIC, AND FOUND OBJECTS, AND EXPRESS COMPLEX PSYCHOLOGICAL STATES, SPIRITUALITY, WOMEN'S STRENGTH, AND POST-APOCALYPTIC VISIONS OF THE WORLD. PART OF A MULTIGENERATIONAL, MATRILINEAL LINEAGE OF ARTISTS WORKING WITH CLAY, SIMPSON CALLS FORTH INDIGENOUS KNOWLEDGE AND CURATIVE ASPECTS OF WORKING WITH CLAY TO HEAL GENERATIONAL TRAUMA AND FOSTER AN INTERNALIZED NOTION OF SUSTAINABILITY. AN ENROLLED MEMBER OF THE PUEBLO OF SANTA CLARA, NEW MEXICO (KHAAP'O OWINGEH), SIMPSON DRAWS ON PROCESSES OF PRODUCING CLAY POTTERY IN PRACTICE SINCE THE 6TH CENTURY, CONNECTING TRADITION AND KNOWLEDGE WITH HER OWN PLACE IN THE WORLD TODAY. FROM INTIMATELY SCALED WORKS, TO MONUMENTAL STANDING FIGURES, THIS TIGHTLY CONCEIVED EXHIBITION WILL FEATURE A PRESENTATION OF THE ARTIST'S SIGNATURE CERAMIC SCULPTURES ALONGSIDE NEW WORKS. ORGANIZED BY JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. JORDAN NASSAR: FANTASY AND TRUTH AUGUST 11, 2022 - JANUARY 29, 2023 PAUL AND CATHERINE BUTTENWIESER GALLERY JORDAN NASSAR'S SOLO EXHIBITION, HIS FIRST IN BOSTON, PRESENTS A SELECTION OF HIS INTRICATE EMBROIDERED AND MIXED MEDIA WORKS. NASSAR (B. 1985 IN NEW YORK) DRAWS ON TRADITIONAL PALESTINIAN CRAFT TECHNIQUES TO INVESTIGATE IDEAS OF HOME, LAND, AND MEMORY. HIS WORK, WHICH HE CREATES IN COLLABORATION WITH PALESTINIAN EMBROIDERS AND CRAFTSPERSONS, COMBINES GEOMETRIC PATTERNS WITH ABSTRACTED LANDSCAPES, IMBUED, IN THE ARTIST'S WORDS, "WITH YEARNING, WHILE HOPEFUL AND BEAUTIFUL." THROUGH COMPLEX PATTERNING AND A UNIQUE ATTENDANCE TO FORM AND COLOR, THE PAINTERLY AESTHETIC OF NASSAR'S EMBROIDERY ALLOWS THE ARTIST TO EXPLORE RELATIONSHIPS BETWEEN CRAFT AND HISTORY IN NEW CONTEMPORARY DIALOGUES. ORGANIZED BY ANNI A. PULLAGURA, CURATORIAL ASSISTANT. TO BEGIN AGAIN: ARTISTS AND CHILDHOOD OCTOBER 6, 2022 - FEBRUARY 26, 2023 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES SWEEPING SURVEY OF 20TH AND 21ST CENTURY ART FEATURING WORK BY NJIDEKA AKUNYILI CROSBY, FRANCIS ALYS, JEAN-MICHEL BASQUIAT, JORDAN CASTEEL, PAUL KLEE, GLENN LIGON, OSCAR MURILLO, FAITH RINGGOLD, AND MORE. CHILDHOOD, A SUBJECT OF UNIVERSAL SIGNIFICANCE AND PERSONAL EXPERIENCE, PROVIDES A COMPELLING FRAMEWORK FOR UNDERSTANDING THE PAST AND IMAGINING THE FUTURE. TO BEGIN AGAIN: ARTISTS AND CHILDHOOD INVESTIGATES THE INFLUENCE OF CHILDREN AND CHILDHOOD ON VISUAL ARTISTS FROM THE EARLY 20TH CENTURY TO TODAY. WHILE ARTISTS HAVE LONG BEEN INSPIRED BY CHILDREN (BY THEIR IMAGINATION, CREATIVITY, AND UNIQUE WAYS OF SEEING AND BEING IN THE WORLD) THE FIELD OF ART HISTORY HAS LARGELY UNDERVALUED THE INFLUENCE OF CHILDREN AND THE SUBJECT OF CHILDHOOD. THROUGH VIBRANT WORKS OF ART, THIS EXHIBITION ILLUSTRATES THE DIVERSE EXPERIENCES OF CHILDHOOD AND ENGAGES CHILDHOOD AS AN INTELLECTUAL QUERY INTO LANGUAGE AND LEARNING. THE SIX THEMATIC SECTIONS OF TO BEGIN AGAIN EXPLORE HOW ARTISTS HAVE GRAPPLED WITH TIMELY ISSUES OF SELF-EXPRESSION, CREATIVITY, POWER, CARE, LABOR, AND LEARNING THROUGH THEIR ENGAGEMENT WITH CHILDHOOD. "CHILDREN ARE THE WAYS THE WORLD BEGINS AGAIN AND AGAIN." - JUNE JORDAN THE EXHIBITION FEATURES AN INTERNATIONAL AND INTERGENERATIONAL GROUP OF 40 ARTISTS WHOSE WORKS IN PAINTING, SCULPTURE, PHOTOGRAPHY, INSTALLATION, AND VIDEO OFFER DISTINCTIVE VIEWPOINTS AND EXPERIENCES. THE FEATURED ARTISTS, MANY PARENTS THEMSELVES, HAVE MADE ARTWORK THAT INVOLVES CHILDREN AS COLLABORATORS; MIMICS THEIR WAYS OF DRAWING OR TELLING STORIES; AND ADDRESSES IDEAS OF INNOCENCE, SPONTANEITY, AND DEPENDENCY CLOSELY ASSOCIATED WITH CHILDREN. THESE ARTWORKS, ALONG WITH A SELECTION OF WORKS MADE BY YOUNG PEOPLE, REVEAL THE MULTIFORM IDEA OF CHILDHOOD AS THE FOUNDATION UPON WHICH SOCIETY IS BUILT, IMAGINED, AND NEGOTIATED. TO BEGIN AGAIN INVITES AUDIENCES OF ALL AGES TO CONSIDER HOW CHILDREN AND CHILDHOOD HAVE INSPIRED ARTISTS IN MAKING THEIR WORK, AND, IN TURN, HOW THEIR WORK REFLECTS, CONTRIBUTES TO, AND CHALLENGES PERCEPTIONS OF CHILDHOOD. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. BARBARA KRUGER NOVEMBER 5, 2022 - JANUARY 21, 2024 SANDRA AND GERALD FINEBERG ART WALL FOR MORE THAN 40 YEARS, BARBARA KRUGER (B. 1945 IN NEWARK, NJ) HAS BEEN A CONSISTENT, CRITICAL OBSERVER OF CONTEMPORARY CULTURE. IN THE EARLY 1980S, KRUGER PERFECTED A SIGNATURE STYLE OF WORDS AND IMAGES EXTRACTED FROM MASS MEDIA AND RECOMPOSED INTO MEMORABLE, GRAPHIC ARTWORKS. HER ICONIC WORKS, SUCH AS UNTITLED (I SHOP THEREFORE I AM), 1987, AND UNTITLED (YOUR BODY IS A BATTLEGROUND), 1989, COMBINE CROPPED, BLACK-AND-WHITE PHOTOGRAPHIC IMAGES WITH PROVOCATIVE SHORT TEXTS PRINTED ON SOLID COLORED BARS. OFTEN THESE WORKS ADDRESS VIEWERS DIRECTLY WITH PERSONAL PRONOUNS, LIKE "YOU AND "ME," WHILE CONFOUNDING CLEAR NOTIONS OF WHO IS SPEAKING. KRUGER'S PRODIGIOUS WORK HAS COME TO REPRESENT DEBATES ON WOMEN'S RIGHTS, IDENTITY, CONSUMERISM, AND CAPITALISM RAGING SINCE THE 80S. RIGOROUSLY COMPOSED, HER WORKS HAVE OCCUPIED A RANGE OF MEDIA AND SPACES, INCLUDING WALLS, BILLBOARDS, VIDEO PROJECTIONS, AND AN ARRAY OF CONSUMER PRODUCTS. SINCE THE 1990S, KRUGER HAS ALSO CREATED LARGE-SCALE INSTALLATIONS OF HER TEXT-BASED ART, TRANSFORMING LOBBIES, ELEVATORS, AND BUILDINGS WITH HER SIGNATURE AESTHETIC AND POINTED CONTENT. CONTINUING IN THIS VEIN, KRUGER WILL CREATE A BRAND-NEW WORK FOR THE ICA THAT SPEAKS, AS HER WORK HAS DONE FOR MORE THAN FOUR DECADES, TO CONTEMPORARY SOCIAL AND POLITICAL DYNAMICS. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR. XAVIERA SIMMONS JANUARY 25, 2023 - MAY 31, 2023 THIRD FLOOR LOBBY XAVIERA SIMMONS PURSUES A RESEARCH-BASED PRACTICE THAT SPANS PHOTOGRAPHY, PERFORMANCE, VIDEO, SOUND, SCULPTURE, AND INSTALLATION, AND EXPLORES THE EXPERIENCES, MEMORIES, AND HISTORIES OF AFRICAN DIASPORAS. IN THE SERIES SUNDOWN (2018-PRESENT), REFERENCING "SUNDOWN TOWNS" WHERE MANY BLACK AMERICANS ARE NOT WELCOMED IN PUBLIC SPACE AFTER DARK, SIMMONS UTILIZES CLOTHING, PROPS, BACKDROPS, AND HISTORIC PHOTOGRAPHS TO MINE AND REFLECT ON BLACK EXPERIENCE ACROSS TIME. SUNDOWN (NUMBER TWELVE) (2018) IS IN THE MUSEUM'S PERMANENT COLLECTION AND WAS FEATURED IN THE EXHIBITION WHEN HOME WON'T LET YOU STAY: MIGRATION THROUGH CONTEMPORARY ART, ON VIEW AT THE ICA IN 2019. ORGANIZED BY YUTONG SHI, CURATORIAL ASSISTANT. MARIA BERRIO: THE CHILDREN'S CRUSADE FEBRUARY 16, 2023 - AUGUST 6, 2023 FOTENE DEMOULAS GALLERY NEW YORK BASED ARTIST MARIA BERRIO (BORN 1982 IN BOGOTA, COLOMBIA) CRAFTS HER LARGE-SCALE PAINTINGS THROUGH A UNIQUE, METICULOUS PROCESS OF COLLAGING TORN PIECES OF JAPANESE PAPER WITH WATERCOLOR TO CREATE RIVETING, MAGICAL SCENES. SPURRED BY CONTEMPORARY SOCIAL AND POLITICAL REALITIES, THE ARTIST LISTS POETRY, FOLKLORE, AND THE REALMS OF MAGIC AS HER SOURCES OF INSPIRATION TO IMAGINE ALTERNATIVE VIEWS OF PRESENT-DAY REALITIES, ESPECIALLY THOSE FACED BY MIGRANTS, WOMEN, AND CHILDREN. THIS EXHIBITION WILL PRESENT A SELECTION OF NEW AND EXISTING WORKS FROM BERRIO'S SERIES THE CHILDREN'S CRUSADE. THIS SERIES BLENDS THE HISTORY OF THE CHILDREN'S CRUSADE OF 1212 WITH THE CONTEMPORARY MASS MOVEMENT OF PEOPLES ACROSS BORDERS. WHILE THE ACTUAL EVENTS OF THE CHILDREN'S CRUSADE, IN WHICH THOUSANDS OF CHILDREN, LEGENDS SAY, TREKKED THROUGH ITALY AND FRANCE TO CONVERT MUSLIMS TO CHRISTIANITY, CONTINUE TO BE A SUBJECT OF DEBATE AMONG HISTORIANS, LEGENDS OF MIRACLES AND TRAGEDIES HAVE INSPIRED AN ABUNDANCE OF STORIES, SONGS, AND ARTWORK OVER CENTURIES. BERRIO DRAWS INSPIRATION FROM THESE DIVERSE SOURCES TO REFLECT ON THE CONTEMPORARY REALITIES FACING MIGRANTS AND UNACCOMPANIED MINORS TODAY. SOME OF HER WORKS REIMAGINE THE CHILD MIGRANT THROUGH SUCH FIGURES AS BIRDS AND HUMAN-ANIMAL HYBRIDS AND MEDITATE ON ISSUES OF FLIGHT, FREEDOM, CONTROL, AND PROTECTION. OTHER WORKS EVOKE DISPLACEMENT, LOSS, AND THE UNKNOWN THROUGH DETAILED LANDSCAPES AND NATURE SCENES. ENERGIZED BY THE CONTACT POINT BETWEEN REALITY AND MAGIC, THE ARTIST FRAMES HER EXHIBITIONS AS FICTIONAL STORIES, WITH EACH PAINTING SERVING AS A SCENE FROM AN UNFOLDING AND OTHERWORLDLY TALE AND ACCOMPANIED BY A NARRATIVE TEXT. HER NEW PAINTINGS CONTINUE HER ENDURING INTEREST IN RELATIONS BETWEEN HUMANS AND NATURE, DEPICTING HER CHILD PROTAGONISTS IN COMMUNE, CONFLICT, OR UNCERTAIN RELATION WITH NATURE AND ANIMALS. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR. FORM 990, PART III, LINE 4A NEW ON VIEW FEBRUARY 16, 2023 - AUGUST 6, 2023 PAUL AND CATHERINE BUTTENWIESER GALLERY NEW ON VIEW PRESENTS A SMALL SELECTION OF WORKS ON VIEW AT THE MUSEUM FOR THE FIRST TIME, INCLUDING SEVERAL RECENTLY ACQUIRED WORKS TO THE PERMANENT COLLECTION. EXPLORING THEMES SUCH AS DOMESTICITY AND PHOTOGRAPHY IN AN EXPANDED FIELD, NEW ON VIEW DEMONSTRATES THAT WORKS RECENTLY ADDED TO THE ICA'S COLLECTION BUILD ON ITS STRENGTHS BY TAKING THEM IN EXPANSIVE NEW DIRECTIONS. ORGANIZED BY JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. SIMONE LEIGH APRIL 6, 2023 - SEPTEMBER 4, 2023 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES SIMONE LEIGH (B. 1967, CHICAGO) REPRESENTED THE UNITED STATES AT THE 2022 VENICE BIENNALE, ONE OF THE LARGEST AND MOST IMPORTANT CONTEMPORARY ART EXHIBITIONS IN THE WORLD. SELECTIONS FROM LEIGH'S LANDMARK VENICE PRESENTATION ARE MAKING THEIR U.S. PREMIERE IN BOSTON, JOINED BY KEY WORKS FROM THROUGHOUT HER CAREER, PROVIDING A HOLISTIC UNDERSTANDING OF THE ARTIST'S PRODUCTION IN CERAMIC, BRONZE, AND VIDEO. FOR OVER TWO DECADES, LEIGH HAS EMBRACED A POLYPHONIC ARTISTIC VOCABULARY THAT ELABORATES ON BLACK FEMINIST THOUGHT, AN INTELLECTUAL TRADITION WHICH VALUES AND CENTERS THE EXPERIENCES OF BLACK WOMEN. INFORMED BY A RIGOROUS ATTENTION TO A WIDE SWATH OF HISTORICAL PERIODS, GEOGRAPHIES, AND ARTISTIC TRADITIONS OF AFRICA AND THE AFRICAN DIASPORA, LEIGH OFTEN COMBINES THE FEMALE BODY WITH DOMESTIC VESSELS OR ARCHITECTURAL ELEMENTS TO POINT TO UNACKNOWLEDGED ACTS OF LABOR AND CARE, PARTICULARLY AMONG AND FOR BLACK WOMEN. CLAY FORMS THE BASIS OF MOST OF LEIGH'S ARTWORKS, INCLUDING HER BRONZE SCULPTURES, WHICH ARE FIRST MODELED IN CLAY. THE ARTIST PUSHES THE MEDIUM'S POSSIBILITIES THROUGH SCALE AND METHOD, CHALLENGING CONVENTIONAL, HIERARCHICAL FINE ARTS HISTORIES, WHICH CAN STILL ATTACH TO CERAMICS ASSOCIATIONS AROUND WOMEN'S LABOR, DECORATION, DOMESTIC CRAFTS, AND UTILITY. THIS EXHIBITION TRACES THE ARTIST'S UNIQUE VISUAL LANGUAGE THROUGH SIGNATURE MOTIFS, INCLUDING COWRIE SHELLS, BRAIDING, ROSETTES, FACE VESSELS, AND EYELESS FACES. THROUGH LEIGH'S RE-PERFORMING OF THESE FORMS IN VARYING MATERIALS AND SCALES, NEW STRUCTURES OF THOUGHT AND MEANINGS EMERGE, EACH CONSISTENTLY CENTERING THE EXPERIENCES AND INTELLECTUAL LABOR OF BLACK FEMMES. ACCOMPANIED BY A MAJOR MONOGRAPH, THIS EXHIBITION OFFERS VISITORS A TIMELY OPPORTUNITY TO EXPERIENCE THE COMPLEX AND PROFOUNDLY MOVING WORK OF THIS GROUNDBREAKING ARTIST. SIMONE LEIGH WILL TOUR TO THE HIRSHHORN MUSEUM AND SCULPTURE GARDEN IN WASHINGTON, D.C. (NOVEMBER 2023 - MARCH 2024) AND A JOINT PRESENTATION AT THE LOS ANGELES COUNTY MUSEUM OF ART (LACMA) AND CALIFORNIA AFRICAN AMERICAN MUSEUM (CAAM) IN LOS ANGELES (JUNE 2024 - JANUARY 2025). ORGANIZED BY EVA RESPINI, DEPUTY DIRECTOR FOR CURATORIAL AFFAIRS AND BARBARA LEE CHIEF CURATOR, WITH ANNI A. PULLAGURA, CURATORIAL ASSISTANT. GUADALUPE MARAVILLA: MARIPOSA RELMAPAGO MAY 25, 2023 - SEPTEMBER 4, 2023 ICA WATERSHED GUADALUPE MARAVILLA (B. 1976 IN SAN SALVADOR, EL SALVADOR) GROUNDS HIS SCULPTURE, PAINTING, PERFORMANCE, AND LARGE-SCALE INSTALLATION IN ACTIVISM AND HEALING, INFORMED BY HIS PERSONAL STORY OF MIGRATION, ILLNESS, AND RECOVERY. AT THE AGE OF EIGHT, MARAVILLA FLED EL SALVADOR'S CIVIL WAR AS AN UNACCOMPANIED MINOR AND MADE A PERILOUS JOURNEY THROUGH CENTRAL AMERICA TO REUNITE WITH FAMILY IN THE UNITED STATES. IN THE 2010S, MARAVILLA WAS DIAGNOSED WITH COLON CANCER, AN ILLNESS HE LINKS TO GENERATIONAL TRAUMA AND THE STRESSES OF BEING UNDOCUMENTED, AND DURING THE RECOVERY PROCESS, HE WAS INTRODUCED TO ANCIENT METHODS OF HEALING, INCLUDING THE USE OF SOUND. THIS LIFE EVENT SHIFTED MARAVILLA'S PRACTICES, AND HE HAS SINCE WORKED TIRELESSLY TO RAISE AWARENESS OF TRAUMA AND EXPAND ACCESS TO HEALING, NURTURING COLLECTIVE NARRATIVES WITH A SENSE OF PERSEVERANCE AND HUMANITY. THIS EXHIBITION PRESENTS A SELECTION OF RECENT SCULPTURES AND PAINTINGS BY MARAVILLA. AT ITS CENTER IS MARIPOSA RELAMPAGO (LIGHTNING BUTTERFLY), A NEWLY COMMISSIONED WORK FOR THE ICA WATERSHED AND THE ARTIST'S LARGEST SCULPTURE TO DATE. MARIPOSA RELAMPAGO IS PART OF THE ARTIST'S DISEASE THROWER SERIES, SCULPTURES THAT INCORPORATE NATURAL MATERIALS, HANDMADE OBJECTS, AND ITEMS COLLECTED BY THE ARTIST WHILE RETRACING HIS MIGRATORY ROUTE TO BECOME SHRINES AND HEALING INSTRUMENTS. EVERY SCULPTURE INCLUDES METAL GONGS THAT ARE ACTIVATED BY THE ARTIST DURING PUBLIC SOUND BATHS TO DEPLOY THE POWERS OF VIBRATIONAL SOUND AS A FORM OF HEALING. MARAVILLA'S ARTWORKS CONTAIN A COSMOLOGY OF POTENT SYMBOLS AND OBJECTS THAT CONNECT THE ARTIST'S PERSONAL JOURNEY WITH ANCIENT PRACTICES OF THE INDIGENOUS MAYAN PEOPLES; DIVERSE SPIRITUAL AND FOLK BELIEFS; AND CONTEMPORARY CRISES OF DISEASE, ECOLOGY, AND WAR. WE INVITE YOU TO EXPLORE THIS EXHIBITION AND COME BACK FOR ONE OF THE MANY PROGRAMS OFFERED IN COLLABORATION WITH EAST BOSTON ORGANIZATIONS AND INDIVIDUALS WHO SUPPORT COMMUNITY HEALING AND WELL-BEING. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR, WITH YUTONG SHI, CURATORIAL ASSISTANT. FORM 990, PART III, LINE 4B ADULT & INTERPRETIVE PROGRAMS SELECT LECTURE PROGRAMS WERE MADE AVAILABLE BOTH ONLINE AND IN-PERSON. ALL LECTURES LISTED WERE OFFERED ON-SITE UNLESS OTHERWISE NOTED BELOW. ADULT PROGRAMS SERVED 1,550 PEOPLE THROUGH LECTURES, WORKSHOPS, GALLERY TALKS AND MORE. ADULT WORKSHOPS AND PROGRAMS (VIRTUAL) * VIRTUAL TEACHER OPEN HOUSE: SIMONE LEIGH ADULT WORKSHOPS AND PROGRAMS * GALLERY TALK: JEFFREY DE BLOIS ON ROSE B. SIMPSON: LEGACIES * GALLERY TALK: JOEL CHRISTIAN GILL ON TO BEGIN AGAIN: ARTISTS AND CHILDHOOD * GALLERY TALK: RUTH ERICKSON ON TO BEGIN AGAIN: ARTISTS AND CHILDHOOD * GALLERY TALK: ANNI PULLAGURA ON JORDAN NASSAR: FANTASY AND TRUTH * GALLERY TALK: MARIA BERRIO * GALLERY TALK: TAYLOR DAVIS ON TAYLOR DAVIS SELECTS: INVISIBLE GROUND OF SYMPATHY * GALLERY TALK: TESSA HAAS ON SIMONE LEIGH * ICA WATERSHED COMMUNITY DINNER AND SOUND BATH WITH GUADALUPE MARAVILLA LECTURE PROGRAMS (VIRTUAL) * AIGA BOSTON + ICA PRESENT JESSICA HISCHE WITH KATHERINE HUGHES LECTURE PROGRAMS * AIGA BOSTON + ICA PRESENT LOUISE SANDHAUS WITH DOUG SCOTT, ANNE THOMPSON AND RAMON TEJADA * FROM VENICE TO BOSTON: A BEHIND THE SCENES LOOK AT PRESENTING SIMONE LEIGH AT THE BIENNALE AND BEYOND * THE ARTIST'S VOICE: DEBORAH ROBERTS WITH RUTH ERICKSON * THE ARTIST'S VOICE: ROSE B. SIMPSON WITH JEFF DE BLOIS * THE ARTIST'S VOICE: SHARON HAYES WITH RUTH ERICKSON * THE ARTIST'S VOICE: SIMONE LEIGH WITH RASHIDA BUMBRAY FAMILY PROGRAMS OVER THE PAST FISCAL YEAR, FAMILY PROGRAMS WELCOMED 10,259 VISITORS FOR ARTMAKING IN THE ART LAB. FAMILY PROGRAMS ALSO DISTRIBUTED 12,800 GALLERY GAMES RESOURCE CARDS TO VISITORS OVER THE COURSE OF THE FISCAL YEAR. IN FISCAL YEAR 2023, WATERSHED CLASSROOM KITS WERE DISTRIBUTED TO THE EAST BOSTON NEIGHBORHOOD HEALTH CENTER AND THE FOLLOWING BOSTON PUBLIC LIBRARY BRANCHES: * HONAN-ALLSTON * LOWER MILLS * ADAMS STREET * CODMAN SQUARE * FIELD'S CORNER * EAST BOSTON IN FISCAL YEAR 2023, 100 CLASSROOM ART KITS CONNECTED TO THE SPRING 2023 SIMONE LEIGH EXHIBITION AND ICA COLLECTION WERE DISTRIBUTED TO THE FOLLOWING BOSTON PUBLIC SCHOOLS: * BOSTON ARTS ACADEMY * BOSTON COMMUNITY LEADERSHIP ACADEMY * BOSTON DAY & EVENING ACADEMY * BOSTON GREEN ACADEMY * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * CURLEY ELEMENTARY * COMMUNITY ACADEMY * DEARBORN STEM ACADEMY * DR. WILLIAM W. HENDERSON K-12 INCLUSION SCHOOL * EAST BOSTON HIGH SCHOOL * EDWARD M. KENNEDY ACADEMY OF HEALTH CAREERS * ELLIS MENDELL ELEMENTARY * EVERETT ELEMENTARY * ENGLISH HIGH SCHOOL * EXCEL HIGH SCHOOL * FENWAY HIGH SCHOOL * JEREMIAH E. BURKE HIGH SCHOOL * JOHN D. O'BRYANT SCHOOL OF MATH & SCIENCE * JOSIAH QUINCY UPPER SCHOOL * JOYCE KILMER UPPER SCHOOL * MADISON PARK TECHNICAL VOCATIONAL HIGH SCHOOL * MARY LYON PILOT HIGH SCHOOL * MELVIN H. KING SOUTH END ACADEMY * NEW MISSION HIGH SCHOOL * RAFAEL HERNANDEZ DUAL LANGUAGE K-8 SCHOOL * SNOWDEN INTERNATIONAL HIGH SCHOOL * TECH BOSTON ACADEMY * WINSHIP ELEMENTARY * YOUNG ACHIEVERS SCIENCE & MATH PILOT K-8 EXTENDED YOUTH PROGRAMS * ART (CO)LAB PLAY DATES * RHYTHMIC VIEWS * STUNNING SHAPES * SEEING ME * PUPPETS! (ACT I) * PUPPETS! (ACT II) * POWER MOVES * STORY SHAPERS * MADE BY HAND * SELF-LOVE PLAY DATES (VIRTUAL) * FAMILY VIRTUAL CINEMA ART LAB * BRIDGING CREATIVITY: ART LAB FROM HOME TO HERE WITH MEL TAING, LJ-BAPTISTE, MITHSUCA BERRY, AND MAYA ERDELYI * CAN YOU SEE ME? BY ELISA HAMILTON FAMILY WORKSHOPS AND PROGRAMS * WATERSHED FAMILY DAY * DECEMBER SCHOOL VACATION WEEK: ELISA HAMILTON, CAN YOU SEE ME? * FEBRUARY SCHOOL VACATION WEEK: CAN YOU SEE ME? "IDENTITY ZINES" * APRIL SCHOOL VACATION WEEK: "WONDER WHEELS" COMMUNITY PARTNERSHIPS THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY23. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. * BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNER SCHOOLS - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON DAY AND EVENING ACADEMY - BOSTON INTERNATIONAL NEWCOMERS ACADEMY - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - ENGLISH HIGH SCHOOL - EXCEL HIGH SCHOOL - FENWAY HIGH SCHOOL - GREATER EGLESTON HIGH SCHOOL - NEW MISSION HIGH SCHOOL - O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE - SNOWDEN INTERNATIONAL SCHOOL * COMMUNITY PARTNER ORGANIZATIONS (SELECT LIST) - AIGA BOSTON - BOSTON PUBLIC LIBRARY - BOSTON PUBLIC SCHOOLS - BOSTON UNIVERSITY: UPWARD BOUND - BOSTON INTERNATIONAL KIDS FILM FESTIVAL - CATHOLIC CHARITIES TEEN CENTER AT ST. PETER'S - DESIGN STUDIO FOR SOCIAL INTERVENTION - EAST BOSTON NEIGHBORHOOD HEALTH CENTER - EAST BOSTON SOCIAL CENTERS - EMERSON COLLEGE - FRUGAL BOOKSTORE - HARVARD GRADUATE SCHOOL OF EDUCATION - HAUS OF GLITTER - MAYOR'S OFFICE OF NEIGHBORHOOD SERVICES - MATTAPAN LIBRARY - MATTAPAN TEEN CENTER - PANLYFE PROJECT - PEGGY GUGGENHEIM COLLECTION, VENICE - PUPPET SHOWPLACE THEATER - SALSA Y CONTROL - SCOUT FILM FESTIVAL - UMASS BOSTON: URBAN SCHOLARS - URBANITY DANCE CO. - VERONICA ROBLES CULTURAL CENTER - ZUMIX TOUR AND GROUP VISIT PROGRAMS THE TOURS AND GROUP VISIT PROGRAMS OFFERS GUIDED AND SELF-GUIDED VISITS FOR ALL AGE GROUPS. IN THE K-12 AGE GROUP ALONE, 4,943 PEOPLE WERE SERVED THROUGH 238 GROUP VISITS. A TOTAL OF 3,518 COLLEGE AND UNIVERSITY, ADULT AND SENIOR VISITORS ATTENDED 219 SELF-GUIDED VISITS, GUIDED VISITS, AND PUBLIC TOURS IN FY23. TEEN PROGRAMS TEEN PROGRAMS SERVED A TOTAL OF 4,123 YOUTH THROUGH IN-PERSON AFTER SCHOOL PROGRAMS AND EVENTS IN FY23. IN ADDITION, TEEN PROGRAMS SERVED 405 TEENS THROUGH VIRTUAL PROGRAMS. THE TEEN GALLERY, LOCATED IN SEAPORT STUDIO, WELCOMED 850 VISITORS FOR GALLERY OPENINGS AND TEEN EXHIBITION VIEWING. ALL PROGRAMS ARE LISTED BELOW. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE AND SOCIAL MEDIA CHANNELS. ARTIST ENCOUNTERS & INTERVIEWS * ARTIST INTERVIEW: GUADALUPE MARAVILLA * ARTIST INTERVIEW: SUZANNE BOCANEGRA * TELLING YOUR STORY INTERVIEWS AT WATERSHED FAMILY DAY: TEEN DIGITAL COOPERATIVE EXTENDED TEEN PROGRAMS * FAST FORWARD THURSDAY * FAST FORWARD FRIDAY * MUSIC PRODUCTION: AMP * PHOTOGRAPHY COLLECTIVE * PHOTOGRAPHY: SPECIAL FOCUS (FALL 2022; SPRING 2023) * TEEN ARTS COUNCIL (SUMMER 2022; SCHOOL YEAR 2022-2023) * TEEN DIGITAL COOPERATIVE * TEEN EXHIBITIONS PROGRAM (SUMMER 2022; SCHOOL YEAR 2022-2023) * ALUMNI CONVENING PLANNING COMMITTEE (VIRTUAL) TEEN ARTS COUNCIL IN SUMMER 2022, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * BOSTON ARTS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKLINE HIGH SCHOOL * FENWAY HIGH SCHOOL * GREATER EGELSTON HIGH SCHOOL * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * SOMERVILLE HIGH SCHOOL * WINCHESTER HIGH SCHOOL IN SUMMER 2022, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN TEEN EXHIBITIONS PROGRAM: * BOSTON ARTS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * INTERNATIONAL SCHOOL OF BOSTON * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * MALDEN HIGH SCHOOL * PIONEER CHARTER SCHOOL OF SCIENCE IN SCHOOL YEAR 2022-2023, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKLINE HIGH SCHOOL * EXCEL CHARTER HIGH * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * JOSIAH QUINCY UPPER SCHOOL * REVERE HIGH SCHOOL * ROXBURY LATIN SCHOOL * SAUGUS HIGH SCHOOL * SOMERVILLE HIGH SCHOOL IN SCHOOL YEAR 2022-2023, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN EXHIBITION PROGRAM: * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * INTERNATIONAL SCHOOL OF BOSTON * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * MALDEN HIGH SCHOOL * PIONEER CHARTER SCHOOL OF SCIENCE WALL TALK SCHOOL PARTNERSHIP PROGRAM PARTNERS * BOSTON COLLEGIATE CHARTER SCHOOL * BOSTON COMMUNITY LEADERSHIP ACADEMY * CHARLESTOWN HIGH SCHOOL * EXCEL HIGH SCHOOL * MARTIN LUTHER KING JR. HIGH SCHOOL * MCKAY K-8 SCHOOL * GREATER EGLESTON HIGH SCHOOL * MCKINLEY SOUTH END ACADEMY * RAFAEL HERNANDEZ SCHOOL TEEN NIGHTS TEEN NIGHTS WERE PLANNED AND HOSTED BY TEEN ARTS COUNCIL. IN FY23, THE ICA WELCOMED OVER 1,530 TEENS TO THE MUSEUM FOR TEEN NIGHTS. * SUMMER TEEN NIGHT: WHAT IS IDENTITY? (A PLACE FOR US) * FALL TEEN NIGHT: AFTER THE AFTER * SPRING TEEN NIGHT: GROOVEMENT FORM 990, PART III, LINE 4B TEEN NEW MEDIA WORKSHOPS * UMASS BOSTON: URBAN SCHOLARS + UPWARD BOUND PHOTOGRAPHY AND MUSIC PRODUCTION * TELLING YOUR STORY: TDC FOR CATHOLIC CHARITIES TEEN CENTER * TELLING YOUR STORY: TDC WORKSHOPS AT WATERSHED FAMILY DAY * TAC WITH ZUMIX: RADIO EXCHANGE OTHER WORKSHOPS * TAC EXCHANGE WITH DESIGN STUDIO FOR SOCIAL INTERVENTION (DS4SI): INPUBLIC SUMMER SERIES 2022 * TAC FINGERPAINTING + FOUR SQUARE WORKSHOP WITH DS4SI: INPUBLIC (WILD RUMPUS) * BUILDING COMMUNITY THROUGH CREATIVE ICEBREAKERS: TAC FOR CATHOLIC CHARITIES TEEN CENTER * EXPLORING CONNECTIONS: TEP FOR HARLEM LACROSSE AT TECH BOSTON ACADEMY * CONTEMPORARY CONNECTIONS EDUCATOR WORKSHOP * ICA TEENS FALL KICKOFF: OPEN HOUSE * TEP EXCHANGE WITH DZIDZOR AZAGLO AND CRYSTAL BI: THE WILDERNESS PROJECT (VIRTUAL) * CREATIVE COMMUNITY NETWORK WORKSHOP AT EMERSON COLLEGE * EDUCATOR GATHERING AT SEAPORT STUDIO * SCOUT FILM FESTIVAL WORKSHOPS * COMMUNITY VIOLENCE IMPACT MEETING WITH THE MAYOR'S OFFICE OF NEIGHBORHOOD SERVICES OTHER EVENTS * ICA TEENS ULTRAFUSION: HOLIDAY GATHERING + CONVERSE GIVEAWAY * THE CURRENT: HEART TO HEART * FENWAY PROJECT WEEK * SIDES OF ME: TEP OPEN MIC * SIDES OF ME: TEP BRACELET MAKING * SIDES OF ME: TEP GAMES AND GAMING TEEN EXHIBITIONS & SHOWCASES * AMP MID-YEAR PERFORMANCE * TEEN GALLERY EXHIBITION: SIDES OF ME * TEEN GALLERY EXHIBITION: THE STORIES THAT MAKE US * NIGHT LIFE: PHOTOGRAPHY EXHIBITION AT HARVARD GSE GUTMAN LIBRARY * WINTER SHOWCASE * SPRING SHOWCASE * WALLTALK READING JAM ALUMNI PROGRAMS (VIRTUAL) * TEEN CONVENING: ALUMNI * COMMUNAL DINNER + CREATIVE WORKSHOP: CREATIVE CARE AND HEALING * COMMUNAL DINNER + CREATIVE WORKSHOP: ART, PLACE, & DRAWING FORM 990, PART VI, SECTION B, LINE 11B FORM 990 IS REVIEWED BY THE ICA'S CFO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. FORM 990, PART VI, SECTION B, LINE 12C EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICER, CHIEF CURATOR, DEPUTY DIRECTOR OF PUBLIC ENGAGEMENT AND PLANNING, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 WITHOUT SCHEDULE B IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. FORM 990, PART IX, LINE 11G CONSULTANTS AND CONTRACTORS: PROGRAM SERVICE EXPENSES 708,663. MANAGEMENT AND GENERAL EXPENSES 81,005. FUNDRAISING EXPENSES 11,258. TOTAL EXPENSES 800,926. PHOTOGRAPHY SERVICES: PROGRAM SERVICE EXPENSES 58,982. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 58,982. OUTSIDE SERVICES: PROGRAM SERVICE EXPENSES 1,491,859. MANAGEMENT AND GENERAL EXPENSES 44,707. FUNDRAISING EXPENSES 8,050. TOTAL EXPENSES 1,544,616. FORM 990, PART XI, LINE 9: GAIN ON SPLIT INTEREST AGREEMENT 11,567. LOSSES FROM UNCONDITIONAL PROMISES TO GIVE WRITE OFFS AND ALLOWANCES -22,545.