2023-11-14T17:23:59-06:00 2022-12-31 873231666 PKF O'CONNOR DAVIES ADVISORY LLC 245 PARK AVENUE 12TH FLOOR NEW YORK NY 10167 990 2022-01-01 221487275 THE NEWARK MUSEUM ASSOCIATION NEWA 9735966550 49 WASHINGTON STREET NEWARK NJ 07102 SAYAKA ARAKI CFO 9735966550 2023-11-14 1 SAYAKA ARAKI XXX-XX-XXXX 1 GARRETT M HIGGINS P00543209 2122862600 2023-11-14 3 AAL1 IAL1 2022 2023-04-26 12:10:37Z THE NEWARK MUSEUM OF ART LINDA C HARRISON 49 WASHINGTON STREET NEWARK NJ 07102 30010909 0 X WWW.NEWARKMUSEUM.ORG X 1909 NJ THE NEWARK MUSEUM OF ART OPERATES FOR THE BENEFIT OF THE PUBLIC AS A MUSEUM OF SERVICE. 20 20 196 26 51764 0 10258347 10997488 127528 476996 22524141 1307424 1054554 90703 33964570 12872611 0 0 0 0 8576109 8962175 0 0 2755713 9240032 16771354 17816141 25733529 16148429 -12860918 83186395 63384634 3305198 3371777 79881197 60012857 X NMOA MISSION STATEMENT IS: WE WELCOME EVERYONE WITH INCLUSIVE EXPERIENCES THAT SPARK CURIOSITY AND FOSTER COMMUNITY. 0 0 12455999 0 208962 EXHIBITIONS AND FACILITIES:CARLOS VILLA: WORLDS IN COLLISIONCARLOS VILLA: WORLDS IN COLLISION WAS ON VIEW FEBRUARY 17 - MAY 8 AND PRESENTED THE FIRST MAJOR MUSEUM RETROSPECTIVE DEDICATED TO THE WORK OF A FILIPINO AMERICAN ARTIST, CELEBRATING THE GROUNDBREAKING CAREER OF CARLOS VILLA (1936-2013). VILLA'S PAINTINGS, DRAWINGS, SCULPTURES, SELF-PORTRAITS, AND PERFORMANCE ART ARE FILLED WITH IMAGERY INSPIRED BY HIS STUDY OF NON-WESTERN ART AND CULTURE, INCLUDING ETHNOGRAPHIC OBJECTS HE OBSERVED IN MUSEUM COLLECTIONS. IN HIS MIXED MEDIA WORKS FROM THE LATE 1960S ONWARD, VILLA CREATED FEATHERED ASSEMBLAGES ON UNSTRETCHED CANVAS, EVOKING SHAMANIC CAPES, THE ROBES OF HAWAIIAN NOBILITY, AND THE CATHOLIC VESTMENTS OF HIS ALTAR-BOY YOUTH. IN LATER WORKS HE CREATED BODY PRINTS AND BODY CASTINGS TO CENTER HIS OWN BROWN BODY IN CONTEMPORARY ART. SHOWCASING THIRTY-SIX WORKS CREATED BETWEEN 1959 AND 2011, CARLOS VILLA: WORLDS IN COLLISION INTRODUCED A REMARKABLE CONTEMPORARY ARTIST TO NEW AUDIENCES, ILLUMINATING THE SOCIAL AND CULTURAL ROOTS, AS WELL AS THE GLOBAL IMPORTANCE, OF VILLA'S ART.JAZZ GREATS: CLASSIC PHOTOGRAPHS FROM THE BANK OF AMERICA COLLECTION & BILLIE HOLIDAY AT SUGAR HILLON VIEW JUNE 9 - AUGUST 21, JAZZ GREATS: CLASSIC PHOTOGRAPHS FROM THE BANK OF AMERICA COLLECTION HIGHLIGHTED PHOTOGRAPHS OF JAZZ MUSICIANS CAPTURED BY PHOTOGRAPHERS AS DYNAMIC AS THEIR SUBJECTS. THESE PHOTOGRAPHS PORTRAYED JAZZ MUSIC AS HONEST, SENSUAL, AND IMPROVISATIONAL GENRE HISTORICALLY AT THE FOREFRONT OF AFRICAN AMERICAN MUSIC.ALSO ON VIEW JUNE 9 - AUGUST 21, THE BILLIE HOLIDAY AT SUGAR HILL: PHOTOGRAPHS BY JERRY DANTZIC EXHIBITION FEATUREED PHOTOGRAPHS BY PHOTOJOURNALIST JERRY DANTZIC WHO RECEIVED SPECIAL ACCESS TO BILLIE HOLIDAY'S PUBLIC AND PRIVATE LIFE DURING A WEEK-LONG RESIDENCY AT THE SUGAR HILL NIGHTCLUB IN NEWARK, NJ. DANTZIC'S PHOTOGRAPHY UNVEILED AN INTIMATE PORTRAIT OF HOLIDAY THAT HIGHLIGHTED HER DIGNITY AND HUMANITY AND SERVED TO CHALLENGE THE NARRATIVE THAT FREQUENTLY DEFINES HER. SIXTY YEARS AFTER HER PASSING, BILLIE HOLIDAY'S PASSION AND ORIGINALITY COME THROUGH IN EACH OF HER SONGS AND IS FOREVER IMMORTALIZED IN THESE UNIQUE PHOTOGRAPHS.ENDANGERED! WHAT THREATS DO ANIMALS FACE IN AN EVER-CHANGING WORLD? THIS EXHIBIT, WHICH WAS ON VIEW NOVEMBER 21, 2021 - APRIL 24, 2022, EXPLORED THE STORIES BEHIND SOME EXTINCT, THREATENED AND LOWER RISK SPECIES, AS WELL AS HOW HUMAN BEHAVIOR AFFECTS ANIMALS.VISITORS WERE INVITED TO MAKE A PROMISE TO HELP SAVE VARIOUS ANIMALS WORLDWIDE.ANIMAL KINGDOMON SEPTEMBER 23, 2022, THE MUSEUM LAUNCHED ITS LATEST EXHIBITION ANIMAL KINGDOM IN THE RENOVATED 5,000 SQUARE FOOT VICTORIA ART+SCIENCE+TECH GALLERIES. THIS RE-IMAGINED INSTALLATION HAS TRANSFORMED AND REJUVENATED THE SPACE FOR THE FIRST TIME IN OVER TWENTY YEARS INTO INTERACTIVE EXPERIENCES THAT COMBINE ART, SCIENCE, AND TECHNOLOGY THE FIRST OF ITS KIND IN NEW JERSEY. WITH THE LAUNCH OF ANIMAL KINGDOM, NMOA IS LEANING INTO TECHNOLOGY AND RECOMMITTING TO BEING A FIRST-CLASS EDUCATIONAL RESOURCE FOR NEW JERSEY STUDENTS AND FAMILIES AND TO MEET NJ CORE CURRICULUM AND CONTENT STANDARDS. UNEXPECTED COLOR: A JOURNEY THROUGH GLASSTHIS EXHIBITION, WHICH OPENED ON MAY 1, 2019 AND IS ON VIEW THROUGH 2024 SHOWCASES MORE THAN 130 WORKS IN GLASS FROM THE COLLECTION OF MUSEUM DIRECTOR THOMAS N. ARMSTRONG III MADE BY STEUBEN GLASS WORKS CO-FOUNDER AND DESIGNER FREDERICK CARDER. CARDER EXPERIMENTED WITH GLASSBLOWING TECHNIQUES TO CREATE VIBRANT JEWEL-TONED COLORS. VISITORS CAN FOLLOW THAT GLASS THROUGH MULTIPLE SETTINGS THAT ARMSTRONG COLLECTED AND USED IN HIS HOMES. CARDER'S DESIGNS WERE INSPIRED BY ANCIENT ROMAN, CHINESE, AND ART NOUVEAU GLASS, EXAMPLES OF WHICH CAN BE FOUND THROUGHOUT THE NEWARK MUSEUM OF ART GALLERIES, PROVIDING A HISTORICAL AND GLOBAL CONTEXT FOR UNEXPECTED COLOR.SAYA WOOLFALK: FIELD NOTES FROM THE EMPATHIC UNIVERSETHIS EXHIBITION WAS ON VIEW OCTOBER 21 THROUGH DECEMBER 31, 2022 AND WAS THE THIRD ITERATION OF NMOA'S GLOBAL CONTEMPORARY PROGRAM, WHICH SHOWCASED NEW WORK BY LIVING ARTISTS IN DIALOGUE WITH THE MUSEUM'S COLLECTIONS. THE EXHIBITION, WHICH WELCOMED VISITORS INTO WOOLFALK'S KALEIDOSCOPIC AND CULTURALLY HYBRID WORLDS, FEATURED AN IMMERSIVE VIDEO INSTALLATION EXPLORING PORTRAITURE AND A SERIES OF NEW MIXED MEDIA COLLAGES, ALL ACCESSED THROUGH THE NORTH WING ELEVATOR, TRANSFORMED BY WOOLFALK'S DIGITALLY COLLAGED MURALS. KNOWN FOR HER SITE-SPECIFIC MULTIMEDIA WORKS THAT INVESTIGATE GLOBAL TRADITIONS AND CULTURAL DIFFERENCE, WOOLFALK IS THE CREATOR OF THE EMPATHICS - FICTIONAL FUTURISTIC BEINGS WHO TIME-TRAVEL AND SHAPE-SHIFT ACROSS THE MULTIVERSE. FOR THIS EXHIBITION WOOLFALK STUDIED THE MUSEUM'S HERBARIA (PLANT SPECIMENS) AND LANDSCAPE PAINTING COLLECTIONS, REINTERPRETING THESE ARTIFACTS - AND THEIR RELATION TO AMERICAN IDENTITY - FROM THE PERSPECTIVE OF THE EMPATHICS.SAYA WOOLFALK: TUMBLING INTO LANDSCAPEA COMPANION AND LONGER-TERM EXHIBITION TITLED SAYA WOOLFALK: TUMBLING INTO LANDSCAPE IN THE HISTORIC AMERICAN GALLERIES SEEING AMERICA: 18TH AND 19TH CENTURIES, OPENED ON OCTOBER 7, 2021 AND IS ON VIEW THROUGH SUMMER 2023. AS ARTIST IN RESIDENCE SINCE 2019, WOOLFALK IMMERSED HERSELF IN THE MUSEUM'S AMERICAN ART AND NATURAL SCIENCE COLLECTIONS. WITH SAYA WOOLFALK: TUMBLING INTO LANDSCAPE THE ARTIST HAS CREATED AN INTERVENTION EXPLORING QUESTIONS OF IDENTITY AND BELONGING IN RELATIONSHIP TO THE LAND AND MULTIPLE HISTORIES OF THE UNITED STATES. DRAWING ATTENTION TO WHAT IS REPRESENTED - AND MORE OFTEN NOT REPRESENTED - IN THESE LUMINOUS, EDEN-LIKE PAINTINGS, TUMBLING INTO LANDSCAPE FEATURES A NEW SELF-PORTRAIT BY WOOLFALK WITH A SELECTION OF THE MUSEUM'S HUDSON RIVER SCHOOL PAINTINGS, INCLUDING SIX RECENTLY CONSERVED WORKS ON VIEW FOR THE FIRST TIME IN DECADES.WORLDS IN COLLISION: SELECTIONS FROM THE ASIAN PACIFIC COLLECTIONORGANIZED IN CONJUNCTION WITH THE TRAVELING EXHIBITION CARLOS VILLA: WORLDS IN COLLISION, THIS INSTALLATION SHOWCASES WORKS FROM ACROSS THE MUSEUM'S ASIAN ART COLLECTION AND IS ON VIEW FROM FEBRUARY 17 THROUGH SPRING 2024. CARLOS VILLA: WORLDS IN COLLISION WAS ORGANIZED BY THE ASIAN ART MUSEUM OF SAN FRANCISCO AND SAN FRANCISCO ART INSTITUTE, WHERE IT WAS ON VIEW JUNE 17, 2022 - OCTOBER 29, 2022.FILIPINO AMERICAN ARTIST CARLOS VILLA (1936-2013) WAS INSPIRED BY WORKS OF ART FROM NON-WESTERN CULTURES, LIKE THOSE ON VIEW IN THIS GALLERY, THAT SHARED A COLONIAL HISTORY WITH THE PHILIPPINES.THREE HALF LOZENGES BY PHILLIP K. SMITH IIINMOA DEBUTED THE LATEST PERMANENT ART INSTALLATION BY RENOWNED LIGHT ARTIST PHILLIP K. SMITH III DURING THE EVENING OF SATURDAY, OCTOBER 9, 2021, IN CONJUNCTION WITH THE NEWARK ARTS FESTIVAL. THREE HALF LOZENGES ILLUMINATES THE MAIN FACADE OF THE MUSEUM, STANDING AS A BEACON FOR THE CITY OF NEWARK AND ACTIVATING THE DOWNTOWN ARTS DISTRICT. THE INSTALLATION IS SMITH'S FIRST MAJOR, SITE-SPECIFIC ARTWORK ON THE EAST COAST. LOCATED WITHIN THE CONTEXT OF DOWNTOWN NEWARK AND ITS DEVELOPING ARTS DISTRICT, THE INSTALLATION IS UNIQUELY COLOR CHOREOGRAPHED BY SMITH AS A PRECISELY PACED, FULL-SPECTRUM WORK EXPERIENCED FROM THE STREETS AND THE SURROUNDING WASHINGTON PARK. SHIFTING FROM FULL FIELDS OF COLOR TO GRADATING LINES AND CURVES, THE THREE HALF-LOZENGE SHAPED WINDOWS OPERATE AS A MONUMENTAL LIGHT-BASED TRIPTYCH AT THE SCALE OF ARCHITECTURE. DURING THE DAY, THE FACADE REMAINS ITS TRUE, HISTORICAL SELF. AT SUNSET, THE WINDOWS SLOWLY EMERGE AS FULL COLOR, RECONFIGURING ONE'S EXPERIENCE OF THE NEWARK MUSEUM OF ART, WASHINGTON PARK, AND THE CITY ITSELF.BALLANTINE HOUSE OVER AN 11-MONTH PERIOD IN 2022, THE MUSEUM UNDERTOOK A COMPREHENSION EXTERIOR RESTORATION OF THE HISTORIC 1885 BALLANTINE HOUSE FOR THE FIRST TIME IN NEARLY 30 YEARS. ENGAGING AN EXPERT PRESERVATION ARCHITECTURAL FIRM AND A RANGE OF PERIOD-ACCURATE ARTISAN CONTRACTORS, THIS MASSIVE PROJECT RETURNED THE HOUSE TO ITS ORIGINAL APPEARANCE. THIS REQUIRED THE FABRICATIONS OF 1,324 CAST CONCRETE COPIES TO REPLACE THE CRUMBLING SANDSTONE; THE REMOVAL, RESTORATION, AND REPAINTING OF 73 WINDOWS; AND THE COMPLETE REBUILDING OF THE FAILING PORTICO. IN ADDITION, THE METAL CORNICE AND ROOFS REQUIRED INTENSIVE TREATMENT. 4864068 0 21300 REGISTRAR AND CURATORIAL:THE NEWARK MUSEUM OF ART'S VAST AND DIVERSE COLLECTIONS OF MORE THAN 300,000 OBJECTS, RANKS, IN TERMS OF ITS HOLDINGS, AMONG THE TOP 12 MUSEUMS NATIONALLY.THE MUSEUM'S COLLECTION COMPRISES ARTWORK IN THE DEPARTMENTS OF AMERICAN ART, ARTS OF THE AMERICAS, ARTS OF THE ANCIENT MEDITERRANEAN, ARTS OF GLOBAL AFRICA, ARTS OF GLOBAL ASIA, DECORATIVE ARTS, NUMISMATICS, AND A NATURAL SCIENCE COLLECTION. THE MUSEUM IS ALSO THE HOME OF THE HISTORIC BALLANTINE HOUSE.11 PURCHASES, 0 GIFTS, AND 3 TRANSFERS WERE ACCESSIONED INTO THE PERMANENT COLLECTION; 32 OBJECTS WERE DEACCESSIONED FROM THE PERMANENT COLLECTION. 3365632 0 232232 EDUCATION AND PUBLIC PROGRAM:FROM A CHILD'S FIRST ENCOUNTER WITH A MUSEUM THROUGH TO HIGH SCHOOL GRADUATION AND BEYOND, THE NEWARK MUSEUM OF ART CENTERS THE LEARNER IN ALL ITS SCHOOL AND FAMILY PROGRAMS. HANDS-ON EXPERIENCES SUPPORT THE EDUCATIONAL, SOCIAL, AND CULTURAL NEEDS OF ITS AUDIENCE, PROVIDING INNOVATIVE AND ENGAGING SCHOOL AND FAMILY PROGRAMMING FOR VISITORS OF ALL AGES TO TAKE PART IN LIFELONG LEARNING. THESE PROGRAMS ARE DESIGNED TO ATTRACT DIVERSE AUDIENCES AND TO ADDRESS THE SPECIFIC NEEDS OF LOCAL, STATEWIDE, AND EVEN NATIONAL COMMUNITIES. NMOA OFFERS ONSITE, IN-PERSON EXPERIENCES FOR CHILDREN, FAMILIES AND ADULTS WHILE CONTINUING TO OFFER VIRTUAL FIELD TRIPS AND ONLINE LEARNING OPPORTUNITIES FOR SCHOOLS AND FAMILIES THAT THEY WOULD OTHERWISE BE UNABLE TO EXPERIENCE.THE MUSEUM'S LEARNING & ENGAGEMENT TEAM CONTINUES TO BE A CULTURAL ANCHOR AND ADVOCATE FOR ARTS PARTNERS OF ALL SIZES, WORKING WITH OVER 60 LOCAL ORGANIZATIONS IN 2022. NMOA WORKS WITH NEWARK-BASED VISUAL AND PERFORMING ARTISTS, BOTH ESTABLISHED AND UNDER-RECOGNIZED, TO DRAW INSPIRATION FROM THE COLLECTION AND THE COMMUNITY TO ENLIVEN THE DIVERSE CULTURAL TRADITIONS AND HISTORIES OF THE GREATER NEWARK AREA THROUGH EVENTS SUCH AS COMMUNITY DAYS, ART AFTER DARK, CLASSES AND WORKSHOPS, AND SCHOOL RESIDENCIES. THESE EFFORTS ARE SUPPORTED BY THE MUSEUM'S COMMUNITY ADVISORY COMMITTEE, WHICH COMPRISES LEADERS FROM CULTURAL, SOCIAL, AND EDUCATIONAL SECTORS IN NEWARK AND ESSEX COUNTY, WHO BRING ADDED VALUE AND IMPORTANT VOICES TO NMOA'S EXHIBITIONS AND PUBLIC PROGRAMS.CURRICULUM-ALIGNED PROGRAMMING FOR K - 12TH STUDENTS AND TEACHERSTHE MUSEUM SERVED 25,926 NEW JERSEY STUDENTS IN GRADES PRE-K THROUGH 12 THROUGH ITS EXTENSIVE OFFERINGS OF IN PERSON AND VIRTUAL SCHOOL PROGRAMS. THESE PROGRAMS, WHICH UTILIZE AN INTERDISCIPLINARY, ARTS INTEGRATION APPROACH TO LEARNING, RANGE FROM SINGLE-VISIT PROGRAMS TO MULTI-SESSION, IN-DEPTH RESIDENCIES THAT PROVIDE SEQUENTIAL LEARNING. ALL THE MUSEUM'S SCHOOL PROGRAMS ALIGN WITH NEW JERSEY STATE CURRICULUM CONTENT STANDARDS FOR ART, SOCIAL STUDIES, AND SCIENCE, AND ENRICH STUDENT LEARNING BY DRAWING UPON THE MUSEUM'S ART AND SCIENCE COLLECTIONS. THE MUSEUM WORKS CLOSELY WITH SCHOOL DISTRICTS, ESPECIALLY THE NEWARK PUBLIC SCHOOL DISTRICT, TO DEVELOP AND PRESENT PROGRAMS THAT MEET THE NEEDS OF NEW JERSEY'S STUDENTS. CREATIVE PLAY, AN EARLY CHILDHOOD EDUCATION PROGRAM FOR FAMILIESCREATIVE PLAY WEEKEND PROGRAMS FOR EARLY CHILDHOOD AUDIENCES AND THEIR FAMILIES CONTINUED TO SERVE THE YOUNGEST OF LEARNERS THROUGH IN-PERSON AND VIRTUAL FORMATS. IN THESE WEEKLY SESSIONS, 883 CHILDREN AGES 3-5 AND THEIR CAREGIVERS EXPLORED THE MUSEUM'S ART AND SCIENCE COLLECTIONS THROUGH STORYTELLING, SONG, PLAYFUL ACTIVITIES, AND AN ART-MAKING PROJECT. A SELECTION OF 2022 AND 2023 SESSIONS INCLUDE SEED MAGIC, SPLISH SPLASH, COLOR MANIA, SUN PRINTS, ETC.FAMILY DROP-INS & IMAGINATION STATIONFAMILY DROP-IN IN THE COURT AND IMAGINATION STATION PROGRAMS IN THE MAKERSPACE ENGAGED YOUTH AND FAMILIES DURING THE YEAR, FOR A TOTAL OF OVER 4,629 PARTICIPANTS. PROJECTS MADE USE OF HOUSEHOLD MATERIALS TO DESIGN, BUILD AND TEST AS CHILDREN EXPLORED THEIR CREATIVITY AND LEARNED NEW TECHNIQUES AND CONCEPTS IN ART, SCIENCE AND TECHNOLOGY. PROGRAMS INCLUDED SESSIONS FOR YOUTH AGES 5-10+ EXPLORING ENJOY MOVEMENT, ARTMAKING, SCIENCE EXPERIMENTS AND STORYTELLING SESSIONS. CAMP NMOAIN 2022, CAMP NMOA RAN FOR SIX WEEKS, FROM JULY 11 - AUGUST 19, 2022. A TOTAL OF 364 NEWARK-AREA CHILDREN BETWEEN THE AGES OF 3 AND 14 PARTICIPATED IN A VARIETY OF EDUCATIONAL ACTIVITIES THAT EXPLORED THE MUSEUM'S ART AND SCIENCE COLLECTIONS. CAMP ACTIVITIES INCLUDED: ART MAKING; HANDS-ON WORKSHOPS IN THE MAKERSPACE; SCIENCE LABS; OUTDOOR ACTIVITIES; AND A WEEKLY SHOWCASE INCLUDING DANCE, THEATER AND SPOKEN WORD PERFORMANCES BY CAMPERS. EXPLORERS PROGRAMTHE NEWARK MUSEUM OF ART'S (NMOA) EXPLORERS PROGRAM, A COLLEGE, CAREER, AND LIFE READINESS PROGRAM, ENABLES NEWARK-AREA HIGH SCHOOL STUDENTS TO BUILD ESSENTIAL SKILLS AND SELF-CONFIDENCE THROUGH A CURRICULUM THAT DRAWS UPON THE MUSEUM'S UNIQUE COLLECTIONS, RESOURCES, AND STAFF. OVER THE PAST YEAR, THE EXPLORERS PROGRAM FULFILLED ITS COMMITMENT TO ITS 39 STUDENTS THROUGH VIRTUAL AND IN-PERSON WORKSHOPS, VISITS, AND TRAININGS, CULMINATING WITH THE EXPLORERS GRADUATION AND NMOA ART BALL.IN JULY 2022, THE EXPLORERS KICKED OFF THE 2022-2023-YEAR. THIS COMMUNITY OF STUDENTS MET WEEKLY EITHER AS A GROUP OR INDIVIDUALLY WITH MUSEUM STAFF FOR UP TO 15 HOURS A WEEK OF PAID WORK STUDY IN JULY AND AUGUST, AND UP TO 7-10 HOURS PER WEEK OF INDEPENDENT RESEARCH AND PAID WORK STUDY DURING THE SCHOOL YEAR. STARTING FROM OCTOBER 2022, EXPLORERS WERE BACK IN PERSON AT THE MUSEUM AND ALSO TOOK PART AND STAFFED NEWLY RETURNED ONSITE COMMUNITY DAYS, PUBLIC PROGRAMS, AND FUNDRAISING EVENTS LIKE THE ANNUAL ART BALL. EACH STUDENT DEDICATED AROUND 50 HOURS OF PUBLIC PROGRAM WORK OVER THE YEAR. EXPLORERS ALSO PARTICIPATED IN FOCUS GROUPS THAT RESPONDED TO THE ELEMENTS OF ENDANGERED! AND ANIMAL KINGDOM, NEW IMMERSIVE MUSEUM EXPERIENCES. IN THIS WAY, THEIR PERSPECTIVE AS TEENS AND MUSEUMGOERS HELPED TO INFORM AND ENHANCE THE MUSEUM'S PROGRAMMING AND OUTREACH. BEGINNING IN THE FALL, EACH EXPLORER SPENT APPROXIMATELY 40 HOURS PARTICIPATING IN WORKSHOP SESSIONS ON A VARIETY OF TOPICS. THESE CLASSES RANGED IN FOCUS FROM MUSEUM-SPECIFIC TRAINING ON HOW TO LOOK AT AND INTERPRET ART TO REAL-WORLD INSTRUCTION ON EFFECTIVE COMMUNICATION AND CAREER BUILDING SKILLS. MUSEUM STAFF AND NMOA PARTNERS WORKED WITH THE EXPLORERS ON: - ART AND MUSEUM WORKSHOPS: FRESHMAN THOUGH SENIOR EXPLORERS TOOK PART IN ART-INTERPRETATION AND PRESENTATION WORKSHOPS WITH MUSEUM STAFF WHICH COVERED TOPICS ON VISUAL THINKING STRATEGIES (VTS) TO ENGAGE ART-VIEWERS OF ALL AGES, TOUR WRITING AND PROGRAM DEVELOPMENT TRAININGS WHICH WERE USED TO INSPIRE EXPLORER-LED TOURS AND EXPLORER-DESIGNED PUBLIC PROGRAMS, AND ARTIST PERSPECTIVE AND IDENTITY COURSES TO DISCUSS AND UNDERSTAND MULTIVALENT PERSPECTIVES. IN ADDITION, THE EXPLORERS PARTICIPATED IN 5 VISITS TO SCIENCE & ART INSTITUTIONS TO BROADEN THEIR UNDERSTANDING OF ART AND SCIENCE EDUCATION. THESE INSTITUTIONS INCLUDED AMERICAN MUSEUM OF NATURAL HISTORY, THE METROPOLITAN MUSEUM OF ART, FRANKLIN INSTITUTE, SPYSCAPE MUSEUM, AND THE BROOKLYN MUSEUM.- CAREER READINESS WORKSHOPS: EXPLORERS HONED THEIR PROFESSIONAL SKILLS BY TAKING WORKSHOPS AND COMPLETING TRAININGS IN TIME MANAGEMENT AND PROFESSIONAL WORK ETIQUETTE TO PREPARE THEM FOR THEIR FUTURE CAREERS, AS WELL AS JOB APPLICATION TRAINING AND ASSISTANCE WITH MOCK INTERVIEWS AND RESUME BUILDING COURSES TO ASSIST THEM IN PROCURING PART TIME WORK AS HIGH SCHOOL AND COLLEGE STUDENTS, AND TO GIVE THEM A LEG UP FOR JOINING THE WORKFORCE UPON GRADUATION. - LIFE SKILL WORKSHOPS: IN ORDER TO COMPLEMENT THE EXPLORERS TRAININGS ON EDUCATIONAL AND PROFESSIONAL SKILLS, THEY ALSO TOOK PART IN LIFE SKILLS WORKSHOPS. PUBLIC SPEAKING AND TEAM BUILDING CLASSES ALLOWED THE EXPLORERS TO DEVELOP THEIR CONFIDENCE AND ELOQUENCE, WHILE FINANCIAL LITERACY, BUDGETING, CREDIT AND LOAN AND INVESTING CLASSES GAVE THE EXPLORERS A JUMP START IN PREPARING FOR LIFE AS INDEPENDENT ADULTS. EXPLORERS ATTENDED SAT TRAINING AS APPROPRIATE FOR THEIR GRADE LEVEL. MUSEUM STAFF PARTNERED WITH CERTIFIED TRAINERS FROM THE PRINCETON REVIEW TO PROVIDE GROUP TRAINING SESSIONS ON TESTING AND STUDY TECHNIQUES. IN ADDITION, EXPLORERS TOOK 12-15 HOURS OF PRACTICE TESTS AND PREPARATION WORKSHOPS. THEY ALSO HAD UNLIMITED ACCESS TO ONLINE TOOLS AND MATERIALS FROM THE PRINCETON REVIEW FOR A FULL 12-MONTH PERIOD. AS A RESULT, THIS YEAR THE EXPLORERS REPORTED A SUBSTANTIAL INCREASE IN SCORES OF 200-300 POINTS ON AVERAGE.EVALUATION AND IMPACTTHE NMOA'S PUBLIC AND SCHOOL PROGRAMS IMPACTED ITS COMMUNITY NEEDS IN NUMEROUS WAYS. IN 2022 THE MUSEUM WITNESSED AN INCREASE OF ATTENDANCE TO BOTH PUBLIC AND SCHOOL PROGRAMS. IN 2022, PUBLIC PROGRAMS ENGAGED OVER 30,000 VISITORS SURPASSING PRE-PANDEMIC NUMBERS, WHILE SCHOOL PROGRAMS INCREASED SIGNIFICANTLY (17,000) COMPARED TO 2021. PUBLIC PROGRAM SURVEYS RESPONSES IN 2022 INDICATED A SIGNIFICANT INCREASE OF 30% IN DIVERSITY AMONGST OUR ATTENDEES, WHO WERE ALSO SIGNIFICANTLY YOUNGER (+32% UNDER 45 AND +19% UNDER 18) COMPARED TO THE PREVIOUS YEAR. SATISFACTION WITH PUBLIC PROGRAMS REMAINS HIGH (4.74 OUT OF 5 IN 2023 SO FAR AND 4.76 IN 2022). PUBLIC PROGRAM PARTICIPANTS BENEFITTED FROM PROGRAM ATTENDANCE IN MANY WAYS. 79% HAD A FUN AND ENJOYABLE EXPERIENCE, 63% FELT WELCOME, 62% SPENT QUALITY TIME WITH FRIENDS OR FAMILY, 52% FELT A SENSE OF CONNECTION WITH THE COMMUNITY, 50% LEARNT SOMETHING NEW, AND 49% FELT RELAXED AND INCREASED THEIR SENSE OF WELL-BEING. 20685699 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 168 0 196 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 20 20 0 0 0 0 1 1 1 1 1 0 0 1 1 1 1 1 1 1 1 0 CA CO FL IL ME MD MA NH NJ NY NC OH RI UT VA WA WI X X X SAYAKA ARAKI CFO 9735966681 49 WASHINGTON STREET NEWARK NJ 07102 ALLEN J KARP CO-CHAIR 15.00 X X 0 0 0 ERIC FITZGERALD REED CO-CHAIR 15.00 X X 0 0 0 ROBERT H DOHERTY VICE PRESIDENT 8.00 X X 0 0 0 MARSHALL B MCLEAN VICE PRESIDENT 8.00 X X 0 0 0 SHAHID J MALIK TREASURER 10.00 X X 0 0 0 MARC E ANDERSON TRUSTEE 2.00 X 0 0 0 MYLES BERGER TRUSTEE 2.00 X 0 0 0 SARA BONESTEEL TRUSTEE, THRU OCT 2022 2.00 X 0 0 0 JOSEPH L BUCKLEY TRUSTEE 2.00 X 0 0 0 ELEONORE K COHEN TRUSTEE 2.00 X 0 0 0 LEE ANN DILLON TRUSTEE 2.00 X 0 0 0 PETER T ENGLOT TRUSTEE 2.00 X 0 0 0 CHRISTINE C GILFILLAN TRUSTEE 2.00 X 0 0 0 MEHA JAIN TRUSTEE 2.00 X 0 0 0 CURTIS A JOHNSON ESQ TRUSTEE 2.00 X 0 0 0 MEGAN MYUNGWON LEE TRUSTEE 2.00 X 0 0 0 JUDITH LIEBERMAN TRUSTEE 2.00 X 0 0 0 DR ADRIENNE A PHILLIPS MD MPH TRUSTEE 2.00 X 0 0 0 BLENDA PINTO TRUSTEE 2.00 X 0 0 0 OMMEED SATHE TRUSTEE 2.00 X 0 0 0 ROGER SMITH TRUSTEE 2.00 X 0 0 0 LINDA C HARRISON CEO AND BOARD SECRETARY 50.00 X 393314 0 76111 SAYAKA ARAKI CFO DEPUTY DIR., INFRASTRUCTURE 50.00 X 201230 0 38618 DEBORAH KASINDORF VP, DEPUTY DIR., THRU MAR 2022 50.00 X 55418 0 12350 CATHERINE EVANS INBUSCH DEPUTY DIR., COLLECTIONS/CURATORIAL STRATEGIES 50.00 X 183730 0 38910 SILVIA FILIPPINI-FANTONI DEPUTY DIR., LEARNING & ENGAGEMENT 50.00 X 177790 0 31631 TIMOTHY WINTEMBERG SR DIR STRATEGIC INNO. PROJECTS & DESIGN 50.00 X 163563 0 21162 DAVID MAY SR. DIR.,FACILITIES OPERATIONS 50.00 X 146445 0 41627 OBI TAIWAN OZOCHIAWAEZE DIRECTOR OF IT 50.00 X 137790 0 29049 SHIRLEY THOMAS SR. DIR., EDUCATION 50.00 X 123838 0 41764 MARY DOWD CHIEF OF STAFF 50.00 X 112540 0 16609 1695658 0 347831 11 0 1 0 DEERPATH CONSTRUCTION CORPORATION 37 PROGRESS STREET UNION NJ 07083 RESTORATION SERVICE 6969445 EVERGREENE ARCHITECTURAL ARTS INC 353 36TH STREET SUITE 5-C BROOKLYN NY 11232 RESTORATION SERVICE 886990 DELTA DESIGNS LTD PO BOX 1733 TOPEKA KS 66601 RESTORATION SERVICE 709435 BUILDING CONSERVATION ASSOCIATES INC 44 EAST 32ND STREET NEW YORK NY 11788 CONSL& ADVISORS ADMIN SVS 704321 FIFTY THREE RESTORATIONS INC PO BOX 2852 CHURCH STREET STATIO NEW YORK NY 10008 RESTORATION SERVICE 309000 15 30000 351696 667192 7271005 2677595 10997488 EDUC PGMS & WORKSHOPS 712100 116532 116532 REGISTRATION FEES 712100 115700 115700 EXHIBITION AND LOAN FEES 712100 107728 107728 ADMISSIONS 712100 79104 79104 MEMBERSHIP DUES & TOURS NTD 712100 36339 36339 21593 21593 476996 1354467 1354467 205258 113764 91494 91494 91494 16504908 16551951 -47043 -47043 -47043 82430 667192 226729 -144299 -144299 231352 245854 -14502 -14502 PARKING LOT INCOME 900099 80499 51764 28735 INSURANCE RECOVERY 900099 69969 69969 OTHER REVENUE 900099 7542 7542 158010 12872611 462494 51764 1360865 1209102 647908 265548 295646 5744220 3742834 702987 1298399 543345 417196 16412 109737 766475 561764 44578 160133 699033 505156 46548 147329 69604 69604 83968 83968 192898 192898 2544610 1725564 579083 239963 387720 232483 5423 149814 881061 684734 81639 114688 185605 164333 9402 11870 791705 721064 29563 41078 161918 108285 26633 27000 402939 257019 72863 73057 40240 26156 6036 8048 1335356 1268588 26707 40061 289507 275049 5783 8675 COLLECTIONS CARE 8130075 8130075 ACQ OF WORKS OF ART 783450 783450 REPAIRS & MAINTENANCE 477755 431296 19443 27016 OTHER OPERATING EXPENSE 12943 2745 6999 3199 25733529 20685699 2292117 2755713 4910093 4278263 14052693 4449088 662879 2054098 218713 129742 402576 171986 66289815 52542881 14106799 13746934 48816152 38514311 16490 40212 83186395 63384634 1103391 1311727 2012000 2012000 189807 48050 3305198 3371777 X 64732454 45878483 15148743 14134374 79881197 60012857 83186395 63384634 -12860918 -7007422 0 X X 0 1 X 1 1 1 X 10555443 9102999 10716404 10258347 10997488 51630681 10555443 9102999 10716404 10258347 10997488 51630681 1495160 50135521 756828 1483361 815789 2100406 1559725 6716109 748 748 53210 69242 8884 404087 106246 641669 58989207 3298970 0.84990 0.84060 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: BOOK SALE/ OTHER REVENUE - 2019 AMOUNT: $ 4,711. 2021 AMOUNT: $ 150,002. 2022 AMOUNT: $ 7,542. INSURANCE RECOVERY - 2021 AMOUNT: $ 250,000. 2022 AMOUNT: $ 69,969. PARKING LOT INCOME - 2018 AMOUNT: $ 53,210. 2019 AMOUNT: $ 64,531. 2020 AMOUNT: $ 8,884. 2021 AMOUNT: $ 4,085. 2022 AMOUNT: $ 28,735. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 61174318 10293 -5700629 13674963 192898 41616121 43057160 18824588 4979222 5487621 199031 61174318 42234820 75339 4417853 3507498 163354 43057160 38418187 89726 5705421 1822324 156190 42234820 43504779 363500 -1371887 3711226 366979 38418187 0.69164 0.30836 0.00000 0 0 60664952 47775597 12889355 4365285 4767284 -401999 1259578 1259578 13746934 REFUNDABLE ADVANCES 48050 48050 X 5711139 -7007422 10000 109347 -6888075 12599214 192898 80499 273397 12872611 25579479 10000 109347 119347 25460132 192898 80499 273397 25733529 PART III, LINE 1A: THE VALUE OF THE MUSEUM'S COLLECTIONS HAS BEEN EXCLUDED FROM THE STATEMENTS OF FINANCIAL POSITION AND GIFTS OF ART OBJECTS ARE EXCLUDED FROM REVENUE IN THE STATEMENTS OF ACTIVITIES. PURCHASES OF ART OBJECTS BY THE MUSEUM ARE RECORDED AS DECREASES IN NET ASSETS IN THE STATEMENTS OF ACTIVITIES. THE MUSEUM'S POLICY IS TO UTILIZE BOARD DESIGNATED ACQUISITION FUNDS TO ACQUIRE NEW OBJECTS FOR ITS COLLECTIONS. PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE REFLECTED AS INCREASES IN NET ASSETS IN THE STATEMENTS OF ACTIVITIES. PART III, LINE 4: THE NEWARK MUSEUM OF ART'S VAST AND DIVERSE COLLECTIONS OF MORE THAN 300,000 OBJECTS, RANKS, IN TERMS OF ITS HOLDINGS, AMONG THE TOP 12 MUSEUMS NATIONALLY. THE MUSEUM'S COLLECTION COMPRISES ARTWORK IN THE DEPARTMENTS OF AMERICAN ART, ARTS OF THE AMERICAS, ARTS OF THE ANCIENT MEDITERRANEAN, ARTS OF GLOBAL AFRICA, ARTS OF GLOBAL ASIA, DECORATIVE ARTS, NUMISMATICS, AND A NATURAL SCIENCE COLLECTION. THE MUSEUM IS ALSO THE HOME OF THE HISTORIC BALLANTINE HOUSE. 11 PURCHASES, 0 GIFTS, AND 3 TRANSFERS WERE ACCESSIONED INTO THE PERMANENT COLLECTION; 32 OBJECTS WERE DEACCESSIONED FROM THE PERMANENT COLLECTION. PART V, LINE 4: THE PRIMARY OBJECTIVE OF THE MUSEUM'S ENDOWMENT FUNDS IS TO PROVIDE A STABLE STREAM OF INCOME TO SUPPORT ITS OPERATIONS WHILE SEEKING TO MAINTAIN THE PURCHASING POWER OF THE ENDOWMENT ASSETS. PART X, LINE 2: THE MUSEUM RECOGNIZES THE EFFECT OF INCOME TAX POSITIONS ONLY IF THOSE POSITIONS ARE MORE LIKELY THAN NOT TO BE SUSTAINED. MANAGEMENT HAS DETERMINED THAT THE MUSEUM HAS NO UNCERTAIN TAX POSITIONS THAT WOULD REQUIRE FINANCIAL STATEMENT RECOGNITION OR DISCLOSURE. THE MUSEUM IS NO LONGER SUBJECT TO EXAMINATIONS BY THE APPLICABLE TAXING JURISDICTIONS FOR PERIODS PRIOR TO 2019. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENT EXPENSES REPORTED IN PART VIII, LINE 6B 109,347. PART XI, LINE 4B - OTHER ADJUSTMENTS: PARKING LOT INCOME REPORTED IN PART VIII, LINE 11 80,499. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENT EXPENSES REPORTED IN PART VIII, LINE 6B 109,347. PART XII, LINE 4B - OTHER ADJUSTMENTS: PARKING LOT INCOME REPORTED IN PART VIII, LINE 11 80,499. ANNUAL SPRING GALA 719232 640632 78600 117880 74342 20451 WOMEN'S SUMMIT 20390 16560 3830 3755 9201 1 10000 10000 1100 749622 667192 82430 117880 78097 30752 226729 -144299 X X X X 0 0 0 0 0 0 0 1 0 LINDA C HARRISON CEO AND BOARD SECRETARY 303314 0 90000 0 0 0 49636 0 26475 0 469425 0 0 0 SAYAKA ARAKI CFO DEPUTY DIR., INFRASTRUCTURE 198730 0 2500 0 0 0 25395 0 13223 0 239848 0 0 0 CATHERINE EVANS INBUSCH DEPUTY DIR., COLLECTIONS/CURATORIAL STRATEG 181230 0 2500 0 0 0 23187 0 15723 0 222640 0 0 0 SILVIA FILIPPINI-FANTONI DEPUTY DIR., LEARNING & ENGAGEMENT 175290 0 2500 0 0 0 19850 0 11781 0 209421 0 0 0 DAVID MAY SR. DIR.,FACILITIES OPERATIONS 141445 0 5000 0 0 0 18481 0 23146 0 188072 0 0 0 TIMOTHY WINTEMBERG SR DIR STRATEGIC INNO. PROJECTS & DESIGN 163563 0 0 0 0 0 20642 0 520 0 184725 0 0 0 OBI TAIWAN OZOCHIAWAEZE DIRECTOR OF IT 137790 0 0 0 0 0 17389 0 11660 0 166839 0 0 0 SHIRLEY THOMAS SR. DIR., EDUCATION 123838 0 0 0 0 0 15628 0 26136 0 165602 0 0 0 PART I, LINE 7 INDIVIDUALS REPORTED ON FORM 990, PART VII, SECTION A AND SCHEDULE J, PART II RECEIVED BOARD APPROVED DISCRETIONARY PERFORMANCE BONUS IN 2022. THE AMOUNT IS REPORTED ON FORM 990, PART VII IN COLUMN (D) AND/OR SCHEDULE J, PART II, COLUMN B(III). FORM 990, PART III, LINE 1, MISSION STATEMENT: NMOA MISSION STATEMENT IS: WE WELCOME EVERYONE WITH INCLUSIVE EXPERIENCES THAT SPARK CURIOSITY AND FOSTER COMMUNITY. FOUNDED IN 1909 AND LOCATED IN NEW JERSEY, THE NEWARK MUSEUM OF ART (NMOA) IS THE STATE'S LARGEST MUSEUM AND RANKS TWELFTH NATIONALLY IN TERMS OF COLLECTION SIZE. GLOBAL AND DIASPORIC, THE COLLECTION INCLUDES MORE THAN 130,000 ARTWORKS, AS WELL AS SIGNIFICANT HOLDINGS OF SCIENCE AND NATURAL HISTORY. FROM THE ANCIENT WORLD TO THE ART OF TODAY, NMOA BOASTS EXCEPTIONAL QUALITY AND DEPTH IN THE ARTS OF GLOBAL AFRICA; ARTS OF GLOBAL ASIA, FEATURING A RENOWN TIBETAN COLLECTION AND BUDDHIST ALTAR; ARTS OF THE AMERICAS, WITH PARTICULAR STRENGTH IN NATIVE AMERICAN ART; ARTS OF THE ANCIENT MEDITERRANEAN, AND DECORATIVE ARTS. VISITOR- AND COMMUNITY-CENTERED, NMOA RESPONDS TO THE EVOLVING NEEDS AND INTERESTS OF THE DIVERSE PUBLICS IT SERVES BY OFFERING EXHIBITIONS, PROGRAMMING, A RESEARCH LIBRARY, PAID INTERNSHIPS, AND LOCAL AND GLOBAL PARTNERSHIPS. A FOUR-ACRE CAMPUS INCLUDES THE NATIONAL HISTORIC LANDMARK BALLANTINE HOUSE (1885); THE WARD CARRIAGE HOUSE (1860); THE OLD STONE SCHOOL HOUSE (1784); THE ALICE RANSOM DREYFUSS MEMORIAL GARDEN; AND HORIZON PLAZA. UNDER THE LEADERSHIP OF DIRECTOR AND CEO LINDA C. HARRISON, NMOA HAS LAUNCHED AN ERA OF TRANSFORMATION TO CREATE AN ENGAGED CITIZENRY BY REIMAGINING THE ROLE OF THE ART MUSEUM FOR THE 21ST CENTURY. THE MUSEUM MEASURES THE IMPACT OF ITS CLASS FIELD TRIP VISITS THROUGH TEACHER AND PARTICIPANT SURVEYS. THESE SURVEYS OVERWHELMINGLY DEMONSTRATE THAT THE MUSEUM'S SCHOOL PROGRAMS SUPPORT AND ENHANCE CLASSROOM LEARNING. ONE KEY MEASURE OF POSITIVE CHANGE THAT TEACHERS INDICATE IS THAT THEIR STUDENTS DEVELOP THE ABILITY TO DISCUSS AND ANALYZE MUSEUM OBJECTS AS PART OF THEIR LEARNING PROCESS - WHETHER TO EXPRESS OPINIONS, COMMUNICATE PERSONAL EXPERIENCES, USE DESCRIPTIVE LANGUAGE, OR ASK QUESTIONS. FEEDBACK FROM TEACHERS SHOWED THAT: - OVERALL SATISFACTION - OVER 80% WERE SATISFIED WITH THEIR EXPERIENCES. - THE STUDENTS LEARNED SOMETHING NEW - 66% STRONGLY AGREED AND 24% AGREED THAT THEIR STUDENTS CAME AWAY HAVING EXPANDED THEIR CONTENT KNOWLEDGE. - PROGRAM CONNECTED TO CLASSROOM LEARNING - 61% STRONGLY AGREED AND 30% AGREED THEIR PROGRAM ADDRESSED CORE CURRICULUM CONTENT STANDARDS. - THERE WERE ENOUGH INTERACTIVE OPPORTUNITIES - 55% STRONGLY AGREED AND 20% AGREED WITH THE INTERACTIVE OPPORTUNITIES PRESENTED AS PART OF THEIR PROGRAMS. - 91% OF THE TEACHERS RECEIVED POSITIVE FEEDBACK ABOUT THE EXPERIENCE FROM THE STUDENTS. THIS IS ALSO CONFIRMED BY THE STUDENTS' FEEDBACK, WHO INDICATE AN OVERALL SATISFACTION OF 4.17 OUT OF 5. 34% INDICATED THEY LEARNT SOMETHING NEW, 40% HAD FUN, 6% MET NEW PEOPLE AND 20% SAID THAT THE EXPERIENCE MADE THEM WANT TO LEARN MORE. LONG-TERM, LONGITUDINAL TRACKING IS DONE FOR THE MUSEUM'S EXPLORERS PROGRAM, WHICH FOLLOWS WHERE STUDENTS GO TO COLLEGE, THEIR CHOICE OF MAJORS, WHETHER THEY GRADUATED AND WHAT DEGREES THEY WERE AWARDED, AND WHAT CAREER PATH THEY CHOSE. FORM 990, PART VI, SECTION A, LINE 6 THE BOARD OF TRUSTEES OF THE MUSEUM ESTABLISHES THE CLASSES OF MEMBERS, AND THE MEMBER'S QUALIFICATIONS, PRIVILEGES AND DUTIES. FORM 990, PART VI, SECTION A, LINE 7A THE MUSEUM'S MEMBERS ELECT THE MUSEUM'S TRUSTEES OTHER THAN THE EX-OFFICIO TRUSTEES. FORM 990, PART VI, SECTION A, LINE 7B UNDER THE NEW JERSEY NON-PROFIT CORPORATION ACT, CERTAIN SIGNIFICANT TRANSACTIONS REQUIRE MEMBERS' APPROVAL SUCH AS MERGER, CONSOLIDATION AND DISSOLUTION. FORM 990, PART VI, SECTION B, LINE 11B THE NEWARK MUSEUM OF ART BEEN PREPARED, REVIEWED BY MANAGEMENT (INCLUDING THE CFO), IT IS PRESENTED TO THE AUDIT COMMITTEE. AFTER THE AUDIT COMMITTEE REVIEWS/APPROVES THE FORM 990 AND WHEN THE RETURN IS READY TO BE FILED WITH THE INTERNAL REVENUE SERVICE, IT IS ELECTRONICALLY SENT TO ALL THE MUSEUM'S TRUSTEES FOR ANY COMMENTS. ANY COMMENTS ARE THEN SUMMARIZED AND DISCUSSED WITH THE OUTSIDE ACCOUNTING FIRM. EACH ISSUE IS DOCUMENTED AND ADDRESSED UNTIL THE RETURN IS FINALIZED FOR FILING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S CONFLICT OF INTEREST POLICY IS REVIEWED PERIODICALLY, BY THE BOARD OF TRUSTEES. THE BOARD OF TRUSTEES, COMMITTEE MEMBERS, AND OFFICERS OF THE MUSEUM COMPLETE ANNUAL CONFLICT AND RELATED PARTY QUESTIONNAIRES. THE MUSEUM'S CONFLICT OF INTEREST POLICY REQUIRES THAT TRUSTEES, COMMITTEE MEMBERS, AND OFFICERS DISCLOSE ANY CONFLICTS. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE MUST LEAVE THE BOARD OF TRUSTEES OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCLOSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS MUST DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE BOARD OF TRUSTEES OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE MUST LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRPERSON OF THE BOARD OF TRUSTEES OR COMMITTEE MUST, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE BOARD OF TRUSTEES OR COMMITTEE MUST DETERMINE WHETHER THE MUSEUM CAN AND/OR SHOULD OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT APPROPRIATE OR REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE BOARD OF TRUSTEES OR COMMITTEE MUST DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN THE MUSEUM'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT MUST MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. THE MINUTES OF THE BOARD OF TRUSTEES AND ALL COMMITTEES CONTAINS: 1. THE NAMES OF THE PERSONS WHO DISCLOSED OR OTHERWISE WERE FOUND TO HAVE A FINANCIAL INTEREST IN CONNECTION WITH AN ACTUAL OR POSSIBLE CONFLICT OF INTEREST, THE NATURE OF THE FINANCIAL INTEREST, ANY ACTION TAKEN TO DETERMINE WHETHER A CONFLICT OF INTEREST WAS PRESENT, AND THE BOARD OF TRUSTEES OR COMMITTEE'S DECISION AS TO WHETHER A CONFLICT OF INTEREST IN FACT EXISTED. 2. THE NAMES OF THE PERSONS WHO WERE PRESENT FOR DISCUSSIONS AND VOTES RELATING TO THE TRANSACTION OR ARRANGEMENT, THE CONTENT OF THE DISCUSSION, INCLUDING ANY ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT, AND A RECORD OF ANY VOTES TAKEN IN CONNECTION WITH THE PROCEEDINGS. FORM 990, PART VI, SECTION B, LINE 15 THE MUSEUM CONDUCTS A DETAILED REVIEW OF COMPENSATION FOR ITS CEO, OTHER OFFICERS, AND KEY EMPLOYEES AND ENSURES THAT THE COMPENSATION LEVELS COMPARE WITH ART MUSEUMS IN COMPARABLE MARKETS ACROSS THE COUNTRY. AS PART OF THIS PROCESS THE MUSEUM ALSO CONSIDERS PUBLISHED COMPENSATION SURVEYS AND COMPENSATION INFORMATION INCLUDED IN FORMS 990 FILED BY OTHER ART MUSEUMS. THIS INFORMATION IS REVIEWED BY THE COMPENSATION SUB-COMMITTEE OF THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES (AS MORE PARTICULARLY SET FORTH IN THE MUSEUM'S BYLAWS), WHO THEN APPROVES ANY CHANGES IN COMPENSATION. THIS PROCESS WAS LAST UNDERTAKEN IN 2022. CONTEMPORANEOUS SUBSTANTIATION OF THESE DELIBERATIONS AND DECISIONS ARE ACCOMPLISHED THROUGH MINUTES OF THE COMMITTEE'S MEETINGS. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM MAKES ITS FORM 990 AVAILABLE FOR PUBLIC INSPECTION AS REQUIRED UNDER SECTION 6104 OF THE INTERNAL REVENUE CODE. THE RETURN IS AVAILABLE ON GUIDESTAR.ORG AND OTHER SIMILAR TYPES OF WEBSITES. IN ADDITION, THE FORM 990 AS WELL AS ITS FINANCIAL STATEMENTS, CONFLICT OF INTEREST POLICY, CERTIFICATE OF INCORPORATION, AND BYLAWS ARE AVAILABLE UPON WRITTEN REQUEST OR BY CALLING THE MUSEUM DIRECTLY. FORM 990, PART XII, LINE 2C: THE MUSEUM HAS AN AUDIT COMMITTEE THAT ASSUMES RESPONSIBILITY FOR THE OVERSIGHT OF THE SELECTION OF AN INDEPENDENT AUDITOR AND THE AUDIT OF THE MUSEUM'S FINANCIAL STATEMENTS. THE MUSEUM DID NOT CHANGE ITS OVERSIGHT PROCESS DURING THE TAX YEAR.