2023-11-03T14:03:17-04:00 2022-12-31 990 2022-01-01 204261878 ANANYA DANCE THEATRE ANAN 6516503564 PO BOX 2427 MINNEAPOLIS MN 55402 GARY PETERSON MANAGING DIRECTOR 6516503564 2023-10-20 GARY PETERSON XXX-XX-XXXX false 2022 2023-04-26 12:10:37Z JENNIE WARD PO BOX 2427 MINNEAPOLIS MN 55402 1230430 false X WWW.ANANYADANCETHEATRE.ORG X 2005 MN ANANYA DANCE THEATER IS AN ENSEMBLE COMPANY OF BIPOC WOMEN AND FEMME PROFESSIONAL DANCE ARTISTS. WE CREATE ORIGINAL CONTEMPORARY DANCE THEATER AT THE INTERSECTION OF ARTISTIC EXCELLENCE AND SOCIAL JUSTICE. WE WORK TO DISMANTLE HIERARCHIES AND BUILD LIBERATION, INSPIRED BY THE LIVES AND DREAMS OF BIPOC WOMEN AND FEMMES AROUND THE GLOBE. WE WILL CELEBRATE OUR 20TH SEASON IN 2025. OUR ARTISTRY UNFOLDS THROUGH YORCHHA, OUR DEVISED CONTEMPORARY FEMINIST DANCE FORM, WHICH EMBODIES OUR RESPONSE TO THE WESTERN/EURO-AMERICAN MOVEMENT PRACTICES THAT DOMINATE THE CONTEMPORARY DANCE WORLD. YORCHHA PROUDLY CLAIMS THE DESCRIPTORS "CONTEMPORARY- AND "INNOVATIVE" EVEN AS IT CELEBRATES ITS CREATION FROM AN INTENTIONAL DECONSTRUCTION AND REASSEMBLY OF TRADITIONAL ODISSI, VINYASA YOGA, AND THE MARTIAL ART CHHAU. WHILE YORCHHA IS ROOTED IN PRINCIPLES OF SOUTH ASIAN MOVEMENT FORMS, WE SHAPE ITS EXPRESSION TO MOVE BEYOND AN AFFILIATION WITH "INDIAN CULTURE" THAT OFFERS CONSTRICTIVE UNDERSTANDINGS OF "HINDU" 10 10 14 0 1132768 471564 51020 755157 514 3709 0 1184302 1230430 0 0 171115 269053 0 23510 226820 293483 397935 562536 786367 667894 1499402 1737455 10524 201327 1488878 1536128 X ANANYA DANCE THEATER IS AN ENSEMBLE COMPANY OF BIPOC WOMEN AND FEMME PROFESSIONAL DANCE ARTISTS. WE CREATE ORIGINAL CONTEMPORARY DANCE THEATER AT THE INTERSECTION OF ARTISTIC EXCELLENCE AND SOCIAL JUSTICE. WE WORK TO DISMANTLE HIERARCHIES AND BUILD LIBERATION, INSPIRED BY THE LIVES AND DREAMS OF BIPOC WOMEN AND FEMMES AROUND THE GLOBE. WE WILL CELEBRATE OUR 20TH SEASON IN 2025. OUR ARTISTRY UNFOLDS THROUGH YORCHHA, OUR DEVISED CONTEMPORARY FEMINIST DANCE FORM, WHICH EMBODIES OUR RESPONSE TO THE WESTERN/EURO-AMERICAN MOVEMENT PRACTICES THAT DOMINATE THE CONTEMPORARY DANCE WORLD. YORCHHA PROUDLY CLAIMS THE DESCRIPTORS "CONTEMPORARY- AND "INNOVATIVE" EVEN AS IT CELEBRATES ITS CREATION FROM AN INTENTIONAL DECONSTRUCTION AND REASSEMBLY OF TRADITIONAL ODISSI, VINYASA YOGA, AND THE MARTIAL ART CHHAU. WHILE YORCHHA IS ROOTED IN PRINCIPLES OF SOUTH ASIAN MOVEMENT FORMS, WE SHAPE ITS EXPRESSION TO MOVE BEYOND AN AFFILIATION WITH "INDIAN CULTURE" THAT OFFERS CONSTRICTIVE UNDERSTANDINGS OF "HINDU" false false 358052 32528 THE PRINCIPAL ACTIVITY OF ANANYA DANCE THEATRE FOR 2022 WAS THE CREATION AND STAGED PRESENTATION OF "NUN GHERAO," A 92-MINUTE WORK OF ORIGINAL DANCE THEATER WITH COMMISSIONED MUSIC, UTILIZING THE SERVICES OF 20 PERFORMERS, DIRECTORS, MUSICIANS, AND COMPOSERS. PRESENTED AT THE O'SHAUGHNESSY AT ST. CATHERINE UNIVERSITY, ST. PAUL, MINNESOTA, AND ATTENDED BY 590 PEOPLE IN A CONTINUED, COVID-AFFECTED ENVIRONMENT. 40766 31472 ANANYA DANCE THEATRE LED AND PARTICIPATED IN MORE THAN 70 CLASSES, WORKSHOPS, AND LECTURES FOR YOUNG PEOPLE AND ADULTS BETWEEN JANUARY 1 AND DECEMBER 31, 2022. THESE CLASSES OCCURRED LARGELY ONLINE FOR STUDENTS AT BATES COLLEGE, EAST SIDE ARTS COUNCIL, LUTHER COLLEGE, SKIRBALL CULTURAL CENTER, UNIVERSITY OF UTAH, UNIVERSITY OF MASSACHUSETTS-AMHERST, UNIVERSITY OF CALIFORNIA-RIVERSIDE, THE SHAWNGRAM INSTITUTE FOR PERFORMANCE & SOCIAL JUSTICE, AMONG OTHERS. TOTAL ATTENDANCE: 950+ 87548 94644 ANANYA DANCE THEATRE PRESENTED PERFORMANCES OF "DASTAK: I WISH YOU ME" ON TOUR AT FOUR VENUES: BATES COLLEGE, UNIVERSITY OF UTAH, SKIRBALL CULTURAL CENTER, UNIVERSITY OF MASSACHUSETTS-AMHERST. TOTAL ATTENDANCE: 1,617 3500 ANANYA DANCE THEATRE MAINTAINED A MARKETING PRESENCE AT THE WESTERN ARTS ALLIANCE CONFERENCE (ONLINE), THE ARTS MIDWEST CONFERENCE (IN-PERSON), AND THE 2022 APAP CONFERENCE (ONLINE), HELD A BOOK PUBLICATION CELEBRATION FOR ITS NEW ANTHOLOGY (IN-PERSON AND ONLINE), CONDUCTED A CHOREOGRAPHY LABORATORY FOR EMERGING CREATIVE DANCE ARTISTS, CONDUCTED A WORKSHOP FOR THE NATIONAL PERFORMANCE NETWORK ANNUAL CONFERENCE, STORED COSTUMES AND SET PIECES FROM PAST PRODUCTIONS AT AN OFF-SITE FACILITY, AND MAINTAINED A PHYSICAL FACILITY BEYOND THE REQUIREMENTS OF SPECIFIC PROGRAM PROJECTS, MANAGEMENT, AND FUNDRAISING. TOTAL ATTENDANCE: 34 (IN-PERSON), 201+ (ONLINE). 3500 489866 true true false false false false false false false false true false false true true false true false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false true 16 0 true 14 true false false false false false false false false false false false false false false X 10 10 false false false false false false false true true false false true true true true true true true true false MN X ROBERT LYNN 6516503564 2103 JULIET AVENUE SAINT PAUL MN 55105 GARY PETERSON MANAGING DIR 30.00 X 38850 0 0 ANANYA CHATTERJEA ARTISTIC DIR 30.00 X 750 0 0 SHERIE APUNGU DIRECTOR 1.00 X 0 0 0 DIVYA KARAN DIRECTOR 1.00 X 0 0 0 GINA KUNDAN CHAIRPERSON 2.00 X X 0 0 0 IRNA LANDRUM DIRECTOR 1.00 X 0 0 0 ROBERT LYNN TREASURER 1.00 X X 0 0 0 DAVID MURA VICE CHAIR 1.00 X X 0 0 0 E GAYNELL SHERROD DIRECTOR 1.00 X 0 0 0 JENNIE WARD MANAGING DIR 1.00 X 0 0 0 39600 false false false 88714 382850 471564 ASSETS RELEASED FROM RESTRICT 625000 625000 PERFORMANCES 119411 119411 WORKSHOPS AND CLASSES 10746 10746 755157 3709 3709 1230430 755157 3709 X 251550 224751 14387 12412 17503 15429 1108 966 74137 64979 9158 42290 36913 2651 2726 75001 52126 19234 3641 1131 671 460 45967 45967 38418 33539 1767 3112 16539 15491 395 653 562536 489866 49160 23510 762059 1319255 663217 39770 7500 6665 6194 249555 227087 56988 22468 155560 2973 194208 1499402 1737455 2737 10524 198590 10524 201327 X 863878 1536128 625000 1488878 1536128 1499402 1737455 X 667894 4356 -625000 X false true X true false X 368726 432106 353228 1132768 471564 2758392 90053 113193 22419 51020 755157 1031842 941 941 458779 546240 375647 1183788 1226721 3791175 3791175 1100 1067 730 514 3709 7120 1100 1067 730 514 3709 7120 1252 1252 461131 547307 376377 1184302 1230430 3799547 0.99780 0.99810 0.00000 0.00000 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 168868 155908 12960 80687 71179 9508 22468 LEASE RIGHT-OF-USE ASSET 191235 SECURITY DEPOSIT 2720 CASH - FISCAL SPONSORSHIP ACCOUNT 253 194208 NONCURRENT OPERATING LEASE LIABILITY 154792 CURRENT OPERATING LEASE LIABILITY 36443 ACCRUED EXPENSES 7355 198590 1230430 1230430 1230430 562536 562536 562536 FORM 990 - ORGANIZATION'S MISSION ANANYA DANCE THEATER IS AN ENSEMBLE COMPANY OF BIPOC WOMEN AND FEMME PROFESSIONAL DANCE ARTISTS. WE CREATE ORIGINAL CONTEMPORARY DANCE THEATER AT THE INTERSECTION OF ARTISTIC EXCELLENCE AND SOCIAL JUSTICE. WE WORK TO DISMANTLE HIERARCHIES AND BUILD LIBERATION, INSPIRED BY THE LIVES AND DREAMS OF BIPOC WOMEN AND FEMMES AROUND THE GLOBE. WE WILL CELEBRATE OUR 20TH SEASON IN 2025. OUR ARTISTRY UNFOLDS THROUGH YORCHHA, OUR DEVISED CONTEMPORARY FEMINIST DANCE FORM, WHICH EMBODIES OUR RESPONSE TO THE WESTERN/EURO-AMERICAN MOVEMENT PRACTICES THAT DOMINATE THE CONTEMPORARY DANCE WORLD. YORCHHA PROUDLY CLAIMS THE DESCRIPTORS "CONTEMPORARY- AND "INNOVATIVE" EVEN AS IT CELEBRATES ITS CREATION FROM AN INTENTIONAL DECONSTRUCTION AND REASSEMBLY OF TRADITIONAL ODISSI, VINYASA YOGA, AND THE MARTIAL ART CHHAU. WHILE YORCHHA IS ROOTED IN PRINCIPLES OF SOUTH ASIAN MOVEMENT FORMS, WE SHAPE ITS EXPRESSION TO MOVE BEYOND AN AFFILIATION WITH "INDIAN CULTURE" THAT OFFERS CONSTRICTIVE UNDERSTANDINGS OF "HINDU" IDENTITY. OUR PRACTICE INCLUDES (1) DEVISED CONCERT STAGE PRODUCTIONS, PREMIERED ANNUALLY; (2) WORKSHOPS, CLASSES, AND DIALOGUES WITH PEOPLE FROM REFUGEE, IMMIGRANT, INDIGENOUS, BLACK, AND OF COLOR COMMUNITIES, WITH PARTICULAR FOCUS ON BUILDING SOLIDARITIES AND HEALING; AND (3) PARTICIPATORY PERFORMANCES THAT INVITE AUDIENCES TO EMBODY POSSIBILITIES OF MOVING TOGETHER, NEGOTIATING SPACE, FINDING RHYTHM, AND SHARING HUMANITY WITH PEOPLE THEY MIGHT NOT KNOW. OUR CORE VALUES: REACH OUT IN SOLIDARITY WITH GLOBAL LIBERATION STRUGGLES REACH IN FOR INTERSECTIONAL JUSTICE PRACTICE WITH RIGOR & EXCELLENCE CENTER INTERCONNECTED RELATIONSHIP BUILD FEMINIST ENSEMBLE UPLIFT DIFFERENCE AND AESTHETIC/CULTURAL SPECIFICITY FORM 990, PAGE 2, PART III, LINE 4D ANANYA DANCE THEATRE MAINTAINED A MARKETING PRESENCE AT THE WESTERN ARTS ALLIANCE CONFERENCE (ONLINE), THE ARTS MIDWEST CONFERENCE (IN-PERSON), AND THE 2022 APAP CONFERENCE (ONLINE), HELD A BOOK PUBLICATION CELEBRATION FOR ITS NEW ANTHOLOGY (IN-PERSON AND ONLINE), CONDUCTED A CHOREOGRAPHY LABORATORY FOR EMERGING CREATIVE DANCE ARTISTS, CONDUCTED A WORKSHOP FOR THE NATIONAL PERFORMANCE NETWORK ANNUAL CONFERENCE, STORED COSTUMES AND SET PIECES FROM PAST PRODUCTIONS AT AN OFF-SITE FACILITY, AND MAINTAINED A PHYSICAL FACILITY BEYOND THE REQUIREMENTS OF SPECIFIC PROGRAM PROJECTS, MANAGEMENT, AND FUNDRAISING. TOTAL ATTENDANCE: 34 (IN-PERSON), 201+ (ONLINE). FORM 990, PAGE 6, PART VI, LINE 11B BOARD MEMBERS ARE EACH PROVIDED WITH A DRAFT COPY OF FORM 990 AND ALL ACCOMPANYING SCHEDULES FOR REVIEW PRIOR TO A REGULAR MEETING OF THE BOARD. FOLLOWING DISTRIBUTION OF THIS DRAFT, AND AFTER DISCUSSION AND REVIEW OF THE RETURN AT THE NEXT BOARD MEETING, EITHER 1)THE DRAFT WILL BE APPROVED BY THE BOARD, EXECUTED AND PREPARED FOR FILING AT THAT TIME; OR 2)IF CHANGES ARE INDICATED, THE TREASURER WILL BE CHARGED WITH REVISING THE RETURN AND SUBMITTING A REVISED DRAFT FOR REVIEW AND APPROVAL AT THE NEXT BOARD MEETING. IF NECESSARY, A SPECIAL MEETING OF THE BOARD MAY BE HELD FOR THIS FINAL APPROVAL OF THE RETURN. FORM 990, PAGE 6, PART VI, LINE 12C OFFICERS, DIRECTORS AND KEY EMPLOYEES ARE REQUIRED TO SUBMIT A STANDARD CONFLICT OF INTEREST FORM TO THE BOARD AT ANY TIME WHEN AN APPARENT OR POSSIBLE CONFLICT ARISES. FORM 990, PAGE 6, PART VI, LINE 15A TO DETERMINE INITIAL COMPENSATION OF ANY KEY EMPLOYEE, AND TO DETERMINE PERIODIC ADJUSTMENTS OF COMPENSATION, ARTS ORGANIZATIONS OF A SIMILAR SIZE IN THE MINNEAPOLIS AND ST. PAUL AREA ARE CONSULTED. IN ADDITION, A LOCAL ARTS SERVICE ORGANIZATION (SPRINGBOARD FOR THE ARTS) HAS BEEN ENGAGED TO FURTHER CONFIRM APPROPRIATE COMPENSATION RANGES. THE PROPOSED COMPENSATION OR ADJUSTMENT THEREOF FOR A KEY EMPLOYEE IS THEN SUBMITTED TO THE BOARD OF DIRECTORS FOR FINAL APPROVAL. OFFICERS AND DIRECTORS RECEIVE NO COMPENSATION FOR THEIR SERVICES AS OFFICERS AND DIRECTORS. FORM 990, PAGE 6, PART VI, LINE 15B TO DETERMINE INITIAL COMPENSATION OF ANY EMPLOYEE, AND TO DETERMINE PERIODIC ADJUSTMENTS OF COMPENSATION, ARTS ORGANIZATIONS OF A SIMILAR SIZE IN THE MINNEAPOLIS AND ST. PAUL AREA ARE CONSULTED. IN ADDITION, A LOCAL ARTS SERVICE ORGANIZATION (SPRINGBOARD FOR THE ARTS) HAS BEEN ENGAGED TO FURTHER CONFIRM APPROPRIATE COMPENSATION RANGES. THE PROPOSED COMPENSATION OR ADJUSTMENT THEREOF FOR AN EMPLOYEE IS THEN SUBMITTED TO THE BOARD OF DIRECTORS FOR FINAL APPROVAL. FORM 990, PAGE 6, PART VI, LINE 19 COPIES OF GOVERNING DOCUMENTS MAY BE REQUESTED BY TELEPHONE, AT 612-486-2238, BY MAIL, AT P. O. BOX 2427, MINNEAPOLIS, MINNESOTA 55402, OR BY EMAIL AT ADMIN@ANANYADANCETHEATRE.ORG. FORM 990, PART IX, LINE 11G OUTSIDE SERVICES 0 7,500 0 PERMITS AND FEES 0 238 0 INSTRUCTORS 1,445 0 0 PRODUCTION COLLABORATORS 42,255 0 0 MISCELLANEOUS 150 0 0 COSTUME CONSTRUCTION/MATERIAL 4,518 0 0 SET CONSTRUCTION/MATERIAL 4,087 0 0 MISC PRODUCTION COSTS 12,524 1,420 0 TOTAL 64,979 9,158 0 FORM 990, PART XI, LINE 9 NET ASSETS RELEASED FROM RESTRICTIONS -625,000